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Plural logic has seen a surge of interest in recent years. This book explores its broader significance for philosophy, logic, and linguistics. What can plural logic do for us? Are the bold claims made on its behalf correct? The result is a more nuanced picture of plural logic's applications than has been given thus far.
When it is taught today, metaphysics is often presented as a fragmented view of philosophy that ignores the fundamental issues of its classical precedents. Eschewing these postmodern approaches, W. Norris Clarke finds an integrated vision of reality in the wisdom of Aquinas and here offers a contemporary version of systematic metaphysics in the Thomistic tradition. The One and the Many presents metaphysics as an integrated whole which draws on Aquinas' themes, structure, and insight without attempting to summarize his work. Although its primary inspiration is the philosophy of St. Thomas himself, it also takes into account significant contributions not only of later philosophers but also of those developments in modern science that have philosophical bearing, from the Big Bang to evolution.
The problem of the one and the many is central to ancient Greek philosophy, but surprisingly little attention has been paid to Aristotle's treatment of it in the Metaphysics. This omission is all the more surprising because the Metaphysics is one of our principal sources for thinking that the problem is central and for the views of other ancient philosophers on it.The Central Books of the Metaphysics are widely recognized as the most difficult portion of a most difficult work. Halper uses the problem of the one and the many as a lens through which to examine the Central Books. What he sees is an extraordinary degree of doctrinal cogency and argumentative coherence in a work that almost everyone else supposes to be some sort of patchwork. Rather than trying to elucidate Aristotle's doctrines-most of which have little explicitly to do with the problem, Halper holds that the problem of the one and the many, in various formulations, is the key problematic from which Aristotle begins and with which he constructs his arguments. Thus, exploring the problem of the one and the many turns out to be a way to reconstruct Aristotle's arguments in the Metaphysics. Armed with the arguments, Halper is able to see Aristotle's characteristic doctrines as conclusions. These latter are, for the most part, supported by showing that they resolve otherwise insoluble problems. Moreover, having Aristotle's arguments enables Halper to delimit those doctrines and to resolve the apparent contradiction in Aristotle's account of primary ousia, the classic problem of the Central Books. Although there is no way to make the Metaphysics easy, this very thorough treatment of the text succeeds in making it surprisingly intelligible.
Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The "character-space," as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation. Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.
How God relates to the world lies at the heart of the most intense debates in modern theology and philosophy. Movements of Nouvelle Théologie, process theology, radical orthodoxy, modern Trinitarian theology and postmodern theology (i.e. Jean-Luc Marion) all seek to reconsider God’s relation to the world as a corrective of what they perceive as problematic. Of particular significance is the recent revival of the theology of participation, as promoted by Radical Orthodoxy in UK and Hans Boersma in North America. Facing excessive secularism and fragmentation of the modern Western world, Radical Orthodoxy and Boersma resort to the pre-modern theology of participation as the way forward. Relying heavily on Platonism, however, their participatory theology, as critics pointed out, tends to compromise the intrinsic goodness of the creation. In this book, Ge proposes that a distinctively Christian theology of participation anchored in creatio ex nihilo, developed by Augustine and brought to the fore by Aquinas, provides a more promising solution which not only secures the unity of things in God but also the goodness of creaturely plurality. Since participation in its origin is a solution to the problem of the One and the Many, Ge employs Gunton’s framework of the one and the many in his discussion of Augustine and Aquinas’s theologies of participation. By reshaping their concepts of participation in the light of the doctrine of creation, Ge argues, these thinkers have profoundly transformed the metaphysics of participation, making it finally more suitable for describing the unique relationship between God’s unity and creaturely plurality. This Christian metaphysics of participation is not only an advance on Radical Orthodoxy and Boersma, but also superior to competing theories of reality such as pluralism and reductionist physicalism. The book will also bring out implications for modern science-religion dialogues, the core of which concerns how God relates to the world.
What is truth? Michael Lynch defends a bold new answer to this question. Traditional theories of truth hold that truth has only a single uniform nature. All truths are true in the same way. More recent deflationary theories claim that truth has no nature at all; the concept of truth is of no real philosophical importance. In this concise and clearly written book, Lynch argues that we should reject both these extremes and hold that truth is a functional property. To understand truth we must understand what it does, its function in our cognitive economy. Once we understand that, we'll see that this function can be performed in more than one way. And that in turn opens the door to an appealing pluralism: beliefs about the concrete physical world needn't be true in the same way as our thoughts about matters — like morality — where the human stain is deepest.
This study offers a theological analysis of, and response to, the modern world, and is at once a theology of culture and of creation. In the first half of the book, Gunton expounds some of the distinctive and often contradictory features of modern culture. It emerges that modern culture, far from being unique in its difficulties, reflects similar inadequacies in ancient thought. The distinctive pathos of modernity is to be found in one unique feature, namely the displacement of God that is a mark of all realms of life. The roots of the problem are sought beyond the Enlightenment, where they are often located, in the combination of platonism and Christian theology which dominated medieval Christian thought. At the heart of the matter is a deficient - because of an inadequately trinitarian - understanding of creation and creation's God. The second half of the book develops a powerful theology of creation where due weight can be given to both universal and particular, both society and the individual.
The question of where ultimacy lies should be central to the Christian. It is easy to see the social implications of allowing priority to fall to either the one or the many. This volume examines in-depth the Christian solution to the problem of the one and the many - the Trinitarian God. Only in the godhead is this dilemma resolved. Only in the Trinity does there reside an equal ultimacy of unity and plurality. Rushdoony examines the history of Western thought from the standpoint of the one and the many and demonstrates clearly that the most astute thinkers were unable to resolve this philosophical conflict. What is needed now is a complete return to the Trinitarian view of God and its implications for a Christian social order.
DIVExamines questions of agency, artisanship, and identity in relation to collaborative art practice./div
This book reminds me, in the sweetest way possible, that I probably should have never left Nashville.— CHRIS THILE Introduction by Pulitzer Prize-winning Author Jon Meacham. A dynamic, experiential, and intimate portrait that explores the many sides of the legendary Southern city and country music capital, from award-winning writers Ann Patchett, Jon Meacham, and acclaimed photographer Heidi Ross. Nashville is a creative collaboration that awakens the senses, providing a virtual immersion in this unique American city hailed as the Athens of the South. Patchett, Ross, and Meacham in his introduction, at once capture both the city’s iconic historical side—its deep, rich Southern roots, from its food and festivals to its famous venues, recording studios, and style—and its edgier, highly vibrant creative side, which has made it a modern cultural mecca increasingly populated by established and upcoming artists in art, film, and music. Nashville celebrates Nashvillians’ beloved locales and events, both established and new, that are the heart of the city’s character including: Bobbie’s Dairy Dip Broadway Cumberland River Buchanan Arts District Bolton’s Chicken and Fish Dino’s East Nashville Tomato Arts Festival Germantown The Gulch Grand Ole Opry Pie Town (SoBro) Pride Festival Prince’s Hot Chicken Schermerhorn Symphony Center Stanley Cup Playoffs Tennessee Performing Arts Center Tennessee State Fair Third Man Records WXNA Independent Radio Here, too, are engaging vignettes spotlighting the diverse talent that makes the Tennessee city a significant cultural incubator and influencer, including singer-songwriters Marty Stuart, Gillian Welsh, and Dave Rawlings; film director Harmony Korine, textile designer Andra Eggleston, country music fashion designer to the stars Manuel, chef Margot McCormack, acclaimed pastry chef Lisa Donovan, and model and musician Karen Elson. Blending exceptional narrative, evocative photography—including 175 black-and-white and color photographs—and a bold graphic design, Nashville is an intimate, textured panorama that brilliantly illuminates one of America’s most remarkable treasures.