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A New York Times Book Review Editors' Choice and a Washington Post Notable Book of the Year "This book resees its subject with rare clarity and power as a painter for the 21st century." —Hilary Spurling, New York Times Book Review Michelangelo Merisi da Caravaggio (1571–1610) lived the darkest and most dangerous life of any of the great painters. This commanding biography explores Caravaggio’s staggering artistic achievements, his volatile personal trajectory, and his tragic and mysterious death at age thirty-eight. Featuring more than eighty full-color reproductions of the artist’s best paintings, Caravaggio is a masterful profile of the mercurial painter.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
"Splendid" —New York Times "Mind-bending." —Wall Street Journal "Brilliantly original. The best new novel I've read this year." —Salman Rushdie A daring, kaleidoscopic novel about the clash of empires and ideas, told through a tennis match in the sixteenth century between the radical Italian artist Caravaggio and the Spanish poet Francisco de Quevedo, played with a ball made from the hair of the beheaded Anne Boleyn. The poet and the artist battle it out in Rome before a crowd that includes Galileo, a Mary Magdalene, and a generation of popes who would throw the world into flames. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her crafty executioner transforms her legendary locks into those most-sought-after tennis balls. Across the ocean in Mexico, the last Aztec emperors play their own games, as the conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the course of history. In a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that it’s a manual instead of a parody. And in today’s New York City, a man searches for answers to impossible questions, for a book that is both an archive and an oracle. Álvaro Enrigue’s mind-bending story features assassinations and executions, hallucinogenic mushrooms, bawdy criminals, carnal liaisons and papal schemes, artistic and religious revolutions, love and war. A blazingly original voice and a postmodern visionary, Enrigue tells the grand adventure of the dawn of the modern era, breaking down traditions and upending expectations, in this bold, powerful gut-punch of a novel. Game, set, match. “Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness.” —Lauren Groff, New York Times-bestselling author of Fates and Furies "Engrossing... rich with Latin and European history." —The New Yorker "[A] bawdy, often profane, sprawling, ambitious book that is as engaging as it is challenging.” —Vogue
Rome, 1600. In the shadowed cellars of Cardinal Del Monte’s palazzo, a shaft of light illuminates the face of Luca Passarelli. Across the room, behind an enormous canvas, the brilliant, mercurial artist Michelangelo Merisi da Caravaggio paints with sure brushstrokes Luca’s likeness into a new masterpiece. Caravaggio is both revered and reviled by his patrons as well as his fellow artists. His innovative paintings and his blazing temper have made him powerful friends, but also powerful enemies—enemies who are determined to quench the flame of his talent. What Caravaggio does not know is that Luca is a professional assassin, a bitter and spiteful man who, in his dark past, has ‘breathed in death’ and has committed murder on multiple occasions. What the artist does not know is that when next they meet it will not be a canvas that brings them together, but rather revenge ... and death.
Coming somewhere between Peter Ackroyd and Perfume, Doubting Thomas is an innovative and fascinating novel about the renowned Italian painter Caravaggio. The plot centers around the events of a May evening in Rome in 1606, when Caravaggio was challenged to a duel and killed a man. Who was this man Caravaggio? What happened on that fateful night? What was the cause of the fight that forced him to flee Rome? Different narrators, including a drunken architect, the painter's own brother, some ladies of the night, a town clerk, and a close friend of Caravaggio all present their versions of the events that took place that night, shedding light on what happened and, as a result, on the painter's revolutionary art. Doubting Thomas is a book about ideas and about a period in time that witnessed the coming of enlightenment and dramatic changes in thinking. It is first and foremost a novel about human destiny, sensuality, and purpose of mind; brutality and love, exploration, and devotion. How far can a painter go? Where is the line between what is sacred and what is profane? How can a drunkard and a womaniser such as Caravaggio create art that speaks of fervent aesthetics and even religious devotion?
An historical novel for teens based on events in the life of Caravaggio.
Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries. The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances. Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy. Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle. Praise for The Lost Painting “Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . . . In truth, the book reads better than a thriller. . . . If you're a sucker for Rome, and for dusk . . . [you'll] enjoy Harr's more clearly reported details about life in the city.”—The New York Times Book Review “Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste—and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read.”—The Economist
My sight was always good. But color now takes on even greater riches. I no longer need the bright blues and reds, which I did so delight in when I was young. I see a hundred times more beauty now in a dark brown, or the pale tints of quiet flesh. Or a ray of light across a fur or a beaten earth floor or a suit of black armor. Such colors do not distract the eye, but rather let it concentrate on my forte, the human face. There I will have my theater, there my drama, there my applause. Peachment's imagined Caravaggio, while still a child, overhears his parents discussing one of his sketches, and realizes he has a talent that sets him apart from the world. He leaves family and home forever to map out a solitary traveler's life. Caravaggio became a revolutionary of his time, a rebellious and dangerous man to know, a man governed by his genius, his indiscriminate sexual appetite, and his murderous rage. He was sought far and wide in the late Renaissance world for his art, and there was a price on his head for at least one murder. This is Caravaggio's confession, told in humorous, blasphemous, often brutal prose, which cleverly beguiles the reader into understanding the art that was so celebrated and the life that caused so much outrage. Peachment's Caravaggio is a gripping story of one man's determination to grapple with the truth as he journeys through Rome, Naples, Malta, and Sicily, encounters lovers and enemies, endures madness, exile, and imprisonment, and faces a final showdown with the Vatican Secret Service. His account is poignant and spirited. It is an adventurous and thoroughly enthralling insight into the mind of a creative genius and the violent world that inspired his paintings.