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Just coming off a bad relationship and stuck in a work-related nightmare, Trish Devlin doesn't need more stress. So when she spots a stranger lurking outside her home, it's the last straw. Yet she's drawn to this compelling man who claims to have visions of her impending murder and offers protection. Grant Wolfe can't explain why he feels compelled to defend the skeptical beauty, but he ignored a premonition once before—with deadly consequences. Can he convince Trish that his visions are based in an all-too-dangerous reality—or will the killer get her before their love has a chance?
The man from nowhere arrives in the English village of Stargill on a windy October day carrying only a shabby canvas bag. Soon he settles in, gets a job at the sawmill and is considered a friend by the villagers. But one day he discovers the badly battered body of old Ma Perkins - owner of a modest store but reputed to have a bit put away. When it becomes obvious the murderer is a local person, the ranks begin to close against the man from nowhere. And when the first murder is followed by another violent death the village becomes frightened, suspicious and cruel. It wants, at all costs, to protect its own security. 'A charming oddity in the murder line' San Francisco Chronicle
One man proves his worth in this Ralph Compton western... When the Apache surrounded the settlement of Alma, New Mexico, the "respectable" townsfolk began hanging those who weren't. Town drunk Eddie Oates was lucky to be banished from the town, left for the Apaches to kill. Oates never thought he was a survivor. But now, he's discovered a reason to go on—and he's about to unleash a raging fury upon those who would prey on the helpless, the hopeless, and those who others think aren't worth fighting for... More Than Six Million Ralph Compton Books In Print!
"... containing the names and the disposition made of more than 20,000 pictures, from ... May 15th, 1915, up to the end of the year 1917. This list will be supplemented by further lists presented at the end of each half yearly period."--Pennsylvania. State Board of Censors of Moving Pictures. Report, 1918, p. 7.
This volume advances the data-based study of multimodal artefacts and performances by showcasing methods and results from the latest endeavors in empirical multimodal research, representing a vibrant international and interdisciplinary research community. The collated chapters identify and seek to inspire novel, mixed-method approaches to investigate meaning-making mechanisms in current communicative artifacts, designs, and contexts; while attending to their immersive, aesthetic, and ideological dimensions. Each contribution details innovative aspects of empirical multimodality research, offering insights into challenges evolving from quantitative approaches, particular corpus work, results from eye-tracking and psychological experiments, and analyses of dynamic interactive experiences. The approaches and results presented foreground the inherent multidisciplinary nature and implications of multimodality, renegotiating concepts across linguistics, media studies, (social) semiotics, game studies, and design. With this, the volume will inform both current and future developments in theory, methods, and transdisciplinary contexts and become a landmark reference for anyone interested in the empirical study of multimodality.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Many Broadway stars appeared in Hollywood cinema from its earliest days. Some were 19th century stage idols who reprised famous roles on film as early as 1894. One was born as early as 1829. Another was cast in the performance during which Abraham Lincoln was assassinated. One took her stage name from her native state. Some modern-day stars also began their careers on Broadway before appearing in films. This book details the careers of 300 performers who went from stage to screen in all genres of film. A few made only a single movie, others hundreds. Each entry includes highlights of the performer's career, a list of stage appearances and a filmography.