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First published between 1975 and 1991, this set reissues 13 volumes that originally appeared as part of the History Workshop Series. This series of books, which grew out of the journal of the same name, advocated ‘history from below’ and examined numerous, often social, issues from the perspectives of ordinary people. In the words of founder Raphael Samuel, the aim was to turn historical research and writing into ‘a collaborative enterprise’, via public gatherings outside of a traditional academic setting, that could be used to support activism and social justice as well as informing politics. Some of the topics examined in the set include: mineral workers, rural radicalism, and the lives and occupations of villagers in the nineteenth century; working class association; the development of left-wing workers theatre and the changing attitudes to mass culture across the twentieth century; the changing fortunes of the East End at the turn of the century; the position of women from the nineteenth century to the present; the miners’ strike of 1984-5; the social and political images of late-twentieth century London; and a three volume analysis of the myriad facets of English patriotism. This set will be of interest to students of history, sociology, gender and politics.
First published in 1986, the aim of this book is to present some of the changing thinking on popular writing to a wider audience in view of the enormous growth of mass culture after the war, but also to offer a historical perspective on a specific form of popular fiction: the romance. The essays collected here reflect diverse positions and methods in the current debate: sociological, psychoanalytic and literary. Some focus more on texts or readers, others concentrate on theoretical questions about narrative or ideology. All of the essays, however, view popular forms and their uses historical in historical context — rejecting the notion they are a contaminated by-product of industrialism.
Children's publishing is a huge international industry and there is ever-growing interest from researchers and students in the genre as cultural object of study and tool for education and socialization.
Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bront , Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.
This highly accessible anthology of Gothic writings and criticism provides an essential guide to the genre. The second edition of this critically acclaimed book has been thoroughly revised to include material from the early gothic and a fresh set of contemporary essays, with a supporting timeline and thought provoking introductory material.
The "penny blood” came into being through a process which began with higher standards of general education and literacy in England at the beginning of the 19th century, and continued with the invention of fast and efficient printing presses and cheap paper production. These combined elements simultaneously created a new, mass market for literature, and fed that market with new, affordable product. The gothic novel, popular amongst a rarefied class of literary readers, duly gave way to sensationalistic, graphic shockers for the masses. The PENNY BLOOD CLASSICS ebook series, which focuses on the "golden age” of the penny bloods, continues with the legendary tale of Spring-Heeled Jack, first reported in 1808, and again in 1837. Spring-Heeled Jack was described by people who claimed to have seen him as having a terrifying and frightful appearance, with diabolical physiognomy, clawed hands, eyes that "resembled red balls of fire”, and the ability to perform astounding leaps. Jack was perfect melodrama material, and in 1840 John Thomas Haines wrote "Spring-Heeled Jack, the Terror of London", a play portraying him as a villain who stalks and attacks innocent women. This volume features "Spring-Heeled Jack: The Terror Of London", an anonymous penny blood published by the Newsagents' Publishing Company c.1864-1867. The book also includes an extensive introduction on the history of the penny blood.