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The photographs of Eadweard Muybridge are immediately familiar to us. Less familiar is the dramatic personal story of this seminal and wonderfully eccentric Victorian pioneer, now brought to life for the first time in this engaging and thoroughly entertaining biography. His work is iconic: the first icons of the modern visual age. Men, women, boxers, wrestlers, racehorses, elephants and camels frozen in time, captured in the act of moving, fighting, galloping, living. Scarcely a day goes by without their derivate use somewhere in today's media. And if most of us have seen Muybridge's distinctive stop-motion photographs, all of us have seen the fruit of his extraordinary technological innovation: today's cinema and television. But it is his personal life that possesses all the ingredients of a classic non-fiction best-seller: a passionately driven man struggling against the odds; dire treachery and shocking betrayal; a cast of larger-than-life characters set against a backdrop of San Francisco and the Far West in its most turbulent and dangerous era; a profusion of scientific and artistic advances and discoveries, one hotly following on another; the nervous intensity of two spectacular courtroom dramas (one pitting Muybridge against the richest man in the land and staring ruin in the face, the other sees him fighting for his life). And for the opening act, a foul murder on a dark and stormy night. Skillfully articulating the fascinating history of a now ubiquitous technology, author Brian Clegg combines ingredients from science and biography to create an eminently readable, fast-paced, and surprising story.
Our siege mentality -- Bad thoughts -- The mademoiselle and the rat man -- An emerging obsession -- The OCD family -- Cruel to be kind -- The God obsession -- Animals and other relatives -- Man hands on misery to man -- The runaway brain -- Daddy's little helper -- The helicopter view -- Long live lobotomy -- Politics and prejudice -- A new dimension -- Final thoughts.
Provides an insider's view of long-distance riding, explains what draws people to the challenges and solitude of the pastime, and highlights a middle-aged diabetic man who loves riding impossible distances.
A young holocaust survivor tries to create a new life in the newly established state of Israel. Erwin doesn’t remember much about his journey across Europe when the war ended because he spent most of it asleep, carried by other survivors as they emerged from their hiding places or were liberated from the camps and made their way to Naples, where they filled refugee camps and wondered what was to become of them. Erwin becomes part of a group of boys being rigorously trained both physically and mentally by an emissary from Palestine for life in their new home. When he and his fellow clandestine immigrants are released by British authorities from their detention camp near Haifa, they are assigned to a kibbutz, where they learn how to tend the land and speak their new language. But a part of Erwin clings to the past—to memories of his parents, his mother tongue, the Ukrainian city where he was born—and he knows that despite what he is being told, who he was is just as important as who he is becoming. When he is wounded in an engagement with snipers, Erwin spends months trying to regain the use of his legs. As he exercises his body, he exercises his mind as well, copying passages from the Bible in his newly acquired Hebrew and working up the courage to create his own texts in this language both old and new, hoping to succeed as a writer where his beloved, tormented father had failed. With the support of his friends and the encouragement of his mother (who visits him in his dreams), Erwin takes his first tentative steps with his crutches—and with his pen. Once again, Aharon Appelfeld mines personal experience to create dazzling, masterly fiction with a universal resonance.
From the #1 New York Times bestselling author of The Midnight Library, “a quirky romcom dusted with philosophical observations….A delightfully witty…poignant novel.” (The Washington Post) Soon to be a TV series starring Benedict Cumberbatch How many lifetimes does it take to learn how to live? Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old history teacher, but he's been alive for centuries. From Elizabethan England to Jazz-Age Paris, from New York to the South Seas, Tom has seen it all. As long as he keeps changing his identity he can keep one step ahead of his past - and stay alive. The only thing he must not do is fall in love . . .
"This is Mr. Huxley's best novel for a very long time . . . admirably constructed . . . bright and sun-pierced." New Statesman and Nation
Eight classic stories from science fiction's golden age, selected from Amazing Stories, Astounding Stories, Science Fiction, Thrilling Wonder Stories, and Weird Tales!
Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" In When I Stop Talking, You'll Know I'm Dead, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen. Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever. And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come." As Weintraub says, "When I stop talking, you'll know I'm dead." With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.