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Gallipoli is one of the most significant sites in the story of New Zealand's First World War – a symbol of great sacrifice and camaraderie, and the heart of ongoing Anzac commemorations. Gallipoli: A Guide to New Zealand Battlefields and Memorials is the indispensable handbook to the history and geographic features of the campaign for a modern, general readership. Easy-to-follow and highly illustrated, it introduces the battlefields, cemeteries and memorials, detailing the stories behind each and offering historical overviews of New Zealand's involvement more generally. The perfect introduction to New Zealand's Gallipoli.
First Published in 1996. Those of us who aspire to know about the black church in the African-American experience are never satisfied. We know so much more about the Christian and church life of black Americans than we did even a dozen years ago, but all the recent discoveries whet our insatiable appetites to know it all. That goal will never be attained, of course, but there do remain many conquerable worlds. Sherry Sherrod DuPree set her mind to conquering one of those worlds. She has persisted, with the results detailed here. A huge number of items are available to inform us about Holiness, Pentecostal, and Charismatic congregations and organizations in the African-American Christian community.
What is the relationship between poetry and power? Should poetry be considered a mode of authority or an impotent medium? And why is it that the modern poets most commonly regarded as authoritative are precisely those whose works wrestle with a sense of artistic inadequacy? Such questions lie at the heart of this study, prompting fresh insights into three of the most important poets of recent decades: Robert Lowell, Geoffrey Hill and Seamus Heaney. Through attentive close reading and the tracing of dominant motifs in each writer’s works, James shows how their responsiveness to matters of political and cultural import lends weight to the idea of poetry as authoritative utterance, as a medium for speaking of and to the world in a persuasive, memorable manner. And yet, as James demonstrates, each poet is exercised by an awareness of his own cultural marginality, even by a sense of the limitations and liabilities of language itself.