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Captain Harry Butler, AFC, was a national hero in the early 1920s. Hailed as a top aviator, his legacy continues to this day, yet he has been largely forgotten. Harry Butler returned from war with two aircraft and dreams of starting an industry. With his little crimson monoplane, Red Devil, Captain Butler inspired many thousands as he performed aerial shows in support of Peace Loan efforts. He made the first airmail crossing over a significant body of water in the Southern Hemisphere; established, with the famous engineer Harry Kauper, the first passenger flight business in South Australia; took the first aerial photographs; and set up what became the first Commonwealth Government airport in Adelaide. From Butler's childhood in the tiny farming community of Minlaton, where he was inspired by stories of early flight experimentation, to his role as a senior flight instructor in the Royal Flying Corps in England and his postwar experiences, The Red Devil tells the story of a pivotal figure in early aviation in Australia and, through his pilot training role, throughout the world.
Suffragist and social justice advocate Mary Lee was determined to leave the world a better place than she found it. The feisty 59-year-old widow, of limited means and with few family and friends, settled in Adelaide in 1879 and immediately set to work. Undaunted by the opposition of antagonistic politicians and a conservative public, Mary thrust herself into high profile campaigns in support of female refuge, improving women's working conditions and gaining women's suffrage. In 1894, South Australia became the first place in the world to pass legislation giving women the right to vote and be elected members of parliament, thanks in no small part to Mary Lee's energy and committed determination. The disappearance of Mary Lee's journals and most of her letters, along with a dearth of recorded women's history, kept her contribution to history hidden for more than 125 years. Undeterred, author Denise George travelled to Ireland and her painstaking examination of local records both there and in Adelaide revealed the compelling story of a woman who took on the Establishment, and won. 'I hope Mrs Lee will forgive me indicating that in my youthful opinion she is a turbulent anarchist.' - Young South Australian, 1893
Highlights from the Library's Pictures Collection - the stories behind some of our most interesting paintings.
Skin Deep looks at the preoccupations of European-Australians in their encounters with Aboriginal women and the tropes, types, and perceptions that seeped into everyday settler-colonial thinking. Early erroneous and uninformed accounts of Aboriginal women and culture were repeated throughout various print forms and imagery, both in Australia and in Europe, with names, dates, and locations erased so that individual women came to be anonymized as 'gins' and 'lubras.' The book identifies and traces the various tropes used to typecast Aboriginal women, contributing to their lasting hold on the colonial imagination even after conflicting records emerged. The colonial archive itself, consisting largely of accounts by white men, is critiqued in the book. Construction of Aboriginal women's gender and sexuality was a form of colonial control, and Skin Deep shows how the industrialization of print was critical to this control, emerging as it did alongside colonial expansion. For nearly all settlers, typecasting Aboriginal women through name-calling and repetition of tropes sufficed to evoke an understanding that was surface-based and half-knowing: only skin deep. *** "Impressively researched, written, organized and presented...highly recommended for community and academic library Aboriginal Studies, Women's Studies, Australian Studies, and Colonial History reference collections." --Midwest Book Review, MBR Bookwatch: October 2016, Helen's Bookshelf [Subject: Cultural History, Aboriginal Studies, Women's Studies, Australian Studies, Colonial Studies]
Health and Architecture offers a uniquely global overview of the healthcare facility in the pre-modern era, engaging in a cross-cultural analysis of the architectural response to medical developments and the formation of specialized hospitals as an independent building typology. Whether constructed as part of Chinese palaces in the 15th century or the religious complexes in 16th century Ottoman Istanbul, the healthcare facility throughout history is a built environment intended to promote healing and caring. The essays in this volume address how the relationships between architectural forms associated with healthcare and other buildings in the pre-modern era, such as bathhouses, almshouses, schools and places of worship, reflect changing attitudes towards healing. They explore the impact of medical advances on the design of hospitals across various times and geographies, and examine the historic construction processes and the stylistic connections between places of care and other building types, and their development in urban context. Deploying new methodological, interdisciplinary and comparative approaches to the analysis of healthcare facilities, Health and Architecture demonstrates how the spaces of healthcare themselves offer some of the most powerful and practical articulations of therapy.
This is the story of Caleb Hoskins a first generation Australian born in Walkerville, South Australia in 1849. He was the sixth child born to Andrew and Ann Hoskins, who raised eleven children in the early years of the South Australian colonisation. This story is a biography of known facts, deduced from wide ranging research, woven through a fictional tale. Caleb spent his childhood in Prospect village, living in a tent and using the River Torrens as his playground with his younger brother Jim. The Hoskins brothers, Fred, George, Caleb and Jim together with Bill Walkington carted copper via bullock drays from the Kooringa (Burra) mines, Yudanamutana mine and the Blinman and Sliding Rock mines to Gawler/Kapunda and Port Augusta respectively, and partnered with John McDonald to provide horse and coach passenger transport and mail delivery in the northern districts of South Australia during the 1860s and early 1870s. Three of the Hoskins Brothers, Fred, Caleb and Jim, together with Bill Walkington made three trips into the Outback by bullock drays, carting telegraph equipment and rations for the Overland Telegraph Line construction, during 1870 to 1872. Their three trips took them from Port Augusta to Charlotte Waters, the Goyder River and Alice Springs. On one occasion they were accosted by aborigines and Calebs slight knowledge of their language saved the day when he realised that all they wanted was access to the water that they carried on their drays. Caleb Hoskins also participated in the Ruby Rush into the East MacDonnell Ranges in the Northern Territory in 1887, which proved to be a falsehood once the gemstones were identified as worthless garnets. Caleb then found work on the construction of the old Ghan line, from 1888 to 1890 during one of many economic depressions that affected the colony. In 1891 the Great Northern Railway line was opened for business from Port Augusta to Oodnadatta and Caleb secured a position as a packer and worked at many railway stations along the track from 1891 until 1914. Caleb Hoskins passed away at Quorn, South Australia on Thursday 29 July 1926 aged 77 years. Later that same day, on being informed that his brother had passed away, James Hoskins dropped dead aged 72 years. Caleb and Jim are both honoured with Unsung Heroes of the Outback plaques in the Australian Stockmans Hall of Fame at Longreach, Queensland for their efforts in the Overland Telegraph Line construction.
From jitterbugging and Big Brother to the introduction of television and the rise of file-sharing, this study explores the ways in which popular culture has developed and changed in Australia from the end of World War II to today. In order to understand the massive social and cultural changes that have taken place Down Under, popular culture is examined through three main lenses: consumerism and the development of a mass consumer society, the impact of technological change, and the ways in which popular culture contributes to and articulates individual and collective identities. Providing the first integrated account of Australian post-war culture, this reference analyzes film, television, sports, music, and leisure in relation to each other rather than as stand-alone cultural forms.
This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.
The first major biography of Don Dunstan, one of the few state premiers to stride the national stage and make a lasting mark on Australian life. Don Dunstan was one of the most significant political figures of twentieth-century Australia. As Premier of South Australia, he blazed a trail of reform. But his influence reached far beyond his home state. He was seen as the architect of a new kind of Australian society, and his decade in office marked a golden age. This is the first comprehensive biography of a larger than life figure. Angela Woollacott recounts how he battled Adelaide's conservative establishment to win office for Labor, and then pioneered Aboriginal land rights, abolished the death penalty, supported women's rights, relaxed censorship and drinking laws and decriminalised homosexuality. He worked against the White Australia Policy, and was an ardent supporter of the arts and food. Although he was much loved by the public, Dunstan's career was marked by controversy and vilification, with scandal surrounding his personal relationships. Dunstan's life story helps us to appreciate just what a watershed era the 1960s and 1970s were in Australia, and to see how one small state could, for a time, lead a nation. 'A fitting tribute' - Penny Wong 'Whitlam and Dunstan were the Washington and Jefferson of modern Australian Labor politics.' - Mike Rann 'Angela Woollacott's biography captures what was so special about him.' - Maggie Beer
How did the big banks get away with so much for so long? Why are so many aged-care residents malnourished? And when did arms manufacturers start sponsoring the Australian War Memorial? In this passionate essay, Richard Denniss explores what neoliberalism has done to Australian society. For decades, we have been led to believe that the private sector does everything better, that governments can’t afford to provide the high-quality services they once did, but that security and prosperity for all are just around the corner. In fact, Australians are now less equal, millions of workers have no sick leave or paid holidays, and housing is unaffordable for many. Deregulation, privatisation and trickle-down economics have, we are told, delivered us twenty-seven years of growth ... but to what end? In Dead Right, Denniss looks at ways to renew our democracy and discusses everything from the fragmenting Coalition to an idea of the national interest that goes beyond economics. ‘Neoliberalism, the catch-all term for all things small government, has been the ideal cloak behind which to conceal enormous shifts in Australia’s wealth and culture ... Over the past thirty years, the language, ideas and policies of neoliberalism have transformed our economy and, more importantly, our culture’ —Richard Denniss, Dead Right