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"The mandala in Nichiren Buddhism" is the first comprehensive analysis of Nichiren's mandala in English. As the total number of pages in a single volume would reach 720, the book has been divided into three parts. In this first volume, the origin and evolution of Nichiren's mandala are examined, while the extant works produced in the Bun'ei and Kenji eras (2.1264 4.1275/4.1275 2.1278) are analyzed in detail. The second volume will thus examine the whole extant corpus produced in the Koan period, while in the third the missing, but catalogued mandalas will be analyzed along with a study of Nichiren's works from an holistic perspective, including the scrolls authored by his immediate disciples and later successors, within the various traditions. Together, these three volumes shall provide the reader with exhaustive information on Nichiren's mandala.
This accessible guide to the development of Japan’s indigenous religion from ancient times to the present day offers an illuminating introduction to the myths, sites and rituals of kami worship, and their role in Shinto’s enduring religious identity. Offers a unique new approach to Shinto history that combines critical analysis with original research Examines key evolutionary moments in the long history of Shinto, including the Meiji Revolution of 1868, and provides the first critical history in English or Japanese of the Hie shrine, one of the most important in all Japan Traces the development of various shrines, myths, and rituals through history as uniquely diverse phenomena, exploring how and when they merged into the modern notion of Shinto that exists in Japan today Challenges the historic stereotype of Shinto as the unchanging, all-defining core of Japanese culture
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
These twenty-two Japanese tales open to Western readers the world of fantasy in the legendary literature of Japan--a world of ogres, monkeys, goblins, and priest, of spelling-casting and rescuing people. Rich in variety, Legends of Japan includes tales of the supernatural, magic, and deities, as well as tales of romance and intrigue. The vividness and aesthetic appeal of these stories is enhanced by twenty-two woodblock prints from the studio of modern Japanese illustrator Masahiko Nishin. The tales are drawn from two Japanese masterpieces of the Heian (794-1185) and Kamakura (1192-1333) periods. The earlier and main source is 31-volume Konjaku Monogatari, a collection of tales of Japanese, Chinese and Indian origin. The other source is the miscellany Tsurezure Gusa, by Kento Yoshida, a monk of noble birth who was well versed in Japanese and Chinese literature. A reader's delight, these little books distills the color and charm, the wisdom and humor of two great treasuries of classical Asian literature.
This volume offers a multidisciplinary approach to the combinatory tradition that dominated premodern and early modern Japanese religion, known as honji suijaku (originals and their traces). It questions received, simplified accounts of the interactions between Shinto and Japanese Buddhism, and presents a more dynamic and variegated religious world, one in which the deities' Buddhist originals and local traces did not constitute one-to-one associations, but complex combinations of multiple deities based on semiotic operations, doctrines, myths, and legends. The book's essays, all based on specific case studies, discuss the honji suijaku paradigm from a number of different perspectives, always integrating historical and doctrinal analysis with interpretive insights.
This intriguing, thought-provoking study examines the mandala's doctrinal basis, its use as a means of reintegration, its symbolism, and other aspects of its expression of the infinite possibilities of the subconscious.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Since the 1913 publication of James A. Montgomery's Aramaic Incantation Texts from Nippur, students of the bowls have used that book as the diving platform from which they enter a deep pool of study, In the intervening years, the body of work on incantation (or magic) bowls has continued to grow. Bowls in several ancient languages have attracted the attention of scholars from a variety of countries and traditions. The result has been the publication of a considerable number of translations of additional texts and fragments. Focusing only on those bowls inscribed in Aramaic and even then, only on the seventy-two extant bowls which could be personally read in photographs or facsimiles, Charles Isbell has, in Corpus of the Aramaic Incantation Bowls, compiled an impressive volume of work. Including the complete original texts, full translations, and annotations, Isbell supplements the text with a glossary of all inscribed words, an index of personal names, and a list of quotations from scripture.