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The year is 1929 and Bobot is just another migrant worker in rural California. Or rather, a migrant worker with a law degree from the Philippines reduced to manual labor in America. Bobot, like so many other young Filipinos, finds himself bunking in the fields picking fruit by day. When his cousin writes claiming to have spotted his estranged wife in nearby San Francisco, he swipes a co-worker’s favorite nightclub suit and heads to the big city to find her. What follows is classic noir with seedy dives, mouthy pool sharks, and obsession. Rina Ayuyang indulges her passion for old Hollywood and elaborate movie musicals while exploring her immigrant roots in a playful and mysterious drama creating something she never saw but always had hoped for—a classic tale about people who looked just like her. The Man in the McIntosh Suit is a gripping, romantic and psychological exploration of a fledgling community chasing the American dream in an unwelcoming society heightened by racial hostility and the bubbling undercurrent of the coming Great Depression.
The true story of how Hollywood musicals got one person through school, depression, and the challenges of parenthood Inspired by the visual richness and cinematic structure of the Hollywood musical, Blame This on the Boogie chronicles the adventures of a Filipino American girl born in the decade of disco who escapes life's hardships and mundanity through the genre's feel-good song-and-dance numbers. Rina Ayuyang explores how the glowing charm of the silver screen can transform reality, shaping a person's approach to childhood, relationships, sports, reality TV, and eventually politics, parenthood, and mortality. Ayuyang's comics are as vibrant as the movies that she loves. Her deeply personal, moving stories unveil the magic of the world around us--rendering the ordinary extraordinary through a jazzed-up song-and-dance routine. Ayuyang showcases the way her love of musicals became a form of therapeutic distraction to circumnavigate a childhood of dealing with cultural differences, her struggles with postpartum depression, and an adulthood overshadowed by an increasingly frightening and depressing political climate. Blame This on the Boogie is Ayuyang's ode to the melody of the world, and shows how tuning out of life and into the magic of Hollywood can actually help an outsider find her place in it.
The meandering exploits of a somewhat-normal Filipino-American girl, exploring the humorous side of life's ordinary moments.
Malkasian’s stunning landscapes and depictions of nature, gestural character nuance, and sophisticated storytelling are on display in her latest graphic novel. For a thousand years, the unfinished dreams―sex fantasies, murder plots, wishful thinking―from the City Across the Sea came to Echo Fjord to find sanctuary. Emerging from the soil, they took bodily form and wandered the land, gently guided by the fjord folk. But recently they've stopped coming, and Eartha wants solve the mystery. Without thought or hesitation―the city isn’t on any map, or in anyone’s memory―she ventures into the limitless waters, hoping to find the City.
During the 1870s diamond rush in southern Africa, Clementine is left to be raised by her destitute father following the death of her mother. Her care falls largely to their companion, Joseph, and the two form an unbreakable bond. When the two men uncover a large, flawless diamond, a dark bargain is struck to ensure Clementine's return to a respectable life in northern England. Her father believes he has finally secured their future, but the discovery of the gem comes at a considerable cost. Years later, Clementine must confront long-buried memories of her childhood to solve the mystery of what happened to her loved ones all those years ago. Can she find the justice she seeks?
NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES, THE GUARDIAN, THE BROOKLYN RAIL, THE GLOBE AND MAIL, POP MATTERS, COMICS BEAT, AND PUBLISHERS WEEKLY From the “heir to R. Crumb and Art Spiegelman” (Economist), a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural world The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to “remove the Indian from the child”; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture—recounted in stunning visual detail by one of the greatest cartoonists alive.
All We Have To Believe In is a captivating story of love and loss, of betrayal and redemption, set against the backdrop of America in the 1920s. Edward Dooley is a disillusioned veteran of the Great War who comes home to San Francisco, struggles to fit into a fast-changing society, and falls in love with the daughter of immigrants who is as headstrong as he is idealistic. Beneath all the glamour of the dazzling decade, however, xenophobia is taking hold, prosperity is undone by greed, and Prohibition proves morally bankrupt. Told with compassion and rich in historical detail, the themes of this story continue to resonate today.
The memoirs of Filipinos in Hollywood span more than 80 years, dating back to the early 1920s when the first wave of immigrants, who were mostly males, arrived and settled in Los Angeles. Despite the obstacles and hardships of discrimination, these early Filipino settlers had high hopes and dreams for the future. Many sought employment in Hollywood, only to be marginalized into service-related fields, becoming waiters, busboys, dishwashers, cooks, houseboys, janitors, and chauffeurs. They worked at popular restaurants, homes of the rich and famous, movie and television studios, clubs, and diners. For decades, Filipinos were the least recognized and least documented Asians in Hollywood. But many emerged from the shadows to become highly recognized talents, some occupying positions in the entertainment industry that makes Hollywood what it is today--the world's capital of entertainment and glamour.
First published in 2003. This is Volume II of eight in the Early Sociology of Culture collection and offers a sociological study on the commercialized recreation. Paul G. Cressey while serving as a case-worker and special investigator for the Juvenile Protective Association was requested during the summer of 1925 to report upon the new and then quite unfamiliar closed dance halls. This book is in a sense the outgrowth of those assignments.
Collects Marvel's Voices: Identity (2021) #1; Amazing Fantasy (2004) #15, Incredible Hulk (2000) #100 (Amadeus Cho stories); Magnificent Ms. Marvel (2019) #13; Shang-Chi (2020) #1; Marvel (2020) #5 (Wong story); Demon Days: X-Men (2021) #1; Silk (2021) #1; Asian Voices variants. Celebrate the greatest Asian characters and creators from across the Marvel Universe! Some of the best super heroes in comics get the spotlight in action-packed and heartfelt tales - including Shang-Chi, Ms. Marvel, Jubilee, Silk, Wave, Wong and Jimmy Woo! These amazing and legendary heroes star in stories from new and established Asian creators that will surely expand "the world outside your window!" Plus: Thrill to the start of brand-new storytelling eras for both Silk and Shang-Chi, revisit classic tales featuring the brilliant mind of Amadeus Cho, join Kamala Khan in welcoming a new hero to Jersey City and prepare for a very different look at the X-Men!