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The first English biography of Edmond Rostand, creator of _Cyrano de Bergerac_. Thoroughly researched and annotated, but written for non-specialists, it shows how Rostand strove in his plays to revive idealism in the modern world.
This acclaimed adaptation for the stage has garnered such reviews as: "Emotional depth Rostand himself would surely have envied...Burgess' extravagant verse keeps its contours, yet trips off the tongue almost as though it were contemporary speech." London Times .
This adaptation by celebrated graphic novelist Kyle Baker and writer Peter David presents the tragedy and romance of Rostand's 17th century romance story. Cyrano de Bergerac yearns to confess his love to his cousin Roxanne; he is a talented poet and musician who should have no trouble doing so. Yet his large nose has convinced him that no woman would ever be interested in him. When Cyrano finds that Roxanne is enamored with the handsome Christian de Neuvillette, he offers to use his poetic prowess to help Christian win Roxanne's heart. As the three's lives intertwine throughout the years, Rostand spins a tale of romance and heartbreak that is wonderfully captured by Peter David and Kyle Baker.
This witty, warm-hearted retelling of Cyrano de Bergerac is a love letter to female friendship. Perfect for Stephanie Perkins fans, and anyone who's ever thought of trying on a new identity to impress a guy. Aphra Brown is bold and outgoing. Her best friend, Bethany, is achingly beautiful. Individually, they could both do a little better in the self-esteem department, but together? Together, they have what it takes to win over Greg D'Agostino, a proverbial "ten," who happens to be fluent in six languages--seven if you count the language of smoldering gazes . . . What begins as an honest mistake turns into an elaborate deception, wherein Bethany goes on dates with Greg while Aphra coaches her on what to say, and texts him in the guise of Bethany, trying and failing, all the while, to tamp down her own hopeless crush. It's only a matter of time before things come crashing down. The question is: What will happen when Greg finds out? And can Aphra and Bethany's friendship survive the fallout? From the author of We Regret to Inform You comes a witty, warm-hearted exploration of love in all its forms, and a cris-de-coeur for self-acceptance when the pressure to be perfect is overwhelming. "There is much to appreciate about this book: its cleverness, its humor, that it embraces and normalizes therapy, that it places familial love and friendship on a level with romantic love. But, perhaps best of all, it offers teens, especially those struggling to accept and love themselves, a picture of a girl who makes mistakes and fights to begin again." --Booklist, starred review "At once painful and heartfelt . . . a smart and honest look at female beauty, with plenty of panache to boot." --Kirkus, starred review
In his play "The Romancers" Edmond Rostand satirizes the sentimentalism and escapism of Romantic literature of his times. Percinet is the only son of Bergamin and Sylvette is the only daughter of Pasquinot. Their fathers who are widowers and neighbors make a plan to marry their children with each other. In order to accomplish this, the fathers separate their children so that they may love each other the more, and desire to be re-united. As a part of their plan, Bergamin warns his son to stay away from Pasquinot and his daughter. Similarly, Pasquinot also warns his daughter that she should not be near to his mortal enemy Bergamin and his son. Inspite of their fathers' warnings, Percinet and Sylvette fall in love. They think themselves as the counterparts of Romeo and Juliet. They are worried that their love will also end in tragedy like that of Romeo and Juliet. They are emotional, daydreaming teenagers who have recently finished their school studies. They are deeply influenced by romantic literature of their times, especially by the romantic play "Romeo and Juliet" of William Shakespeare. They are so in love with each other that they desire to die rather than separate with each other. Bergamin then hires Straforel and his company for a fake kidnapping. At midnight hours, when Percinet and Sylvette are about to meet, Straforel with his company kidnap Sylvette and put her into the sedan chair. Percinet hears the cry of Sylvette, jumps over the wall and fights with his sword. At the same time, as planned, Pasquinot enters and calls Percinet a hero. He suggests Bergamin to put an end to their enmity and arrange the marriage of their children. Thus in the end the two children seem like puppets in the hands of their fathers. - MeroSpark Cloud Reference, http://www.merospark.com
"A Voyage to the Moon" by Cyrano de Bergerac (translated by Archibald Lovell). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Two pioneering couples go Walking on the Sea of Clouds in this near-future technological drama about the risks people will take, the emergencies they'll face, and the sacrifices they'll make to survive and thrive as part of the first independent, commercial lunar colony.
Today,Cyrano de Bergerac is generally only remembered as a lovelorn eccentric with a big nose.Edmund Rostand's famous play inspired by the life of Cyrano is a worldwide box-office smash but the man behind the legend is more or less forgotten. The real Cyrano was sharper, funnier and, ironically, more modern than the romantic hero he inspired. A death-defying soldier-poet in the age of the musketeers, Cyrano's duelling skills were unparalleled, and his wit was every bit as keen as his sword's edge. He employed his sharp tongue and satirical pen in continued criticism of church and state -- his harrowing personal experiences had made him a staunch opponent of Louis XIV's bloody foreign policy--as well as in defiance of social norms -- Cyrano refused to acknowledge his likely homosexuality as a sin: brave and independent thinking that was years ahead of its time but which meant that his life was in constant danger. Part murder mystery, part literary detective story, Ishbel Addyman presents a fascinating insight into the heroically courageous, sparklingly witty and unfailingly good-humoured man behind the legend.
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."
Cyrano's (the real guy) greatest work, model for much of Gulliver's Travels, Munchausen and so many other fantasy books. First published in the 17th Century (Paris, of course), this elegant satire takes its hero into the solar system, where he then can freely speak on matters of sex, religion and humanity. Join the big guy as he wanders about the solar system, meeting up with Beast-Men, the Solen people, and a rep from the Kingdom of Love.