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Two young men are caught in the crosshairs of shady government operations, mafias, and billionaires. A multi-generational family drama unfolds into an observation of violence in American History: from the Oregon Trail, to the nuclear age, the Vietnam War, and a post-9/11 world.
Joseph Skizzen's family fled from Austria in 1938 to London where his father disappeared, he and his family then relocated to small town Ohio and Joseph grows up to be a decent piano player with a deeply fractured sense of identity.
The conflicts between love and hate, good and evil, and life and art are explored in a portrait of Alaric Darconville, a twenty-nine-year-old professor at Quinsy College--a women's college in Virginia--who falls in love with and is jilted by one of his students
Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.
Con-man, filmmaker (currently working on producing Jesus 2001, what he calls the religious equivalent of The Godfather), descendent of a wealthy and prestigious New York family whose wealth and prestige are in sharp decline, racist and anti-Semite (though Simon dislikes all ethnic groups equally), possessor of never-satisfied appetites (food, women, drink, but most of all, money and more money), and the fastest talker since Falstaff, Simon is on a quest that goes backwards.
Voices after Evelyn seeks not so much to dig up a cold case--the 1953 disappearance of La Crosse, Wisconsin, babysitter Evelyn Hartley-- as reopen its heart. A fugue of voices across time (cracked, offensive, profound) reverberating toward today, when the phantoms of socalled innocence and greatness grow scarier than anything that took Evelyn away. An unsolved crime that jaundiced the way a town saw itself and its relationship to the outside world is rendered into a polyphonic, farcical, yet accurate visitation to the 1950s Midwest, where banality and inspired caprice make for an odd mix of the hilarious and terrifying. "Rick Harsch is America's lost Midwest noir genius, an heir to the more lurid Faulkner, an ex-pat living in Slovenia, a master of dialogue. Voices after Evelyn is a fictional take on true crime, and its bloody heart in the real, still-unsolved 1953 disappearance of teenage Evelyn Hartley in La Crosse, Wisconsin. Through that victimization, Harsch makes us look at other victims, survivors too, and throughout the novel, a Greek-style chorus sings songs of rage and loss and puzzlement. Voices after Evelyn is taut and funny, smart and haunting, enraging and true."--Daniel A. Hoyt, author, Then We Saw the Flames
It's an otherwise ordinary week in April, the week after Easter, 2009. Late in the week, a man wakes up in Guanajuato, Mexico, with his knowledge intact, but with no memory of who he is, or how he came to live in Guanajuato. Early in the week, a venture capitalist sits at his desk in an office tower in Los Angeles, attempting to complete his business memoirs, but troubled by the fact that a recent deal appears to be some sort of money-laundering scheme. And in the middle of the week, just before dawn on April 15, two gunmen arrive at an El Paso motel to retrieve a duffel bag stuffed full of currency, and eliminate the man who brought it to El Paso. Thus begins the three-stranded narrative of Novel Explosives, a fiendishly funny search for identity that travels through the worlds of venture finance, the Juarez drug wars, and the latest innovations in thermobaric weaponry, a joyride of a novel with only one catch: the deeper into the book you go, the more dangerous it gets. At the palpitating heart of the novel, at its roiling fundamental core, lies an agonizing reappraisal of the way the U.S behaves in the world, a project that grows more urgent by the day.
"Profound, funny ... wild and moving ... heartbreaking accounts of a lonely black childhood.... Brown sees racial oppression in national and global context; every political word she writes pounds home a lesson about commerce, money, racism, communism, you name it ... A glowing achievement.” —Los Angeles Times Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery. Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself.
Branding guru Aaker shows how to eliminate the competition and become the lead brand in your market This ground-breaking book defines the concept of brand relevance using dozens of case studies-Prius, Whole Foods, Westin, iPad and more-and explains how brand relevance drives market dynamics, which generates opportunities for your brand and threats for the competition. Aaker reveals how these companies have made other brands in their categories irrelevant. Key points: When managing a new category of product, treat it as if it were a brand; By failing to produce what customers want or losing momentum and visibility, your brand becomes irrelevant; and create barriers to competitors by supporting innovation at every level of the organization. Using dozens of case studies, shows how to create or dominate new categories or subcategories, making competitors irrelevant Shows how to manage the new category or subcategory as if it were a brand and how to create barriers to competitors Describes the threat of becoming irrelevant by failing to make what customer are buying or losing energy David Aaker, the author of four brand books, has been called the father of branding This book offers insight for creating and/or owning a new business arena. Instead of being the best, the goal is to be the only brand around-making competitors irrelevant.
The third novel in the acclaimed Driftless Trilogy, now available as a paperback original, opens with a dead man, a failed writer named Rick Harsch, floating face down in a swimming pool, his hat and narrative still in place. Spleen, twin brother of the hero of The Driftless Zone, arrives, determined to solve the murder. Along the very unusual way, however, he'll stumble ominously in Harsch's steps toward the truth of a crime far darker than the mere murder of a writer, as Harsch himself haunts the pages from above and below. A smart, cool and satirical story with an edge.