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Growing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, “You ask too many questions, young’un.” Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother's newfound voice. Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.
Winner of the 2022 Mississippi Institute of Arts and Letters Award for Life Writing Growing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, “You ask too many questions, young’un.” Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother's newfound voice. Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.
A mama cow’s devotion to her calf provides lessons in motherhood to a poor Southern woman in this novel of family, survival, and human-animal bonds. South Carolina, 1950s. Homemaker Sarah Creamer has been left to care for young Emerson Bridge, the product of an affair between Sarah’s husband and her best friend. But beyond the deep wound of their betrayal, Sarah is daunted by the prophecy of her mother’s words, seared in her memory since childhood: “You ain’t got you one good mama bone in you, girl.” When Sarah finds Emerson a steer to compete at an upcoming cattle show, the young calf cries in distress on her farm. Miles away, his mother breaks out of a barbed-wire fence to find him. When Sarah finds the young steer contently nursing a large cow, her education in motherhood begins. But Luther Dobbins is desperate to regain his championship cattle dynasty, and he will stop at nothing to win. Emboldened by her budding mama bone, Sarah is committed to victory even after she learns the winning steer’s ultimate fate. Will she too stop at nothing, even if it means betraying her teacher? One Good Mama Bone explores the strengths and limitations of parental love and the ethical dilemmas of raising animals for food.
Can white moms and Black moms ever truly be friends? Not just mom friends, but like really real friends? And does it matter? “Utterly addictive . . . Through her sharp wit and dynamic anecdotal storytelling, Helena Andrews-Dyer shines a light on the cultural differences that separate Black and white mothers.”—Tia Williams, New York Times bestselling author of Seven Days in June Helena Andrews-Dyer lives in a “hot” Washington, D.C., neighborhood, which means picturesque row houses and plenty of gentrification. After having her first child, she joined the local mom group—“the Mamas”—and quickly realized that being one of the only Black mothers in the mix was a mixed bag. The racial, cultural, and socioeconomic differences were made clear almost immediately. But spending time in what she calls “the Polly Pocket world of postracial parenting” was a welcome reprieve. Then George Floyd happened. A man was murdered, a man who called out for his mama. And suddenly, the Mamas hit different. Though they were alike in some ways—they want their kids to be safe; they think their husbands are lazy; they work too much and feel guilty about it—Andrews-Dyer realized she had an entirely different set of problems that her neighborhood mom friends could never truly understand. In The Mamas, Andrews-Dyer chronicles the particular challenges she faces in a group where systemic racism can be solved with an Excel spreadsheet and where she, a Black, professional, Ivy League–educated mom, is overcompensating with every move. Andrews-Dyer grapples with her own inner tensions, like “Why do I never leave the house with the baby and without my wedding ring?” and “Why did every name we considered for our kids have to pass the résumé test?” Throw in a global pandemic and a nationwide movement for social justice, and Andrews-Dyer ultimately tries to find out if moms from different backgrounds can truly understand one another. With sharp wit and refreshing honesty, The Mamas explores the contradictions and community of motherhood—white and Black and everything—against the backdrop of the rapidly changing world.
NEW YORK TIMES BESTSELLER • A moving memoir about the legendary author’s relationship with her own mother. Emma Watson’s Our Shared Shelf Book Club Pick! The story of Maya Angelou’s extraordinary life has been chronicled in her multiple bestselling autobiographies. But now, at last, the legendary author shares the deepest personal story of her life: her relationship with her mother. For the first time, Angelou reveals the triumphs and struggles of being the daughter of Vivian Baxter, an indomitable spirit whose petite size belied her larger-than-life presence—a presence absent during much of Angelou’s early life. When her marriage began to crumble, Vivian famously sent three-year-old Maya and her older brother away from their California home to live with their grandmother in Stamps, Arkansas. The subsequent feelings of abandonment stayed with Angelou for years, but their reunion, a decade later, began a story that has never before been told. In Mom & Me & Mom, Angelou dramatizes her years reconciling with the mother she preferred to simply call “Lady,” revealing the profound moments that shifted the balance of love and respect between them. Delving into one of her life’s most rich, rewarding, and fraught relationships, Mom & Me & Mom explores the healing and love that evolved between the two women over the course of their lives, the love that fostered Maya Angelou’s rise from immeasurable depths to reach impossible heights. Praise for Mom & Me & Mom “Mom & Me & Mom is delivered with Angelou’s trademark good humor and fierce optimism. If any resentments linger between these lines, if lives are partially revealed without all the bitter details exposed, well, that is part of Angelou’s forgiving design. As an account of reconciliation, this little book is just revealing enough, and pretty irresistible.”—The Washington Post “Moving . . . a remarkable portrait of two courageous souls.”—People “[The] latest, and most potent, of her serial autobiographies . . . [a] tough-minded, tenderhearted addition to Angelou’s spectacular canon.”—Elle “Mesmerizing . . . Angelou has a way with words that can still dazzle us, and with her mother as a subject, Angelou has a near-perfect muse and mystery woman.”—Essence
The collection of documents known as the Kaqchikel Chronicles consists of rare highland Maya texts, which trace Kaqchikel Maya history from their legendary departure from Tollan/Tula through their migrations, wars, the Spanish invasion, and the first century of Spanish colonial rule. The texts represent a variety of genres, including formal narrative, continuous year-count annals, contribution records, genealogies, and land disputes. While the Kaqchikel Chronicles have been known to scholars for many years, this volume is the first and only translation of the texts in their entirety. The book includes two collections of documents, one known as the Annals of the Kaqchikels and the other as the Xpantzay Cartulary. The translation has been prepared by leading Mesoamericanists in collaboration with Kaqchikel-speaking linguistic scholars. It features interlinear glossing, which allows readers to follow the translators in the process of rendering colonial Kaqchikel into modern English. Extensive footnoting within the text restores the depth and texture of cultural context to the Chronicles. To put the translations in context, Judith Maxwell and Robert Hill have written a full scholarly introduction that provides the first modern linguistic discussion of the phonological, morphological, syntactic, and pragmatic structure of sixteenth-century Kaqchikel. The translators also tell a lively story of how these texts, which derive from pre-contact indigenous pictographic and cartographic histories, came to be converted into their present form.
An easy way to tell your mother how much she means to you. Write now. Read later. Treasure forever: Mom will truly treasure this keepsake forever. The 12, fold-and-mail-style envelopes invite sons and daughters to surprise and delight her with memories, appreciations, and hopes for the future. Seal your letters with the included stickers, postdate, and gift this book to your remarkable mom. When she opens the letters in the future, she'll receive an invaluable gift: a tangible reflection of her child's love. • Each letter is printed with a unique prompt like "A special memory I have of you is.," "From you I learned the importance of.," "I always think of you when.," and "One thing I'm glad we share is.," plus two blank letters to write your own • Makes a great gift for Mother's Day and for a new or expectant mom to gift to her own mother • Created by Lea Redmond, the author of the bestselling Letters to My. book series that has sold more than 2 million copies worldwide Fans of Letters to My Dad, Letters to My Daughter, and Letters to My Love will love Letters to My Mom. Home is where your mom is. Letters to My Mom includes 12 prompted letters that will inspire you to tell your mother how much she means to you. Each letter has a space to write when it was sealed and when it should be opened (will it be tomorrow or in 20 years?). Seal letters with the included stickers before giving this time capsule to mom!
Richard Rodgers was an icon of the musical theater, a prolific composer whose career spanned six decades and who wrote more than a thousand songs and forty shows for the American stage. In this absorbing book, Geoffrey Block examines Rodgers’s entire career, providing rich details about the creation, staging, and critical reception of some of his most popular musicals. Block traces Rodgers’s musical education, early work, and the development of his musical and dramatic language. He focuses on two shows by Rodgers and Hart (A Connecticut Yankee and The Boys from Syracuse) and two by Rodgers and Hammerstein (South Pacific and Cinderella), offering new insights into each one. He concludes with the first serious look at the five neglected and often maligned musicals that Rodgers composed in the 1960s and 1970s, after the death of Hammerstein.
"We went about our daily lives as normally as possible but when it came down to the fighting, we maintained our quiet yet tenacious determination." And so begins the tragic but inspiring saga of 12-year-old Darah Joseph, a top-flight competitive athlete who developed Ewing Sarcoma, a rare and aggressive cancer that afflicts children and young adults. Her brave and positive outlook carried her through multiple chemotherapy rounds, an amputation and then back into athletics and training for the Paralympics. This gripping and emotional memoir, written by Darah's mother, chronicles a painful and very courageous two-year journey that ended in physical death while opening a door to the spirit world in the afterlife. Darah's mother writes, "there are no coincidences." As family and friends opened their hearts to Darah's spiritual presence, her spirit gives clear and loving signs - including dozens of feathers - that she is at peace in a good place. If you've ever wondered about the afterlife and whether there is one, Darah's story will make you a warmly assured believer....
Ninety-six alphabetically arranged author profiles include biographical information, critical commentary, and illustrations.