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Alphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.
It is 1739 and Alphonse van Worden, a Walloon officer serving the King of Spain, spends the night in a haunted inn in the Sierra Morena where he is plunged into a series of adventures, by turns mysterious, erotic and nightmarish. Convinced that he is being hunted by the Inquisition, he joins a band of wanderers - including a gypsy chief, a geometer, a cabbalist and the Wandering Jew himself - who travel aimlessly while regaling their companions with a hundred and more stories, and stories within stories, told over the course of sixty-six 'days', each day as disorienting as a thousand and one nights. And this nest of stories frames yet more stories driving the reader ever deeper into a labyrinth of sadism, satanism, the cabbala and other phantoms brought forth by the sleep of eighteenth-century Reason. For as well as being one of the great masterpieces of subversion, The Manuscript Found in Saragossa is also an encyclopedia of the dark side of the European Enlightenment. The Manuscript Found in Saragossa was written in French, probably between 1797 and 1815; this new translation makes the full text available in English for the first time.
For more than three decades, Lucien ' one of the most notorious characters in the history of the novel ' has haunted the imaginations of readers around the world. Remarkably, the astounding protagonist of Gabrielle Wittkop's lyrical 1972 novella, The Necrophiliac, has never appeared in English until now. This new translation introduces readers to a masterpiece of French literature, striking not only for its astonishing subject matter but for the poetic beauty of the late author's subtle, intricate writing. Like the best writings of Edgar Allan Poe or Baudelaire, Wittkop's prose goes far beyond mere gothic horror to explore the melancholy in the loneliest depths of the human condition, forcing readers to confront their own mortality with an unprecedented intimacy.
The Routledge World Companion to Polish Literature offers an introduction to Polish literature through thirty-three case studies, covering works from the Middle Ages up to the present day. Each chapter draws on a text or body of work, examining its historical context, as well as its international reception and position within world literature. The book presents a dual perspective on Polish literature, combining original readings of key texts with discussions of their two-way connections with other literatures across the globe. With a detailed introduction offering a narrative overview, the book is divided into six sections offering a chronological pathway through the material. Contributors from around the world examine the various cultural exchanges at play, with each chapter including: Definitions of key terms and brief overviews of historical and political events, literary eras, trends, movements, groups, and institutions for those new to the area Analysis and notes on translations, including their hidden dimensions and potential Textual focus on poetics, such as strategies of composition, style, and genre A range of historical, sociological, political, and economic contexts From medieval song through to the contemporary novel, this book offers an interpretive history of Polish literature, while also positioning its significance within world literature. The detailed introductions make it accessible to beginners in the area, while the original analysis and focused case studies will also be of interest to researchers.
A cult classic that “combines the genres of travelogue, fable, dream narrative, novel and confessional into one beguiling whole” (Publishers Weekly). The hero and guiding force of this epic fantasy is an insomniac young man who, unable to sleep, guides the reader through the narrow streets of Cairo—a mysterious city full of deceit and trickery. He narrates a complex tangle of dreams and imaginings that describe an atmosphere constantly shifting between sumptuously learned experiences, erotic adventure, and dry humor. The result is a thought-provoking puzzle box of sex, philosophy, and theology, reminiscent of Italo Calvino and Umberto Eco. “Deft and lovely . . . The smooth steely grip of Irwin’s story-telling genius is a joy to read.” —The Washington Post “The Arabian Nightmare is a conceit worthy of Borges.” —The New York Times “[Irwin’s] fascination for inner perception, helped along with a delight in Scheherazadian frames and exotic lore, makes for quite a rich experience: a strangely playful construct that, like an intricate Chinese box, delights with each unexpected combination and hidden drawer.” —Kirkus Reviews
The patriarch of the Peniel family, with his own daughter, fathers a son, Victor-Flandrin, who goes on to sire fifteen children of his own. "Their stories, in turn, are driven by eccentricity and surges of inexplicable events, but no amount of magic or love can keep the Peniels safe from the murderous engines of the world wars."--Booklist review.
**Shortlisted for Waterstones Book of the Year** The Penguin Classics Book is a reader's companion to the largest library of classic literature in the world. Spanning 4,000 years from the legends of Ancient Mesopotamia to the poetry of the First World War, with Greek tragedies, Icelandic sagas, Japanese epics and much more in between, it encompasses 500 authors and 1,200 books, bringing these to life with lively descriptions, literary connections and beautiful cover designs.
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.