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Gordon's critically acclaimed and richly entertaining exploration of the birthplace of rock and roll is peopled with Delta bluesmen, manic deejays, matinee cowboys and Elvis.
NATIONAL BESTSELLER • READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY • A spellbinding debut novel tracing three generations of a Southern Black family and one daughter’s discovery that she has the power to change her family’s legacy. “A rhapsodic hymn to Black women.”—The New York Times Book Review “I fell in love with this family, from Joan’s fierce heart to her grandmother Hazel’s determined resilience. Tara Stringfellow will be an author to watch for years to come.”—Jacqueline Woodson, New York Times bestselling author of Red at the Bone LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, NPR, BuzzFeed, Glamour, PopSugar Summer 1995: Ten-year-old Joan, her mother, and her younger sister flee her father’s explosive temper and seek refuge at her mother’s ancestral home in Memphis. This is not the first time violence has altered the course of the family’s trajectory. Half a century earlier, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in the city. Joan tries to settle into her new life, but family secrets cast a longer shadow than any of them expected. As she grows up, Joan finds relief in her artwork, painting portraits of the community in Memphis. One of her subjects is their enigmatic neighbor Miss Dawn, who claims to know something about curses, and whose stories about the past help Joan see how her passion, imagination, and relentless hope are, in fact, the continuation of a long matrilineal tradition. Joan begins to understand that her mother, her mother’s mother, and the mothers before them persevered, made impossible choices, and put their dreams on hold so that her life would not have to be defined by loss and anger—that the sole instrument she needs for healing is her paintbrush. Unfolding over seventy years through a chorus of unforgettable voices that move back and forth in time, Memphis paints an indelible portrait of inheritance, celebrating the full complexity of what we pass down, in a family and as a country: brutality and justice, faith and forgiveness, sacrifice and love.
"A funny, marvelously readable portrait of one of the most brilliant and eccentric men in history." --The Seattle Times Paul Erdos was an amazing and prolific mathematician whose life as a world-wandering numerical nomad was legendary. He published almost 1500 scholarly papers before his death in 1996, and he probably thought more about math problems than anyone in history. Like a traveling salesman offering his thoughts as wares, Erdos would show up on the doorstep of one mathematician or another and announce, "My brain is open." After working through a problem, he'd move on to the next place, the next solution. Hoffman's book, like Sylvia Nasar's biography of John Nash, A Beautiful Mind, reveals a genius's life that transcended the merely quirky. But Erdos's brand of madness was joyful, unlike Nash's despairing schizophrenia. Erdos never tried to dilute his obsessive passion for numbers with ordinary emotional interactions, thus avoiding hurting the people around him, as Nash did. Oliver Sacks writes of Erdos: "A mathematical genius of the first order, Paul Erdos was totally obsessed with his subject--he thought and wrote mathematics for nineteen hours a day until the day he died. He traveled constantly, living out of a plastic bag, and had no interest in food, sex, companionship, art--all that is usually indispensable to a human life." The Man Who Loved Only Numbers is easy to love, despite his strangeness. It's hard not to have affection for someone who referred to children as "epsilons," from the Greek letter used to represent small quantities in mathematics; a man whose epitaph for himself read, "Finally I am becoming stupider no more"; and whose only really necessary tool to do his work was a quiet and open mind. Hoffman, who followed and spoke with Erdos over the last 10 years of his life, introduces us to an undeniably odd, yet pure and joyful, man who loved numbers more than he loved God--whom he referred to as SF, for Supreme Fascist. He was often misunderstood, and he certainly annoyed people sometimes, but Paul Erdos is no doubt missed. --Therese Littleton
Rooted in Irish history and immigration, The Man who Loved Kennedy deals with an Irish-American activist who stood on the front lines of the War on Poverty in the 1960s and 70s. The book pays tribute to one man’s journey of compassion through social action. Ned Coll was 23 years old when John F. Kennedy was assassinated. The words Ask not what your country can do for you—ask what you can do for your country, from John F. Kennedy’s inauguration speech, so moved Coll he left Hartford’s corporate world. With the help of Robert F. Kennedy and other notables, Coll fathered the Revitalization Corps, a domestic Peace Corps and dedicated it to the fallen president.
In 1948, thirteen-year-old Elvis Presley and his family moved from Tupelo, Mississippi, to Memphis, Tennessee, thus beginning one of the great romances of our time. Elvis loved Memphis, and Memphis loved him back. As the young rock-and-roller's fame rose, he became inextricably linked with the city he called home. Today, if there is a single name that is synonymous with Memphis, it is Elvis Presley. Rich with anecdotes, Memphis Elvis-Style is the definitive guidebook to the King's city. Stories told by Elvis' peers and acquaintances add context as the book traces Elvis' life from the apartments, record shops, and churches where he dreamed of stardom to the recording studios, nightclubs, and radio stations where those dreams became reality. Aside from well-known spots like Graceland and Sun Studios, the book provides an intimate look at many lesser-known places that nevertheless played a vital role in Elvis' life. From the restaurants where he ate to the dealerships where he bought his cars, to the stages where he performed, this book tells the inside story of the King's love affair with his hometown. With updated descriptions, photographs, driving directions to all of the sites, suggested songs to enhance your drive, and an accompanying app, Memphis Elvis-Style truly is the only way to see Memphis through the eyes of Elvis. The companion app is available for Apple and Android devices.
Authentic Memphis Music LegendOn Music, Old Friends, and Life on the RoadWhen Don Nix began his career in Memphis, he was still in high school. Over time, his first band, the Mar-Keys, evolved into Booker T. and the MGs. As a producer and musician, Nix worked with Freddie King, Furry Lewis, Albert King, Delaney and Bonnie, the Staple Singers, Jeff Beck, Eric Clapton, Leon Russell, and many others. He was asked by Beatle George Harrison to help organize the 1971 Bangladesh Concert at Madison Square Garden. Nix's stories of living at George Harrison's mansion in England make for especially good reading. Included in this memoir are dozens of revealing photographs taken by Nix of the extraordinary musicians with whom he worked.
Memphis Boys chronicles the story of the rhythm section at Chips Moman's American Studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Utilizing extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings. She reveals how the personalities of the core group meshed, how they regarded newcomers, and how their personal and musical philosophies blended with Moman's vision to create timeless music based on themes of suffering and sorrow. Recording sessions with Elvis Presley, the Gentrys, Aretha Franklin, Wilson Pickett, the Box Tops, Joe Tex, Neil Diamond, B. J. Thomas, Dionne Warwick, and many others come alive in this book. Jones provides the stories behind memorable songs composed by group writers, such as "The Letter," "Dark End of the Street," "Do Right Woman," "Breakfast in Bed," and "You Were Always on My Mind." Featuring photographs, personal profiles, and a suggested listening section, Memphis Boys details a significant phase of American music and the impact of one studio.
An important new voice for African-American theatre, Katori Hall explores the lives of black and often invisible Americans with vivid language, dynamic narratives and richly textured characterisation. Hoodoo Love is Hall's debut play, a tale of love, magic, jealousy and secrets in 1930s Memphis, written in vivid language which captures the spirit of the Blues. Saturday Night/Sunday Morning is set in a Memphis beauty shop/boarding house during the final days of WWII. Rich with humor and history, it is a story about friendship and finding love in unexpected places. Winner of the Olivier Award for Best New Play 2009, The Mountaintop is a historical-fantastical two hander, portraying the penultimate day in the life of Martin Luther King. Hurt Village won the 2011 Susan Smith Blackburn Prize. Set in a real-life Memphis housing project, it explores in vivid and at times brutal detail a long-lasting legacy of drug abuse, child abuse, crime, and self-hatred within a poor, working-class, multi-generational Black family. This first collection of Katori Hall's dramatic works demonstrate her unique voice for the theatre, which is visceral, passionate and energetic. Hall portrays disenfranchised portions of society with fearless humanity and startling accomplishment.