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The only way to secure her dream is to marry a handsome stranger . . . When Rose and Jack meet, she has just lost her uncle, and with him her dream of owning a coffee shop. Rose wanted nothing more than to open a café in her uncle’s building. But her uncle’s will is clear – the building goes to Rose’s husband. Not to her. Then, his lawyer, Jack, offers an unusual solution… she can marry him. She’ll get the café and he’ll get the building. For some reason, Rose agrees. It might be a marriage of convenience but it’s anything but simple. Despite it being his idea, Jack is unbearably surly... But then he does something that shows Rose he might just have a softer side. Maybe love can start with a contract… but will Rose still feel that way when she learns the full terms of their deal?
Nearly a century ago, it was predicted that Kula, the exchange of shell valuables in the Massim region of Papua New Guinea, would disappear. Not only has this prophecy failed to come true, but today Kula is expanding beyond these island communities to the mainland and Australia.This book unveils the many deep motivations and meanings that lie behind the pursuit of Kula. Focusing upon the visually stimulating carved and painted prow boards that decorate canoes used by the Kula voyagers, Campbell argues that these designs comprise layers of encoded meaning. The unique colour associations and other formal elements speak to Vakutans about key emotional issues within their everyday and spiritual lives. How is mens participation in the Kula linked to their desire to achieve immortality? How do the messages conveyed by the canoe boards converge with those presented in Kula myths and rituals? In what ways do these systems of meaning reveal a male ideology that competes with the prevailing female ideology? Providing an alternative way of understanding the significance of Kula in the Trobriand Islands, The Art of Kula makes an influential new contribution to the ethnography of Papua New Guinea.
Shortlisted for the Katharine Briggs Folkore Award 2003 Malanggan are among the most treasured possessions in the Pacific, yet they continue to confound anthropologists. Central to funerals in New Ireland, these ‘death' figures are intended to decompose as symbolic representations of the dead. Wrapped in images that are conceived of as ‘skins', they are both visually complex and intriguing. This book is the first to interpret these mysterious agents of resemblance and connection as having a cognitive rather than a linguistic basis. Found in nearly every ethnographic museum in the world, Malanggan collections have been left virtually untouched. This original study begins by tracing the history of the collections and moves on to consider the role these artefacts play in sacrifice, ritual and exchange. What is the relationship between Malanggan and memory? How can Malanggan be understood as a life force as well as a vehicle for thought? In an analysis of the cognitive aspects of Malanggan, Küchler offers a highly original conceptualization of the centrality of the knot as a mode of being, thinking and binding in the Pacific. Malanggan: Art, Memory and Sacrifice is a groundbreaking study. Based on fifteen years of fieldwork and collection research, it provides an incisive new take on one of the Pacific's classic puzzles, as well as a wealth of new information and resources for anthropologists, collectors and curators alike.
Originally published in 1984, this book touches the private lives and professional responsibilities of men and women, as it illustrates the comic as well as serious effects of the ‘incorporation’ of wives into some important State and commercial institutions. Beyond their domestic functions, wives have, in particular ways, been valuable props to many a husband’s career and many an employer’s and the nation’s interests. For example, the Army, civil administrations at home and overseas, and the police have, without questioning, depended on the services of wives – given silently, willingly or unwillingly. Yet the nature of the relationship of these ‘incorporated’ wives to the objectives of such institutions has, until recently, been largely unregistered in practice, unrecorded in social and historical accounts and unstudied by analysts. This book provides a wealth of ethnographic material. Personal anecdotes and scholarly interpretations throw light on the conceptual systems underlying the workings and cultures of institutions, as well as the construction of identities. Many will find their experiences echoed here. The issues raised are important not only for individual men and women, for whom such ‘incorporation’ may provide advantages as well as constraints, but because of the bearing they have on our understanding of marriage, especially since we cannot be sure this will continue in its present mode or as the dominant form of conjugal union. As more married women assume greater responsibilities at work, will their husbands give the same support to their wives and those who employ them as they themselves received? Further, it seems likely that wives may become less willing than in the past to render their services unacknowledged – indeed this trend is already apparent. We may ask, then, ‘who will fill the gaps?’, and ‘how will institutions change?’. The historical and contemporary studies here provide some base data and some theoretical approaches necessary for any who may wish to consider what will become increasingly acute practical questions.
'A majestic Victorian tale... Wealthy lawyer Esmond, discarded illegitimate son of a peer, has pinched his way to the top of his profession, while his handsome, debt-ridden cavalry officer brother Clinton has inherited the title and the ancestral home. Beautiful actress Theresa, a widow, a fierce free spirit with a sinewy wit, is the woman both will love.' Kirkus Reviews 'It is rare in this field to meet the realities of passion, its shifts and treacheries; when this combines with rich historical details, including recondite legal and financial ones, the result is outstanding.' Observer 'The novel does imperatively make you want to know what happens next. Three cheers for narrative.' New Statesman 'A superb novelistic situation, starkly worked out as it would be in real life... I was intensely concerned for the fortunes of these people.' Elizabeth Jenkins, Kaleidoscope (BBC)
Lies, secrets, affairs and secrets. You decide which road you would take if you were in one these characters shoes.