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Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readers The Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work. As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.
Relations between Britain and China have, for over 150 years, been inextricably bound up with the taking of Hong Kong Island on 26 January 1841. The man responsible, Britain's plenipotentiary Captain Charles Elliot, was recalled by his government in disgrace and has been vilified ever since by China. This book describes the taking of Hong Kong from Elliot's point of view for the first time '- through the personal letters of himself and his wife Clara '- and shows a man of intelligence, conscience and humanitarian instincts. The book gives new insights into Sino-British relations of the period. Because these are now being re-assessed both historically and for the future, revelations about Elliot's role, intentions and analysis are significant and could make an important difference to our understanding of the dynamics of these relations. On a different level, the book explores how Charles the private man, with his wife by his side, experienced events, rather than how Elliot the public figure reported them to the British government. The work is therefore of great historiographical interest.
Harvest time in Cadyville, Washington, finds Sophie Mae Ambrose volunteering at the local organic farm—and trying to make a little sprout of her own with Barr, her police detective husband. But a dead body discovered in the farm's compost heap is enough to cast dark clouds over Sophie Mae's sunny mood. When Barr's boss lets her know they need help identifying the body, a reluctant Sophie Mae presses her network of friends and neighbors into action. Turning up the heat on a whole crop of suspects seems to be producing results...until a farmhand is found with a shovel-shaped bump on his head. If Sophie Mae and Barr don't root out the killer soon, it's only a matter of time before another victim is squashed. Praise: "The pacing and setting are refreshing, and the craft details are well blended. Another strong volume in a series that will appeal to fans of farmer's market series from Paige Shelton and B. B. Haywood."—Booklist "McRae's lighthearted mystery is quirky, well plotted and fun."—RT Book Reviews "McRae, whose home-crafting mysteries always offer tips in mastering some new area of domestic expertise, spices her juicy mystery with some intriguing veggie lore."—Kirkus Reviews
Winner of the 2002 Scotiabank Giller Prize and of the 2003 Commonwealth Writers’ Prize: Best Book (Canada and the Caribbean) When an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. As the novel opens, Mary Mathilda is giving confession to Sargeant, a police officer she has known all her life. The man she claims to have murdered is Mr. Belfeels, the village plantation owner for whom she has worked for more than thirty years. Mary has also been Mr. Belfeels’ mistress for most of that time and is the mother of his only son, Wilberforce, a successful doctor. What transpires through Mary’s words and recollections is a deep meditation about the power of memory and the indomitable strength of the human spirit. Infused with Joycean overtones, this is a literary masterpiece that evokes the sensuality of the tropics and the tragic richness of Island culture.
There's an entire generation of South African women who ought to read this book.' – Sara-Jayne King, author of Killing Karoline 'Ougat is masterfully written – raw, unpretentious, unsettling. Shana Fife captures all the darkness from her body, psyche and life with fearless honesty and transparency.' – Frazer Barry, award-winning theatre practitioner, writer and musician By the time Shana Fife is 25 she has two kids from different fathers. To the Coloured people she grew up around, she is a jintoe, a jezebel, jas, a woman with mileage on the pussy. She is alone, she has no job and, as she is constantly reminded by her community, she is pretty much worthless and unloveable. How did she become this woman, the epitome of everything she was conditioned to strive not to be? Unsettlingly honest and brutally blunt, Ougat is Shana Fife's story of survival: of surviving the social conditioning of her Cape Flats upbringing, of surviving sexual violence and depression and of ultimately escaping a cycle of abuse. A powerful, fresh and disarming new voice – Shana's writing is like nothing you've read before.
If your main focus is to find love, then find love. If you are looking to have casual sex, say so. People are often surprised at what they find when they are honest about their intentions. The Essential Guide on How to be a Hoe is a modern look on one of the oldest states in the world. The hoe. No, I don't mean the gardening tool. I mean what it takes to become sexually positive and take ownership of our bodies in a world that is constantly violating us with new advice, old ideas, and outdated judgements. People say we can be free but how? This is the problem that this guide attempts to solve, not just logistically, but mentally and spiritually too. This book was not only practical and full of excellent guidance on how to discover oneself and stay safe in a world that is slowly throwing off the chains of sexual oppression, but it also looks at making peace within ourselves, setting boundaries, making sure we are able to identify our liberation from our wounds and treating others with tolerance and respect. It is not afraid to talk about the things that are still considered to be taboo. The narrator is spirited, authentic and hilarious, making difficult topics relatable and understandable