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Seminal essays on one of the most crucial issues in Arthurian studies. For the past fifty years, debates about which text of Malory scholars and teachers should prefer have sparked much controversy: which is the most authentic or authoritative, Caxton, the Winchester version, or a mixture of both (asproposed by Vinaver)? The papers in this volume represent the most important contributions to the dialogue; previously published articles have been updated where relevant and new issues are presented in several original essays, while the introductions place the argument in its theoretical and historical contexts. Professor BONNIE WHEELER teaches at the Southern Methodist University; Professor MICHAEL SALDA teaches at the University of SouthernMississippi; Professor ROBERT KINDRICK teaches at the University of Montana. Contributors: MICHAEL N. SALDA, KEVIN GRIMM, SHUNICHI NOGUCHI, CHARLES MOORMAN, P.J.C. FIELD, WILLIAM MATTHEWS, ROBERT KINDRICK, HELEN COOPER, TOSHIYUKI TAKAMIYA, YUJI NAKAO, NORMAN BLAKE
The essays in this collection present a range of new ideas and approaches in Malory studies, looking again as the title suggests] at several of the most debated critical points. A number of articles focus closely on the implications of the production of the text, ranging from the repercussions of the working habits of the Winchester scribes, as well as of Malory's printers and editors, to a reassessment of Caxton's Preface. There are also nuanced readings of geography and politics in the Morte Darthur and its fifteenth-century contexts, and analyses of text and context in relation to the role of women, character and theme in the Morte, including the important questions of worshyp and mesure, as well as the issues of coherence and genre.
Forging Chivalric Communities in Marlory's Morte D'Arthur shows that Malory treats chivalry not as a static institution but as a dynamic, continually evolving ideal. Le Morte D'arthur is structured to trace how communities and individuals adapt or create chivalric codes for their own purposes; in turn, codes of chivalry shape groups and their customs. Knights' loyalties are torn not just between lords and lovers but also between the different codes of chivalry and between different communities. Women, too, choose among the different roles they are asked to play as queens, counsellors, and even quasi-knights.
Studies range over the whole field of Arthurian literature, in Europe and North America, with special focus on Malory and Morte Darthur.
An examination of the rubricated letters in the Morte makes a convincing case for the design being by Malory himself. The red-ink names that decorate the Winchester manuscript of Malory's Morte Darthur are striking; yet until now, no-one has asked why the rubrication exists. This book explores the uniqueness and thematic significance of the physical layout of the Morte in its manuscript context, arguing that the layout suggests, and the correlations between manuscript design and narrative theme confirm, that the striking arrangement is likely to have been the product of authorial design rather than something unusual dreamed up by patron, scribe, reader, or printer. The introduction offers a thorough account of not only the textual tradition of the Morte, but also the ways in which scholarship to date has not done enough with the manuscript contexts of Malory's Arthuriad. The book then goes on to establish the singularity and likely provenance of Winchester's rubrication of names. In the second half of the study the author elucidates the narrative significance of this rubrication pattern, outlining striking connections between manuscript layout and major narrative events, characters, and themes. He suggests that the manuscript mise-en-page underscores Malory's interest in human character and knighthood, creating a memorializing function similar to the many inscribed tombs that dominate the landscape of the Morte's narrative pages. Inshort, Winchester's design creates a memorializing tomb for Arthurian chivalry. K.S. WHETTER is Professor of English at Acadia University, Canada.
A comprehensive survey of one of the most important texts of the Middle Ages.
Revisiting the fundamental texts of Sir Thomas Malory’s Morte Darthur, the Winchester manuscript and William Caxton’s printed edition, and investigating what happened in Caxton’s workshop are the best ways of discovering what Malory intended to write. This study investigates the irregular use of paraphs and the missing chapter-divisions in Caxton’s Morte, and reveals frequent alterations to it in order to fit his text on the page. It identifies the points at which alterations are most likely to have been made, and suggests that Caxton may have consulted the Winchester manuscript while he was preparing his edition, regularly with regard to textual divisions.
To what extent can imaginative events be situated in time and history? From the medieval to the early modern period, this question is intriguingly explored in the expansive literary genre of romance. This collective study, edited by Jon Whitman, is the first systematic investigation of that formative process during more than four hundred years. While concentrating on changing configurations of romance itself, the volume examines a number of important related reference points, from epic to chronicle to critical theory. Recalling but qualifying conventional approaches to the three 'matters' of Rome, Britain, and France, the far-reaching inquiry engages major works in a variety of idioms, including Latin, French, English, German, Italian, and Spanish. With contributions from a range of internationally distinguished scholars, this unique volume offers a carefully coordinated framework for enriching not only the reading of romance, but also the understanding of changing attitudes toward the temporal process at large.
New study of Malory's sources reveals much about how the work was created and about Malory himself.
Absent Narratives is a book about the defining difference between medieval and modern stories. In chapters devoted to the major writers of the late medieval period - Chaucer, Gower, the Gawain -poet and Malory - it presents and then analyzes a set of unique and unnoticed phenomena in medieval narrative, namely the persistent appearance of missing stories: stories implied, alluded to, or fragmented by a larger narrative. Far from being trivial digressions or passing curiosities, these absent narratives prove central to the way these medieval works function and to why they have affected readers in particular ways. Traditionally unseen, ignored, or explained away by critics, absent narratives offer a valuable new strategy for reading medieval texts and the historically specific textual culture in which they were written.