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From 1858 until 1950, the BC Provincial Police maintained law and order in British Columbia, patrolling this vast and rugged area by horseback, boat, snowshoes and dog team until the arrival of the train, automobile and airplane. These classic cases from the files of North America's first territorial constabulary bring to life the lawmen who upheld the peace and the criminals who disrupted it. From the tale of a Texas gambler who though he had committed the perfect murder to the mystery of a Quesnel family who disappeared under suspicious circumstances, these dramatic stories provide a vivid window into frontier society and the challenges faced by members of this exceptional police force.
A minor French official in Guinea must solve the case of a tourist found hanged from a sailboat in this “gem of a diplomatic thriller” (Publishers Weekly, starred review). Having grown up in Romania, Aurel Timescu never quite fit in his native France. A former piano player with the disheveled air of a character from between the wars, nobody can understand how he got to be Consul. Now he’s taken a position in French Guinea, where he passes his time perspiring, drinking Tokay, and composing librettos. Until, that is, a vacationer is found hanging from the mast of a sailboat. How did he end up dead, on a mast, on Aurel Timescu’s watch? Had his personal life been hanging by a thread? Was he hanging around waiting for love to be reciprocated? Had he been hanging out with the wrong crowd? Had he hung his hat on the peg of some quixotic dream? A Prix Goncourt–winning author and former diplomat, Jean-Christophe Rufin brings Aurel to vivid life in a novel that “offers razor-sharp insights into cultural clashes in the former French colony . . . readers will be reminded of Georges Simenon, only better” (Publishers Weekly, starred review)
From the critically acclaimed author of The Borden Murders comes the thrilling story of Mary Surratt, the first woman to be executed by the US government, for her alleged involvement in the plot to assassinate Abraham Lincoln. A dubious distinction belongs to Mary Surratt: on July 7, 1865, she became the first woman to be executed by the United States government, accused of conspiring in the plot to assassinate not only President Abraham Lincoln, but also the vice president, the secretary of state, and General Grant. Mary Surratt was a widow, a Catholic, a businesswoman, a slave owner, a Union resident, and the mother of a Confederate Secret Service courier. As the proprietor of the boardinghouse where John Wilkes Booth and his allies are known to have gathered, Mary Surratt was widely believed, as President Andrew Johnson famously put it, to have “kept the nest that hatched the egg.” But did Mrs. Surratt truly commit treason by aiding and abetting Booth in his plot to murder the president? Or was she the victim of a spectacularly cruel coincidence? Here is YA nonfiction at its best--gripping, thought-provoking, and unputdownable.
A person could write a history story every day for the rest of his life and not come close to covering all the history of America. The history of America in the last five hundred years reflect every human experience that man possesses. The stories selected for this book depict men, women and events of every possible description. Most of these stories are not found in high school history books, yet are influential in the development of America. Kit Carson fought Indians, but also guided Fremont through the West. Elizabeth Blackwell became the first woman to receive a medical degree in America at a time when women were not even thought of as citizens. Then, there is the innovative genius of the Burma-Shave signs that sold shaving cream all over the country. History is a very delicate subject. The reader is at the mercy of the eye witness account of a person's actions or an event taking place. The eye witness from one side will see it one way while the person recording the event from the other side may see it differently. It is then up to the historian to decipher these varying accounts and determine what really happened. It is possible that both sides were wrong. Historians have the task of inspecting as many versions of the same story as possible to come to some reasonable expectation of what actually took place. A case in point would be the story of the Alamo. Texans tell the story as they wanted it, while the Mexicans tell a story that is completely opposite (See Dequello inside). The stories in this book have been compared and researched as honestly as it is possible to do remembering that there are precious few eye witnesses left.
Seven hundred years ago, executioners led a Welsh rebel named William Cragh to a wintry hill to be hanged. They placed a noose around his neck, dropped him from the gallows, and later pronounced him dead. But was he dead? While no less than nine eyewitnesses attested to his demise, Cragh later proved to be very much alive, his resurrection attributed to the saintly entreaties of the defunct Bishop Thomas de Cantilupe. The Hanged Man tells the story of this putative miracle--why it happened, what it meant, and how we know about it. The nine eyewitness accounts live on in the transcripts of de Cantilupe's canonization hearings, and these previously unexamined documents contribute not only to an enthralling mystery, but to an unprecedented glimpse into the day-to-day workings of medieval society. While unraveling the haunting tale of the hanged man, Robert Bartlett leads us deeply into the world of lords, rebels, churchmen, papal inquisitors, and other individuals living at the time of conflict and conquest in Wales. In the process, he reconstructs voices that others have failed to find. We hear from the lady of the castle where the hanged man was imprisoned, the laborer who watched the execution, the French bishop charged with investigating the case, and scores of other members of the medieval citizenry. Brimming with the intrigue of a detective novel, The Hanged Man will appeal to both scholars of medieval history and general readers alike.
A Handbook on Hanging is a Swiftian tribute to that unappreciated mainstay of civilization: the hangman. With barbed insouciance, Charles Duff writes not only of hanging but of electrocution, decapitations, and gassings; of innocent men executed and of executions botched; of the bloodlust of mobs and the shabby excuses of the great. This coruscating and, in contemporary America, very relevant polemic makes clear that whatever else capital punishment may be said to be--justice, vengeance, a deterrent--it is certainly killing.
Yearning for a life of leisure? In 24 chapters representing each hour of a typical working day, this book will coax out the loafer in even the most diligent and schedule-obsessed worker. From the founding editor of the celebrated magazine about the freedom and fine art of doing nothing, The Idler, comes not simply a book, but an antidote to our work-obsessed culture. In How to Be Idle, Hodgkinson presents his learned yet whimsical argument for a new, universal standard of living: being happy doing nothing. He covers a whole spectrum of issues affecting the modern idler—sleep, work, pleasure, relationships—bemoaning the cultural skepticism of idleness while reflecting on the writing of such famous apologists for it as Oscar Wilde, Robert Louis Stevenson, Dr. Johnson, and Nietzsche—all of whom have admitted to doing their very best work in bed. It’s a well-known fact that Europeans spend fewer hours at work a week than Americans. So it’s only befitting that one of them—the very clever, extremely engaging, and quite hilarious Tom Hodgkinson—should have the wittiest and most useful insights into the fun and nature of being idle. Following on the quirky, call-to-arms heels of the bestselling Eat, Shoots and Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss, How to Be Idle rallies us to an equally just and no less worthy cause: reclaiming our right to be idle.
Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard--these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling.