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What exactly is goodness? Where is it found in the literary imagination? Toni Morrison, one of American letters’ greatest voices, pondered these perplexing questions in her celebrated Ingersoll Lecture, delivered at Harvard University in 2012 and published now for the first time in book form. Perhaps because it is overshadowed by the more easily defined evil, goodness often escapes our attention. Recalling many literary examples, from Ahab to Coetzee’s Michael K, Morrison seeks the essence of goodness and ponders its significant place in her writing. She considers the concept in relation to unforgettable characters from her own works of fiction and arrives at conclusions that are both eloquent and edifying. In a lively interview conducted for this book, Morrison further elaborates on her lecture’s ideas, discussing goodness not only in literature but in society and history—particularly black history, which has responded to centuries of brutality with profound creativity. Morrison’s essay is followed by a series of responses by scholars in the fields of religion, ethics, history, and literature to her thoughts on goodness and evil, mercy and love, racism and self-destruction, language and liberation, together with close examination of literary and theoretical expressions from her works. Each of these contributions, written by a scholar of religion, considers the legacy of slavery and how it continues to shape our memories, our complicities, our outcries, our lives, our communities, our literature, and our faith. In addition, the contributors engage the religious orientation in Morrison’s novels so that readers who encounter her many memorable characters such as Sula, Beloved, or Frank Money will learn and appreciate how Morrison’s notions of goodness and mercy also reflect her understanding of the sacred and the human spirit.
The first in a series of books that have taken Europe by storm and are soon to be filmed, featuring a chemist-turned-sleuth who battles ignorance and superstition—as well as killers—in a beautiful setting and in a gripping and mysterious era of historyThe Apothecary Melchior series plunges the reader into 15th-century Tallinn when Estonia is at the edge of Christian lands and the last foothold before the East: a town of foreign merchants and engineers, dominated by the mighty castle of Toompea and the construction of St Olaf's Church, soon to become the tallest building in the world. Apothecary Melchior is a divisive figure in the town: respected for his arcane knowledge and scientific curiosity but also slightly feared for his mystical witch-doctor aura. When a mysterious murder occurs in the castle, Melchior is called in to help find the killer and reveals a talent for detection. But Tallinn has a serial killer in its midst, and Melchior is tested to the limit in a plot with as many twists and turns as the turreted castle itself. Melchior uncovers a mystery surrounding St Olaf's and a secret society that has been controlling the town for years, uncovering truths about the town that may spell danger.
Tender Morsels is a dark and vivid story, set in two worlds and worrying at the border between them. Liga lives modestly in her own personal heaven, a world given to her in exchange for her earthly life. Her two daughters grow up in this soft place, protected from the violence that once harmed their mother. But the real world cannot be denied forever—magicked men and wild bears break down the borders of Liga’s refuge. Now, having known Heaven, how will these three women survive in a world where beauty and brutality lie side by side?
One summer, when both his parents are away for work, Oskar is sent to the countryside to live with his grandma. A dreary prospect turns into disaster when Oskar realises he left his mobile phone back at home. What will he do all summer now? Lonely and bored, Oskar crafts a phone out of a block of wood he finds in the shed and uses it to pretend to call things. To his surprise, the things reply! He speaks to a tough-talking iron, a poetising bin, a bloodthirsty wardrobe, a red balloon that gets tangled in the crown of a birch tree, and many more. Oskar finds himself in high demand, helping the things solve their problems and achieve their dreams. Oskar and the Things is a charming book about the power of the imagination and friendship, by Estonia's leading children's writer, Andrus Kivirähk. With a lively translation by Adam Cullen, and the original illustrations by Anne Pikkov, it is the perfect gift for an introverted child with a rich inner life.
In the remote village of Buckland, a mob chants of witchcraft. It is 1625, and John and his mother are running for their lives. Taking refuge among the trees of Buccla's Wood, John's mother opens her book and begins to tell her son of an ancient Feast kept in secret down the generations. Little does he know that one day, to keep hold of all that he holds most dear, he most realize his mother's vision - he must serve the Saturnall Feast.
The runaway Estonian bestseller tells the imaginative and moving story of a boy tasked with preserving ancient traditions in the face of modernity. Set in a fantastical version of medieval Estonia, The Man Who Spoke Snakish follows a young boy, Leemet, who lives with his hunter-gatherer family in the forest and is the last speaker of the ancient tongue of snakish, a language that allows its speakers to command all animals. But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.
How rarely science-fiction writers succeed in creating a wholly alien culture may be judged from any adequate study of an earthly culture of a time or place which does not form part of our direct heritage. S.F's aliens may have pseudopods or supersdentific gadgets, but rarely so wholly different a frame of reference as man himself has achieved in other eras. Here F&SFs favorite Scandinavian skald takes us to Iceland near the end of the tenth century and convincingly depicts a truly "alien" way of life and teaches us the tragic truth that the role of a twentieth-century timetraveler to a "primitive" culture need not necessarily be that of Prometheus the Fire-Bringer.
From the acclaimed author of Purge (“a stirring and humane work of art” —The New Republic) comes a riveting, chillingly relevant new novel of occupation, resistance, and collaboration in Eastern Europe. 1941: In Communist-ruled, war-ravaged Estonia, two men are fleeing from the Red Army—Roland, a fiercely principled freedom fighter, and his slippery cousin Edgar. When the Germans arrive, Roland goes into hiding; Edgar abandons his unhappy wife, Juudit, and takes on a new identity as a loyal supporter of the Nazi regime . . . 1963: Estonia is again under Communist control, independence even further out of reach behind the Iron Curtain. Edgar is now a Soviet apparatchik, desperate to hide the secrets of his past life and stay close to those in power. But his fate remains entangled with Roland’s, and with Juudit, who may hold the key to uncovering the truth . . . Great acts of deception and heroism collide in this masterful story of surveillance, passion, and betrayal, as Sofi Oksanen brings to life the frailty—and the resilience—of humanity under the shadow of tyranny. This eBook edition includes a Reading Group Guide.
Dorota Maslowska's audacious debut novel establishes her as a new young literary voice of international importance.