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Despite our tendency to think of the demonic as evil and the angelic as good, our own legends don't always bear this out. Angels can be the incarnation of light and salvation, but they can also fall - Satan himself is a fallen angel. Demons can be truly demonic, but these unearthly creatures can also, on occasion, lend humankind a hand. Temptation can lead to revelation, supernatural messengers who bring true justice may not be welcomed, and beings seeking redemption can be blind to mortal needs. Stories from world-renowned authors of science fiction and fantasy - including Neil Gaiman, George R. R. Martin and Joyce Carol Oates - and rising stars portray angels in all their glory, demons at their most dreadful, and a surprising variety of modern interpretations of ancient myth.
If love transcends all boundaries, paranormal romance is its natural conclusion. Over twenty tales from some of the hottest names in romantic fiction to transport you to fantastical worlds in which mythical beasts, magical creatures of all shapes and sizes, heart-stoppingly handsome ghosts, angels and mortals with extra-sensory powers live out extraordinary desires. Includes stories from Lara Adrian, Ava Gray, Sharon Shinn, Robin D. Owens, Karen Chance and many more. Praise for MBO Paranormal Romance: 'Paranormal romance readers are in for a treat with this amazing collection!' Kresley Cole, New York Times bestselling author
Here are 25 stories of science fiction that push the envelope, by the biggest names in an emerging new crop of high-tech futuristic SF - including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher. High-tech SF has made a significant comeback in the last decade, as bestselling authors successfully blend the super-science of 'hard science fiction' with real characters in an understandable scenario. It is perhaps a reflection of how technologically controlled our world is that readers increasingly look for science fiction that considers the fates of mankind as a result of increasing scientific domination. This anthology brings together the most extreme examples of the new high-tech, far-future science fiction, pushing the limits way beyond normal boundaries. The stories include: "A Perpetual War Fought Within a Cosmic String", "A Weapon That Could Destroy the Universe", "A Machine That Detects Alternate Worlds and Creates a Choice of Christs", "An Immortal Dead Man Sent To The End of the Universe", "Murder in Virtual Reality", "A Spaceship So Large That There is An Entire Planetary System Within It", and "An Analytical Engine At The End of Time", and "Encountering the Untouchable."
Welcome to a landscape of ancient evil . . . with stories by masters of horror Arthur Machen, Algernon Blackwood, H. P. Lovecraft, M. R. James​, Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver​, Michael Marshall Smith, Karl Edward Wagner, and more! The darkness that endures beneath the earth . . . the disquiet that lingers in the woodland surrounding a forgotten path . . . those ancient traditions and practices that still cling to standing stone circles, earthworks, and abandoned buildings; elaborate rituals that invoke elder gods or nature deities; the restless spirits and legendary creatures that remain connected to a place or object, or exist in deep wells and lonely pools of water, waiting to ensnare the unwary traveler . . . These concepts have been the archetypes of horror fiction for decades, but in recent years they have been given a name: Folk Horror. This type of storytelling has existed for more than a century. Authors Arthur Machen, Algernon Blackwood, H. P. Lovecraft, and M. R. James all published fiction that had it roots in the notion of the supernatural being linked to objects or places “left behind.” All four writers are represented in this volume with powerful, and hopefully unfamiliar, examples of their work, along with newer exponents of the craft such as Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver, and many others. Illustrated with the atmospheric photography of Michael Marshall Smith, the stories in The Mammoth Book of Folk Horror tap into an aspect of folkloric tradition that has long been dormant, but never quite forgotten, while the depiction of these forces as being in some way “natural” in no way detracts from the sense of nameless dread and escalating horror that they inspire . . .
The murder of a world-famous physicist raises fears that the Illuminati are operating again after centuries of silence, and religion professor Robert Langdon is called in to assist with the case.
Twenty-three spellbinding tales of sorcery, wizardry and witchcraft, of the ceaseless battle between good and evil. From dark lords and epic clashes between the forces of good and evil to a child's struggle to control magical powers for the first time this wonderfully varied collection comprises stories by the most outstanding writers of fantasy: A. C. Benson, James Bibby, Marion Zimmer Bradley, Louise Cooper, Ralph Adams Cram, Peter Crowther, Esther M. Friesner, Tom Holt, Doug Hornig, Diana Wynne Jones, Michael Kurland, Tim Lebbon, Ursula K. Le Guin, Richard A. Lupoff, Michael Moorcock, John Morressy, Tim Pratt, David Sandner, Lawrence Schimel and Mike Resnick, Darrell Schweitzer, Clark Ashton Smith, Steve Rasnic Tem and Robert Weinberg.
Rather than providing a dictionary of superstitions, of which there are already numerous excellent, exhaustive and, in many cases, academic works which list superstitions from A to Z, Bainton gives us an entertaining flight over the terrain, landing from time to time in more thought-provoking areas. He offers an overview of humanity's often illogical and irrational persistence in seeking good luck and avoiding misfortune. While Steve Roud's two excellent books - The Penguin Dictionary of Superstitions and his Pocket Guide - and Philippa Waring's 1970 Dictionary concentrate on the British Isles, Bainton casts his net much wider. There are many origins which warrant the full back story, such as Friday the thirteenth and the Knights Templar, or the demonisation of the domestic cat resulting in 'cat holocausts' throughout Europe led by the Popes and the Inquisition. The whole is presented as a comprehensive, entertaining narrative flow, though it is, of course, a book that could be dipped into, and includes a thorough bibliography. Schoenberg, who developed the twelve-tone technique in music, was a notorious triskaidekaphobe. When the title of his opera Moses und Aaron resulted in a title with thirteen letters, he renamed it Moses und Aron. He believed he would die in his seventy-sixth year (7 + 6 = 13) and he was correct; he also died on Friday the thirteenth at thirteen minutes before midnight. As Sigmund Freud wrote, 'Superstition is in large part the expectation of trouble; and a person who has harboured frequent evil wishes against others, but has been brought up to be good and has therefore repressed such wishes into the unconscious, will be especially ready to expect punishment for his unconscious wickedness in the form of trouble threatening him from without.'
For more than 80 years H. P. Lovecraft has inspired writers of horror and supernatural fiction with his dark vision of humankind's insignificant place in a vast, uncaring cosmos. At the time of his death in 1937, Lovecraft was virtually unknown, but from early cult status his readership expanded exponentially; his nightmarish visions laying down roots in the collective imagination of his readers. Now this master of the macabre is accepted as part of the literary mainstream, as an American author of note, and the impact of his work on modern popular culture - in literature, film, television, music, the graphic arts, gaming and theatre - has been profound. As Stephen King wrote in Danse Macabre, the shadow of H. P. Lovecraft 'underlies almost all of the important horror fiction that has come since.' Today, Lovecraft's themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history remain not only viable motifs for modern speculative fiction, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal. This outstanding anthology of original stories - from both established award-winning authors and exciting new voices - collects tales of cosmic horror inspired by Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew the best of his concepts in ways relevant to today's readers, to create fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers traverse terrain created by Lovecraft and create new eldritch geographies to explore . . . With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, Caitlín R. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt and A.C. Wise Praise for the editor: 'For fans of Lovecraftian fiction and well-wrought horror' - Library Journal 'Guran smartly selects stories that evoke the spirit of Lovecraft's work without mimicking its style.' - Publishers Weekly 'It's a pretty impressive line-up, with nary a clunker to be found. . . . You don't have to be a Lovecraft fan to enjoy this anthology... You'll find alienation, inhumanity, desperation, cruelty, insanity, hopelessness and despair, all set against the backdrop of a vast, unknowable universe filled with vile, indifferent monstrosities. You'll also find beauty, hope, redemption, and the struggle for survival. What more can you ask for?' - Tor.com 'I highly recommend this collection... If you have even the slightest interest in contemporary horror fiction, you'll want to try this one on for size!' - BookGuide
True stories of prison breaks including those of Frank Abagnale, whose story is told in Catch Me If You Can; Henri Charrière who claimed to have escaped from the supposedly inescapable Devil's Island - the true story as opposed to his questionable memoir, Papillon; Bud Day, said to be the only US serviceman ever to have escaped to South Vietnam; the six prisoners who escaped from Death Row in Mecklenburg Correctional Center; and Pascal Payeret, the French armed robber who escaped not once, but twice from French prisons with the help of a helicopter.
The biggest-ever selection of first-hand accounts and news reports of shark attacks, both recent and historical, shows how sharks are masters of the ocean and how we enter their domain at our own risk. Think you're safe in the Med? Read about the Great Whites that thrive near holiday beaches. Think you're safe in large groups? Read about the sinking of the USS Indianapolis in 1945 when hundreds of sailors floated for days in shark-infested waters, being picked off one-by-one. Think you're safe at home? Read about the 69-year-old man, taking his regular evening swim, jumping off his backyard dock straight into the mouth of a bull shark. Many more extraordinary and gruesome accounts, including the shark-boat skipper who slit open the belly of a 360-kg tiger shark only to have a human head, pelvis, and arm come tumbling out, provide horrific and moving tales of shark encounters. The courage of survivors and those who have risked their lives to save shark attack victims is truly inspirational. Where can you find sharks? Features on different shark species with illustrations, fact boxes and maps show where they lurk around the world. Also included are a selection of full-colour photographs and special sections on the life cycle of a shark, how to avoid a shark attack and how to survive one.