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David Pichaske has been writing and teaching about midwestern literature for three decades. In Rooted, by paying close attention to text, landscape, and biography, he examines the relationship between place and art. His focus is on seven midwestern authors who came of age toward the close of the twentieth century, their lives and their work grounded in distinct places: Dave Etter in small-town upstate Illinois; Norbert Blei in Door County, Wisconsin; William Kloefkorn in southern Kansas and Nebraska; Bill Holm in Minneota, Minnesota; Linda Hasselstrom in Hermosa, South Dakota; Jim Heynen in Sioux County, Iowa; and Jim Harrison in upper Michigan. The writers' intimate knowledge of place is reflected in their use of details of geography, language, environment, and behavior. Yet each writer reaches toward other geographies and into other dimensions of art or thought: jazz music and formalism in the case of Etter; gender issues in the case of Hasselstrom; time past and present in the case of Kloefkorn; ethnicity and the role of the artist in the case of Blei; magical realism in the case of Heynen; the landscape of literature in the case of Holm; and the curious worlds of academia, best-selling novels, and Hollywood films in the case of Harrison. The result, Pichaske notes, is the growing away from roots, the explorations and alter egos of these writers of place, and the tension between the “here” and “there” that gives each writer's art the complexity it needs to transcend provincial boundaries. Quoting generously from the writers, Pichaske employs a practical, jargon-free literary analysis fixed in the text, making Rooted interesting, readable, and especially useful in treating the literary categories of memoir and literary essay that have become important in recent decades.
Founded at the University of Georgia in 1947 and published there ever since, The Georgia Review has become one of America's most highly regarded journals of arts and letters. Never stuffy and never shallow, The Georgia Review seeks a broad audience of intellectually open and curious readers--and strives to give those readers rich content that invites and sustains repeated attention and consideration. Pulitzer Prize winners and never-before-published writers are equals during the journal's manuscript evaluation process, whose goal is to identify and print stories, poems, and essays that promise to be of lasting merit. The year 2012 marks the sixty-fifth anniversary of The Georgia Review, and Stories Wanting Only to Be Heard will acknowledge that milestone by presenting a selection of the remarkable short fiction published across the decades. The collection includes the work of well-known writers, many of whom were not yet so well known when first selected for publication by The Georgia Review, and also highlights compelling work from writers whose names may not be as familiar but whose stories are equally compelling and memorable. The stories collected here--each one vivid, distinctive, and worthwhile to read--stand as testament to the significance of The Georgia Review's decades of work to identify and promote writing of exceptional quality. Publication of this book was made possible, in part, by the President's Venture Fund through generous gifts of the University of Georgia Partners.
A seventeen-year-old star student and gifted athlete hides the painful truths about her private life, including a failing family farm, her mother's growing apocalyptic fears, the institutionalization of her special-needs sister, and her romance with the son of Hmong immigrants.
From a bar hosting its nightly Sad Hour to the moonlit sandbox of a retired army general, Jim Heynen’s new collection of micro fiction presents character sketches of strange yet fascinating men and women. Modeled after Theophrastus' Characters — brief, verbal snapshots of people created by the Greek philosopher — Heynen captures not just the quirks and eccentricities of his characters, but also their humanity. Guilty of only ordinary and forgivable sins, these sketches reveal universal human idiosyncrasies as much as they do the individual characters. Paired with the wonderfully evocative illustrations of renowned illustrator Tom Pohrt, Ordinary Sins will appeal to story lovers and collectors of beautifully made books alike.
"It's not as if grown-ups will let you be average if you're youngest. If you're not fat, they call you Skinny or Bones. If you're not skinny, they call you Hippo or Tubby." Henry and Gretchen are the youngest children in two Iowa farm families. Being youngest, they get left out, blamed, ignored, and picked on all the time. At least that's how, being youngest, they tend to see it. In a summer filled with change, Henry and Gretchen swap stories, become friends, fight with their older brothers and sister, and get to know the odd old couple down the road. Between the old fan's habit of plucking nails out of the ground and the old woman's weird "children" who are kept locked in a room upstairs, they are strange enough. But are they just strange, or could the old folks actually be dangerous? Jim Heynen's story of one farm summer has fun, humor, some scary moments, and many wonderful insights into what being youngest means. "Before Henry and Gretchen went their separate ways, they didn't compare the stories they were going to tell at home. They did agree they'd tell something--but not all. They both had learned to hide the best part. They knew that to keep a secret you had to hide it down a blind alley of stories that are only part of what happened. You didn't want to pretend that nothing happened. Too much silence was like honey to a hungry bear, and grown-ups were bound to start pawing around in it. It was best to throw them a few scraps of the truth to keep them away from the real honey of what you did."
The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews.