Download Free The Man Who Wore His Wifes Sarong Book in PDF and EPUB Free Download. You can read online The Man Who Wore His Wifes Sarong and write the review.

A mother finds out her son is gay; a daughter finds out her two mothers are lesbians; a niece stumbles upon the body of her dead uncle dressed in his wife’s sarong kebaya; and an old man’s nascent feelings for a Filipino maid lead him back to his suppressed art. "The Man Who Wore His Wife’s Sarong", Suchen Christine Lim’s short stories of the unsung, unsaid and uncelebrated in Singapore, delve beneath the sunlit island’s prosperity and coded decorum. Her characters chip away prejudice and sculpt it into acceptance of the other. Previously published in part as "The Lies that Build a Marriage" (shortlisted for the Singapore Literature Prize 2008), this new collection contains five additional stories.
With this collection of short stories, Lim delves beneath Singapore’s prosperity and coded decorum to reveal genuine people facing difficult issues that are normally strictly taboo in Asia, such as the mother who discovers her son is gay; the daughter who learns her two mothers are lesbians; and the niece who finds her dead uncle dressed in his wife’s clothes.
Ember and Brig'dha prepare for a journey to the ancient city of Yarehk (Jericho) to deliver a prized copper knife. Far to the East on the shores of the Indus River, a river priestess hides her young daughter and flees persecution from her own people who blame her for the drought which afflicts them. She is relentlessly pursued by four hunters sent to capture her for sacrifice! Set in the early Neolithic period, 5496 BCE, Ember of Ashes follows the continuing adventures of Ember and her wife Brig'dha as they journey across the known world. They will visit the prehistoric Middle East, cross the Arabian desert, befriend cannibals, see the famous city of Catalhoyuk and even visit the mighty Indus River as they fight to save the life of a young girl from the fate of the gods.
Ancient Polynesians knew how to build canoe boats that were sea worthy. To escape over crowding in places they lived, several, including families, would use a canoe boat to search for new places to live. They were excellent navigators, and skilled in making long voyages. On one such island, a group of Polynesians found the tyranny of their chief to be unbearable. Several times he had taken a son or daughter from a family to be sacrificed to the god of the fire mountain. In addition, he had established a large number of taboos that were repugnant to the people. This Chief of this island built a large canoe boat designed for warfare. When the wind blew against its two sails, it was very fast. At great risks to themselves, the group took the boat while everyone else was asleep. The speed of the boat prevented pursuers from catching them. The group had no preplanned destination, but after many cycles of the moon they discovered The Island of Palms and made it their new home. They inhabited the leeward side of the island, which had two beaches separated from each other by arms of lava that extended into the sea. There was a harbor between the two beaches. A very steep and heavily forested mountain stretched the entire length of the island. Because of its rugged terrain, no one on the island had found a way to climb it and get to the other side. Men had sailed to the other side of the island hoping to explore it, but were prevented from doing it by a coral reef.
First major contemporary publication on the Orang Suku Laut (Indonesian sea nomads) Based on first hand fieldwork Contributes to anthropological debates on exchange theories and systems, tribality and hierarchy Challenges the prevailing conception of Islamic affiliation being the core of Malay identity Contribution to the study of Malay cultures in Southeast Asia
A brilliant and utterly engaging novel—Emma set in modern Asia—about a young woman’s rise in the glitzy, moneyed city of Singapore, where old traditions clash with heady modern materialism. On the edge of twenty-seven, Jazzy hatches a plan for her and her best girlfriends: Sher, Imo, and Fann. Before the year is out, these Sarong Party Girls will all have spectacular weddings to rich ang moh—Western expat—husbands, with Chanel babies (the cutest status symbols of all) quickly to follow. Razor-sharp, spunky, and vulgarly brand-obsessed, Jazzy is a determined woman who doesn't lose. As she fervently pursues her quest to find a white husband, this bombastic yet tenderly vulnerable gold-digger reveals the contentious gender politics and class tensions thrumming beneath the shiny exterior of Singapore’s glamorous nightclubs and busy streets, its grubby wet markets and seedy hawker centers. Moving through her colorful, stratified world, she realizes she cannot ignore the troubling incongruity of new money and old-world attitudes which threaten to crush her dreams. Desperate to move up in Asia’s financial and international capital, will Jazzy and her friends succeed? Vividly told in Singlish—colorful Singaporean English with its distinctive cadence and slang—Sarong Party Girls brilliantly captures the unique voice of this young, striving woman caught between worlds. With remarkable vibrancy and empathy, Cheryl Tan brings not only Jazzy, but her city of Singapore, to dazzling, dizzying life.
These two memoirs provide windows into the Sumatran past, in particular, and the early 20th-century history of south-east Asia, in general. In reconstructing their own passage into adulthood, the writers tell the story of their country's turbulent journey to independence.
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.