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Home to the famed Cotton Club, Alexander Hamilton's grange, the Manhattan Project, and a Studebaker factory, West Harlem has been an ever-transforming pocket of New York City. With the arrival of Columbia University's Manhattanville expansion-a campus master plan designed by architect Renzo Piano-it is now also a site of experimentation in the future of the twenty-first century university. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and critically engages with the University's own history of expansion. Featuring contributions from Renzo Piano, Elizabeth Diller, Charles Renfro, Amale Andraos, Reinhold Martin, Tom Jessell, and Maxine Griffith, among others.
Moving beyond the usual good-versus-evil story that pits master-planner Robert Moses against the plucky neighborhood advocate Jane Jacobs, Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of urban renewal. He shows how boosters hoped to make Manhattan the capital of modernity and a symbol of American power, but even as the builders executed their plans, a chorus of critics revealed the dark side of those Cold War visions, attacking urban renewal for perpetuating deindustrialization, racial segregation, and class division; for uprooting thousands, and for implanting a new, alienating cityscape. Cold War-era urban renewal was not merely a failed planning ideal, Zipp concludes, but also a crucial phase in the transformation of New York into both a world city and one mired in urban crisis.
Olmon Hairston, has written The Projects (The Harlem I Remember Through The Eyes of a Child and Young Man). This story involves growing up in the St. Nicholas housing projects in Harlem, New York, during the 1950s and 60s. He believes that the projects, despite negative connotations, can serve as a foundation for residents to develop a sense of upward mobility. Olmon is committed to helping inner-city youth and all students realize that goals are attainable. When he was assigned as a counselor to several leading upper-middle class schools in Queens with small minority populations, Olmon demonstrated the ability to work with all students, despite their race or social status. Although Olmon didn't realize it at the time, but these students were replicating his teenage experience with their parents, who understood the importance of navigating the educational system to ensure that their children received a quality education. For years Olmon was the only professional educator of color (male or female) who was a counselor in predominantly white schools, but he never lost his sense of who he was or what purpose he served to all students. He consistently received accolades from administrators, parents, students, colleagues, and supervisors. Olmon was one of several full-time supervisors who managed a school-based counseling program that focused on providing services that specifically addressed issues related to drug and alcohol prevention/intervention and other areas e.g. bullying, developing positive self-esteem and making smart choices. After acquiring the required educational credentials and related experience, Olmon obtained his New York State Education Department Certification as SAS (School Administrator and Supervisor), SDL (School District Leader) and SBL (School Building Leader), which qualified him for school leadership positions such as principal, assistant principal, superintedent and education administrator. employed.
“Part lively social history, part architectural survey, here is the story of Broadway—from 17th-century cow path to Great White Way.”—Geoff Wisner, Wall Street Journal From Bowling Green all the way to Marble Hill, Fran Leadon takes us on a mile-by-mile journey up America’s most vibrant and complex thoroughfare, through the history at the heart of Manhattan. Broadway traces the physical and social transformation of an avenue that has been both the “Path of Progress” and a “street of broken dreams,” home to both parades and riots, startling wealth and appalling destitution. Glamorous, complex, and sometimes troubling, the evolution of an oft-flooded dead end to a canyon of steel and glass is the story of American progress.
With this Eighth Edition, The Musical Classroom celebrates thirty years as a leading resource for future and in-service teachers as they engage children in the exciting world of music! Teachers, with the help of this user-friendly text, can develop the understandings and skills needed to teach elementary school music. The forty-four model lessons are the centerpiece to the book's long-lasting success. A collection of over 170 children's songs from around the world; instructional information for learning to play the recorder, keyboard, guitar, and Autoharp(TM); and the theoretical, pedagogical, and practical backgrounds needed for reaching all learners complete the comprehensive resource of The Musical Classroom. Note: This is the standalone book. If you want the accompanying audio CD, order the ISBN 9781138656703, which is available for separate sale.
Teachers in school music ensembles (band, choir, orchestra) plan instruction that will lead to student learning—learning most often focused on technical skill development. The value of teaching students beyond technical proficiencies toward a broader body of knowledge and understanding is supported by the literature. A model exists that is designed to lead to a broader experience in school music ensembles, involving a multiplicity of music learnings, technical proficiency, cognition, and personal meaning constructed by the student. The Comprehensive Musicianship through Performance (CMP) Model is a framework for planning instruction in school ensembles that promotes a holistic form of music learning . A detailed description of the CMP Model provides the foundation for a discussion of planning and implementation, as the model is enacted in the ensemble setting. The discrete planning points of the CMP Model are considered in relation to a broader context. Interviews are included as a contextual narrative piece to humanize the material throughout the book. By combining the theoretical foundations of CMP and its practical applications for the teacher, this book will be useful for scholars and persons involved in teacher education as well as practicing teacher-conductors.