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He wears a mask - he pretends to be an idling, strolling observer of others: an amused spectator. He watches people on the street, in shops, in cafes: wherever he finds them he notes their peculiarities and imagines their lives. Like a naturalist with a bone of an unknown creature, he extrapolates and forms an entire animal in his mind's eye. It is his joy; it is his defence: he revels in life, so as to ignore death. For its shadow lies over him.
The future of Landerton, a town on the verge of chaos, lies in the hands of two brothers. Fortunately, these arent just average, everyday men. These brothers are heroes. And not just average, everyday heroesthey are superheroes named Lightning Bolt and Blazer, although they have no memories of their origins. But even with super powers, they may not learn the truth about the violence threatening their town until it is too late. Theyre going to need help, and these young superheroes will soon come to see that anyone can be a hero when the situation calls for it. When it really matters, the people you grew up with can be heroic too, and the whole town will need a substantial amount of courage and help to save themselves. Now, the brothers will have to dig deep to stay a step ahead of a psychotic, ill-tempered assassin who is honor-bound on a dark mission; a crazed man obsessed with vengeance; a bank robber who can teleport; a female mastermindand whatever else lurks in the shadows of their past. As the brothers go through their first epic adventure, they find great friendsfriends they will need for the biggest battle of their young lives. The world and its future are at stake, and only Lightning Bolt and Blazer can save it.
DramaCharacters: 3 male, 3 female Simple Set Zelda Preston inherits her father's pecan farm located just steps from the U.S. border with Mexico and struggles to maintain it without help from undocumented workers. Ines Sandoval, a dangerously ill young mother-to-be, and her sister Angie lobby for the return of their recently deported family member Tia Rosita. Angie's husband, Carlos, defends to his community and family his choice to work for the Border Patrol. And Cooper Daniels, an industrial pecan grower and head of the civilian border surveillance group, Citizens United, forges ahead with the building of a volunteer fence. These forces collide in Ground, which examines the very human costs of our immigration issues, and the strength of personal beliefs about family, home, and civil human rights in the face of our shifting political and social landscape. Two acts."Breathtaking in every way." -- Charles Whaley, TotalTheater.com..".Tackles the hot-button issue of illegal immigration." -- David Shreward, Back Stage
Yoko Ono created An Invisible Flower when she was just nineteen years old, at the very start of her artistic career. Recently rediscovered in her archive by her son, Sean Lennon, who also provides a foreword, this jewel of a book tells the heartwarming story of the invisible beauty we all know is there—and of the one man, "Smelty John", who catches sight of it. Written years before Ono met John Lennon, An Invisible Flower offers a glimpse into the early process of a brilliant conceptual artist and, it will transpire, presages the love of her life. Simple pastel drawings complement the book's affirming message, and a new afterword by Ono makes this small treasure even more special.
Revised for this second edition, Now You See It, Richard Dyer’s groundbreaking study of films by and about lesbians and gay men, now includes an outline of developments in queer cinema since 1990. Placing the book within lesbian and gay film history, Dyer examines familiar titles such as Girls in Uniform, Un Chant D’Amour and Word is Out in their lesbian/gay context, as well as bringing to light many other forgotten, but remarkable films. Each film is examined in detail in relation to both film type and tradition, and the sexual subculture in which it was made. Now featuring a brand new introduction by Juliane Pidduck, this will be an excellent aid to cinema and film studies courses.
dear reader, are you still there? take a second, now. breathe // with me. In one of the most anticipated debut collections of recent years, Maneo Mohale reckons boldly with the experience of – and the reconstruction of a life after – a sexual assault. Mohale’s unapologetic and disarming voice carries through a budding and blooming garden of poetics, rooted in a contemporary southern African tradition, but springing forth in queer and radical new directions. Indeed, this is a work encompassing the full, often contradictory, and seldom complete process of healing: where relations must be chosen as well as made; where time becomes non-linear and language insufficient; where nothing is what it seems, yet everything is what it is.