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Focusing on the role of the individual in the periphery of the Empire, this volume illuminates John Galbraith's thesis that events on the periphery of the British Empire led the man on the spot to expand the area of British control. The man on the spot was a factor in imperial expansion as much as, or sometimes more than, imperial or company policy, which often opposed control of further territory because of the expense. The Empire continued to expand in spite of official policy because of individuals and events on the periphery. Along these lines, this contributed volume provides studies of the periphery of Empire, whether in Africa, Canada, Malaya, China, or India. The volume opens with three chapters dealing with aspects of the overarching subject of imperialism and imperial expansion. The opening section is then followed by sections on Africa, Canada, India, and Southeast and East Asia. In the concluding bibliographical essay, the man on the spot thesis is placed in context within the historiography of British Empire Studies.
The newly discovered papers and colourfully-written letters of Anglo-Irish Sir Henry Dobbs, which form the backbone of this book, reveal his importance in the development of the modern Middle East. An influential civil servant and Britain's longest serving High Commissioner in Iraq at a time when the British empire was facing increasing challenges to its once dominant position, he describes the difficulties of governing first in India then in the formerly Ottoman Mesopotamia during WW1. Here, Dobbs had to devise administrative systems while often at odds with his superior, Sir Percy Cox. In the discussions that followed the Third Afghan War, Dobbs manoeuvred between the different views in London and Delhi with great dexterity to negotiate alone with the Amir of Afghanistan the enduring 1921 Anglo-Afghan treaty. Having accepted from the League of Nations the responsibility for taking the newly-created Iraq to sustainable independence in the aftermath of WW1, the cash-strapped British government came under great domestic pressure to abandon it. Key to British support continuing was Iraqi acceptance of the controversial 1922 treaty with Britain. This Dobbs achieved by disregarding the unhelpful approach recommended by London and, risking his career, he pressed on with his own wholly unauthorised tactics. In other initiatives, Dobbs ensured that Mosul province remained within Iraq. Dobbs consistently pressed for Iraq's early independence – granted in 1932, the first territory in the former Ottoman Empire to gain it. An early advocate of self-determination Dobbs was frequently at odds with the more traditional imperial approach of his superiors. He always endeavoured to balance the aspirations and needs of overseas communities for whom he was responsible with the interests of Britain which he represented.
The Spot is an old blacksmith shed in which three men tweeze apart the intricacies of a botched bank robbery. The Spot is a park on the Hudson River, where two lovers sense their affair is about to come to an end. The Spot is at the bottom of Niagara Falls, where the body of a young girl floats as if caught in the currents of her own tragic story. The Spot is in the ear of a Manhattan madman plagued by a noisy upstairs neighbor . The Spot is a suburban hospital room in which a young father confronts his son's potentially devastating diagnosis. The Spot is a dusty encampment in Nebraska where a gang of inept radicals plot a revolution. The Spot draws thirteen new stories together into a masterful collection that shows David Means at his finest: at once comically detached and wrenchingly affecting, expansive and concise, wildly inventive and firmly rooted in tradition. Means's work has earned him comparisons to Flannery O'Connor (London Review of Books), Alice Munro, Bob Dylan, Jack Kerouac (Newsday), Hemingway, Sherwood Anderson (Chicago Tribune/NPR), Denis Johnson (Entertainment Weekly), Poe, Chekhov, and Carver (Milwaukee Journal Sentinel), but the spot he has staked out in the American literary landscape is fully and originally his own.
George Hall is an unobtrusive man. A little distant, perhaps, a little cautious, not quite at ease with the emotional demands of fatherhood or of manly bonhomie. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life can’t be ignored, however: his tempestuous daughter Katie’s deeply inappropriate boyfriend Ray, for instance, or the sudden appearance of a red circular rash on his hip. At 57, George is settling down to a comfortable retirement, building a shed in his garden and enjoying the freedom to be alone when he wants. But then he runs into a spot of bother. That red circular rash on his hip: George convinces himself it’s skin cancer. And the deeply inappropriate Ray? Katie announces he will become her second husband. The planning for these frowned-upon nuptials proves a great inconvenience to George’s wife, Jean, who is carrying on a late-life affair with her husband’s ex-colleague. The Halls do not approve of Ray, for vague reasons summed up by their son Jamie’s observation that Ray has “strangler’s hands.” Jamie himself has his own problems — his tidy and pleasant life comes apart when he fails to invite his lover, Tony, to Katie’s wedding. And Katie, a woman whose ferocious temper once led to the maiming of a carjacker, can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob. Unnoticed in the uproar, George quietly begins to go mad. The way these damaged people fall apart — and come together — as a family is the true subject of Haddon’s hilarious and disturbing portrait of a dignified man trying to go insane politely. A Spot of Bother is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller The Curious Incident of the Dog in the Night-time. Once again, Haddon proves a master of a story at once hilarious, poignant, dark, and profoundly human. Here the madness — literally — of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.
Agents Fox and Mulder investigates.
An authentic attempt at chronicling some of my travels from Alaska to Russia. A humorous look at life on the road and the characters I find alongside it. Discussions with babalowas, bums and shunned hermits are all in a day's work.
Discover Math Matters! With over 15 million books sold worldwide, this award-winning series of easy-to-read books will help young readers ages 5–8 approach math with enthusiasm. Great for fans of MathStart or Step into Reading Math. After Jake and Leo reluctantly move into their grandfather's old house, they receive a mysterious postcard about treasure maps in the attic. Following the clues on the maps, Jake and Leo discover their new neighborhood and find that the real treasure is right in their own backyard! With engaging stories that connect math to kids’ everyday lives, each book in the Teachers’ Choice Award–winning Math Matters series focuses on a single concept and reinforces math vocabulary and skills. Bonus activities in the back of each book feature math and reading comprehension questions, and even more free activities online add to the fun! (Math topic: Coordinate Graphing)
While her boss becomes entranced with a beautiful armoire at the countywide craft bazaar, Maggie can't help noticing the Amish craftsman who made it. Though his clothes may be plain, he himself is more handsome than a man sporting a jawline-only beard has any right to be. And he seems pretty aware that the ladies love his...furniture. But when the hunky craftsman turns up dead with a strange hex symbol near his corpse, Maggie wonders if the craft involved is the witchy kind.