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The story takes many twists and turns, but always lays out clues in advance. Anton Chekhov said, 'If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.' If you follow everything in the first half of the book, from 5:00 AM to 5:00 PM on the Saturday before Marine Corps Marathon, then you may be able to anticipate the fast-moving action in the second half, from 6:00 PM that Saturday to 8:00 AM on the Sunday of Marine Corps Marathon. This book is the first-ever fiction novel to involve Marine Corps Marathon, and you learn what it takes to train for and then run Marine Corps Marathon, but wait, there's more. Along the way, you learn quantum mechanics, astrophysics, the elusive "Theory of Everything," Internet history, a little bit of Russian language, a lot of chess, and how three families show their love in three very different ways.
A long time ago, Raven was pure white, like fresh snow in winter. This was so long ago that the only light came from campfires, because a greedy chief kept the stars, moon, and sun locked up in elaborately carved boxes. Determined to free them, the shape-shifting Raven resourcefully transformed himself into the chief's baby grandson and cleverly tricked him into opening the boxes and releasing the starlight and moonlight. Though tired of being stuck in human form, Raven maintained his disguise until he got the chief to open the box with the sun and flood the world with daylight, at which point he gleefully transformed himself back into a raven. When the furious chief locked him in the house, Raven was forced to escape through the small smokehole at the top — and that's why ravens are now black as smoke instead of white as snow. This engaging Tlingit story is brought to life in painterly illustrations that convey a sense of the traditional life of the Northwest Coast peoples. About the Tales of the People series: Created with the Smithsonian's National Museum of the American Indian (NMAI), Tales of the People is a series of children's books celebrating Native American culture with illustrations and stories by Indian artists and writers. In addition to the tales themselves, each book also offers four pages filled with information and photographs exploring various aspects of Native culture, including a glossary of words in different Indian languages.
"A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit"--
#1 NEW YORK TIMES BESTSELLER • From the author of Jurassic Park, Timeline, and Sphere comes this riveting thriller of corporate intrigue and cutthroat competition between American and Japanese business interests. “As well built a thrill machine as a suspense novel can be.”—The New York Times Book Review On the forty-fifth floor of the Nakamoto tower in downtown Los Angeles—the new American headquarters of the immense Japanese conglomerate—a grand opening celebration is in full swing. On the forty-sixth floor, in an empty conference room, the corpse of a beautiful young woman is discovered. The investigation immediately becomes a headlong chase through a twisting maze of industrial intrigue, a no-holds-barred conflict in which control of a vital American technology is the fiercely coveted prize—and in which the Japanese saying “Business is war” takes on a terrifying reality. “A grand maze of plot twists . . . Crichton’s gift for spinning a timely yarn is going to be enough, once again, to serve a current tenant of the bestseller list with an eviction notice.”—New York Daily News “The action in Rising Sun unfolds at a breathless pace.”—Business Week
A stunning debut novel with an intriguing literary hook: written in part as a letter from a victim to her abductor. Sensitive, sharp, captivating!Gemma, 16, is on layover at Bangkok Airport, en route with her parents to a vacation in Vietnam. She steps away for just a second, to get a cup of coffee. Ty--rugged, tan, too old, oddly familiar--pays for Gemma's drink. And drugs it. They talk. Their hands touch. And before Gemma knows what's happening, Ty takes her. Steals her away. The unknowing object of a long obsession, Gemma has been kidnapped by her stalker and brought to the desolate Australian Outback. STOLEN is her gripping story of survival, of how she has to come to terms with her living nightmare--or die trying to fight it.
The Missouri River Basin is home to thousands of bird species that migrate across the Great Plains of North America each year, marking the seasonal cycle and filling the air with their song. In time immemorial, Native inhabitants of this vast region established alliances with birds that helped them to connect with the gods, to learn the workings of nature, and to live well. This book integrates published and archival sources covering archaeology, ethnohistory, historical ethnography, folklore, and interviews with elders from the Blackfoot, Assiniboine, Mandan, Hidatsa, Arikara, and Crow communities to explore how relationships between people and birds are situated in contemporary practice, and what has fostered its cultural persistence. Native principles of ecological and cosmological knowledge are brought into focus to highlight specific beliefs, practices, and concerns associated with individual bird species, bird parts, bird objects, the natural and cultural landscapes that birds and people cohabit, and the future of this ancient alliance. Detailed descriptions critical to ethnohistorians and ethnobiologists are accompanied by thirty-four color images. A unique contribution, The Winged expands our understanding of sets of interrelated dependencies or entanglements between bird and human agents, and it steps beyond traditional scientific and anthropological distinctions between humans and animals to reveal the intricate and eminently social character of these interactions.
The days seem to pass at a rate too fast to accomplish all his chores. Maui sets out to capture the sun, succeeds, and lengthens the hours of daylight. Suggested level: junior, primary.
A path through hell is their only way toward a future together. Star leads a dangerous life. Beneath the brutal sun, he helps his father, Ty, guide settlers through the harshest lands. Those who survive the monsters, bandits, and other omnipresent threats often succumb to the elements. Star has his own demons to worry about—ones from his past that he’s never been able to outride—but so long as he has Ty and the wind at his back, he’s content. Damien Sole is a wanted man. His ragtag family of outlaws is on the run from bounty hunters who would as happily kill them as arrest them, and they’re in need of a guide. Star doesn’t look like much—with his slim build and cat-like features—but there’s ferocity in his sharp green eyes that Damien can’t resist. What starts as a spark of lust between the two men flares into an inferno. As ancient secrets surface, they bring new enemies with them. Men like Damien and Star don’t die old in their beds, and they don’t get a happy ever after. With everything against them, nothing will come easy. Especially not love.
There are hundreds of ancient flood legends around the world that tells of vast inundations in ancient times caused by catastrophic events. It's often assumed that these legends refer to the flood of Noah and his ark. Although many do mirror this biblical story, some people say these legends simply refer to local floods that only affected the world of the locals, not the whole globe. There are three types of flood legends: global, local, and a confusion of global mixed with local floods. We sorted these legends into categories, presented the evidences, and exhibited the causes of each type. From this discussion emerges a frightful picture of the ancient world where civilizations were affected time and time again by vastly destructive cataclysmic events. The world changed—mountains rose, continents shifted, cities and islands sunk, species were obliterated, and whole populations were wiped off the face of the earth. Legends regularly validate others as true histories. If the floods they spoke of were not global, their effect was. This roller coaster ride of evidence will challenge the worldview of ancient and geologic history that have been taught to us. Legends of the floods often mentioned God or the gods, which were considered to be either responsible for the floods or saved people from them. The age when the gods ruled is associated with advanced technology and flood legends. Atlantis is considered central in flood legends, and many researchers have incorrectly linked its destruction with all flood legends. The gods, too, are related to Atlantis and are frequently tied with floods, which necessitated a section devoted to the age of the gods wherein we discover their origins and who they are.