Download Free The Man The Anzacs Revered Book in PDF and EPUB Free Download. You can read online The Man The Anzacs Revered and write the review.

How did a wowser become an Anzac legend? And how did a legend become a virtual unknown today? This is the first biography of Fighting Mac to sort the facts from the fiction and present McKenzie as the Christian champion that he was. William McKenzie was once one of the most famous of the Anzacs, a legend for his work on Gallipoli and France. For two decades after the war he was literally mobbed by adoring soldiers and their families. For the Anzacs, he became the man who best represented the Anzac ideal. What makes Fighting Mac's legendary reputation incredible is that he embodied almost everything that the typical digger of the Anzac legend loved to hate. McKenzie was a Salvation Army Chaplain, a species of non-combatant officer usually held in low esteem. He railed against booze, brothels, betting and bad language, and he ran frequent evangelistic campaigns for the Anzacs where he forcefully appealed to them to become Christians. Despite these apparent disadvantages he was worshipped and revered by the soldiers. Yet today, McKenzie's name is almost completely unknown outside certain religious circles. However, legends continue to be invented about him, adding to the inaccuracies told about him almost from the beginning. But his story needs no embroidering, and the exaggerations diminish the truth of his astonishing real-life achievements. This book captures McKenzie in all of his charismatic and energetic complexity with particular focus on his war years: a devout man of God who became enshrined in the hearts of thousands of men who showed little other commitment to things religious. If the original Anzacs revered him, then we who revere them should pay attention to his story.
Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology.
Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors: Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board: Arjun Appadurai, New York University, Claudia Benthien, Universität Hamburg, Elisabeth Bronfen, Universität Zürich, Bishnupriya Ghosh, University of California, Santa Barbara, Joyce Goggin, Universiteit van Amsterdam, Lawrence Grossberg, University of North Carolina at Chapel Hill, Andreas Huyssen, Columbia University, Ansgar Nünning, Universität Gießen, Naomi Segal, University of London, Birkbeck College, Márcio Seligmann-Silva, Universidade Estadual de Campinas, António Sousa Ribeiro, Universidade de Coimbra, Roberto Vecchi, Universita di Bologna, Samuel Weber, Northwestern University, Liliane Weissberg, University of Pennsylvania, Christoph Wulf, FU Berlin, Longxi Zhang, City University of Hong Kong
The Salvation Army is an integral part of the Christian Church, although distinctive in government and practice. The Army’s doctrine follows the mainstream of Christian belief and its articles of faith emphasize God’s saving purposes. Its objects are ‘the advancement of the Christian religion… of education, the relief of poverty, and other charitable objects beneficial to society or the community of mankind as a whole.’ The Salvation Army was founded in London in 1865 by William Booth its first 'General' and has continued growing ever since. In 2015 it celebrated it 150th anniversary and today it has a presence in 127 countries. This second edition of Historical Dictionary of The Salvation Army contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on i leaders, personalities, events, facts, movements, and beliefs of The Salvation Army. This book is an excellent resource for students, researchers, and anyone wanting to know more about The Salvation Army..
The Disruption of Evangelicalism is the first comprehensive account of the evangelical tradition across the English-speaking world from the end of the nineteenth to the mid-twentieth century. It offers fresh perspectives on conversionism and the life of faith, biblical and theological perspectives, social engagement, and mission. Tracing these trajectories through a period of great turbulence in world history, we see the deepening of an evangelical diversity. And as events unfold, we notice the spectrum of evangelicalism fragments in varied and often competing strands. Dividing the era into two phases-before 1914 and after 1918-draws out the impact of the Great War of 1914-18 as evangelicals renegotiated their identity in the modern world. By accenting his account with the careers of selected key figures, Geoffrey Treloar illustrates the very different responses of evangelicals to the demands of a critical and transitional period. The Disruption of Evangelicalism sets out a case that deserves the attention of both professional and arm-chair historians.
Tribute to a hero. After WW1 'Mac' was the most famous man in Australia. He had served the Anzacs on Gallipoli, the Middle East, the Somme, Pozieres and Passchendaele. During this time he led 3,000 to a living faith in Christ as well as burying hundreds of them. "Mac was a regular hero to the men...To not a few he appeared to be a kind of sueprman, with the power to perform miracles." Anzac Doctor, The Daily Mirror.
War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story. In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women’s war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women’s tradition. Shooting Blanks at the Anzac Legend examines the rich body of World Wars I and II and Vietnam War literature by Australian women, providing the critical attention and treatment that they deserve. Donna Coates records the reaction of Australian women writers to these conflicts, illuminating the complex role of gender in the interpretation of war and in the cultural history of twentieth-century Australia. By visiting an astonishing number of unfamiliar, non-canonical texts, Shooting Blanks at the Anzac Legend profoundly alters our understanding of how Australian women writers have interpreted war, especially in a nation where the experience of colonising a frontier has spawned enduring myths of identity and statehood.
The story of the teachers who came by the thousands, from near and far, to join the British war effort. August 1914: Flags waved, people cheered, and armies mobilized. Millions throughout Britain responded to the call to arms. War fever was contagious. In the far reaches of empire, young men also pledged their allegiance and prepared to serve the king and his empire. Among the patriots who joined the colors were thousands of schoolmasters and trainee teachers. In London, students and alumni from the London Day Training College left their classrooms and took the king’s shilling. In the dominions, hundreds of their professional counterparts in Perth, Auckland, and Toronto similarly reported to the military training grounds, donned uniforms, and embarked for the “old country” in its hour of need. This book tells their story. It recalls the decisions made by men who were united by their training, occupation, and imperial connections, but divided by social and geographical contexts and personal beliefs. It follows these teacher-soldiers as they landed on the beaches of Gallipoli, attacked across no man’s land in Flanders, on the Somme, and at Passchendaele, and finally broke through the Hindenburg Line and secured victory. Many did not survive the carnage of what became known as the Great War. And for those who did, men who’d been proud to call themselves Tommies, Anzacs, Enzeds, and Canucks, coming home would present even more challenges and adjustments. “Highly recommended for . . . those who wish to learn more about the social and educational make up of British and Commonwealth forces in the Great War.” —Argunners
Somewhere along the line, a bond fractured, or at least twisted into a malfunctioning tangle. You regret it, but cannot seem to fix it. If this sounds achingly familiar to you just now, then take courage for God knows how to help the brokenhearted. Isaiah prophesied that the Messiah would come to give "beauty for ashes, the oil of joy for mourning, the garment of praise for the spirit of heaviness" (Isaiah 61:3, NKJV). God gave Himself to show us an unimaginable kind of love. In 13 Weeks to Love, author and speaker Jennifer Jill Schwirzer shows how to live God's love and how doing so fulfills the purpose for which He created us. God is love and we, as His image bearers, posses the capacity for love. Because love is fundamental to life itself and because it's all we'll really care about in the end, let's care about it now. Let's make it our first study, our science, our song Book jacket.