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This book is a serious study of male hustlers using experiential dialogue to introduce the reader to real-life concepts and experiences that otherwise could not be effectively conveyed. An intriguing attempt to get into the mind and personality of the male hustler through a largely imagined series of dialogues between a well-known fictional hustler and his so-called amanuensis, Samuel Steward, this unique book covers all aspects of the hustler’s motivations, activities, life style, adjustments, advantages, and disadvantages. It accomplishes this dispassionately, without prejudgment, moral censure, approbation, or more than cursory involvement. Therapists and counselors in all fields of sexual functioning will find here some understanding of the causes and impulses (beyond the popular “broken home syndrome”) that lead young males into prostitution. It signals some of the signposts to danger and serious threats to health that accompany the profession of prostitution and also explains to counselors some of the activities and practices of the male prostitute, enabling them to have a better understanding of the fascination and peril of the hustler’s life. The brevity of success in such a calling is also considered, with some consideration for the necessity of long-range planning for the hustler’s future. Important contents: interview of a well-known hustler brief look at early male prostitution--Greek, Roman, Burton’s theory the peacock period and youth as a prerequisite for hustling lures of the profession--money, power, other motivations paths and mechanisms leading to hustling characteristics of different types of hustlers types of clients patronizing hustlers literary illuminations the modus operandi of the male hustler extraordinary dangers confronting the male hustler today the attractiveness of the “seeing-through” of a hustler to past clients quo vadis for the hustler after youth passes Readers will be amazed by the daily hazards and drawbacks as well fascinated by the curiosities and rewards of the hustler’s profession. Especially of interest to therapists and counselors, Understanding the Male Hustler is also valuable for sociologists, anthropologists, medical specialists, psychiatrists, psychologists.
A Consumer’s Guide to Male Hustlers gives you exciting insight into all you ever wanted to know about hustlers but were too embarrassed to ask. You’ll find answers to questions such as where and how to find hustlers, how much to pay them, and how to make it an experience that is satisfying to both parties. Author Joseph Itiel shares with readers his personal experiences and observations, describing his dealings with hustlers, over a period of about 35 years, in many different countries. Throughout A Consumer’s Guide to Male Hustlers, Itiel narrates personal anecdotes, lending an intimate dimension to his general observations. He describes the hustler scene in the United States and abroad, dispelling many erroneous notions about hustlers by addressing such topics as: under what circumstances sex-for-money arrangements are exploitative (a comparison of male hustlers and female prostitutes) emotional involvement and control between clients and hustlers the notion that hustlers are only for the wealthy whether or not hustlers are likely carriers of sexually transmitted diseases whether or not it is dangerous to pick up hustlers why hustlers hustle the differences between street hustlers, models (or escorts), and masseurs legal issues associated with hustling regular sessions with hustlers as an emotional and libidinal sedative It is the contention of the author that hustlers are an under-used resource in the gay community, especially valuable to those with a vigorous sex appetite but no steady partner. This opportunity is often shunned because potential clients feel guilty about hiring hustlers. The author hopes that by reading this book, you will come to understand that the hustler experience, meeting with hustlers regularly, can be mutually exciting and satisfying for both parties.
The author became interested in male prostitution while researching populations susceptible to AIDS. He found such a population in male prostitutes in Times Square which had developed a community to deal with common problems. Among these changing the community were AIDS, crack cocaine, and urban redevelopment. This work is directed to sociologists, social workers, and those interested in popular culture.
A daring exploration of the underground culture and business of the male sex industry.
This is the first complete picture of the evolution of hustler culture, from the 1600s on, drawn from many sources, including fifty oral histories from current and former male and transgendered sex workers, details of the work of anti-vice committees, academic research and uncovered materials from archives around the U.S.
This book provides the first economic analysis of the billion-dollar male sex work market in the United States.
One of the seminal artists of contemporary photography, Philip-Lorca diCorcia produces work that exists on a wide spectrum of fictionalized documentary. Yet a thematic and conceptual unity, most often realized in serial form and particularly suited to monograph format marks each series in his oeuvre. With Thousand, diCorcia effectively inverts his own tendency: the monograph is now the work itself. The sheer volume of material, which spans over 20 years of personal and artistic creation, shifts notions of context, narrative, and individual perception. Flipping through the pages of Thousand is not so much a retrospective or summation of the artist s life as it is an exercise in the construction of memory. An unwashed pan soaking in the sink precedes an unknown woman resembling an odalisque; the familiar linoleum aisles of a generic supermarket give way to a verdant swatch of lawn. These images are bothalien and deeply familiar, and just as one moment in our lives may recall another, these photos echo among one another, within the book, within the canon of diCorcia's work, and within our personal experience. The Polaroid proves to be the perfect souvenir unique and subject to reinterpretation, like memory itself. Philip-Lorca diCorcia was born in Hartford, Connecticut, in 1951. He received his MFA in Photography from Yale University in 1979. Published volumes accompany his solo exhibits at the Museum of Modern Art (Philip-Lorca diCorcia, 1995) and PaceWildenstein Gallery, New York (Streetwork 1993-1997, 1997; Heads, 2001; A Storybook Life, 2003). His work is included in the collections of the Bibliotheque Nationale de France, the Museum of Modern Art, and the Metropolitan Museum of Art, among others. He has been named a Guggenheim Foundation Fellow and has received multiple grants from the National Endowment for the Arts. DiCorcia lives and works in New York City.
“If Hemingway had the passion for pool that he had for bullfighting, his hero might have been Eddie Felson” (Time). The novel that inspired the classic film starring Paul Newman and Jackie Gleason, The Hustler tells the story of Fast Eddie Felson, a young pool player who hustles suckers in small towns, looking for stake money so he can reach his goal: a marathon match in Chicago against Minnesota Fats. An exploration of guts, stamina, and character, and of the difference between winners and losers, this tense, gritty tale is “a wonderful hymn to the last true era when men of substance played pool with a vengeance” (Time Out).
The Best-Kept Boy in the World is the first book ever written about Denham (Denny) Fouts (1914-1948), the twentieth century's most famous male prostitute. He was a socialite and muse whose extraordinary life started off humbly in Jacksonville, Florida. But in short order he befriend (and bedded) the rich and celebrated and in the process conquered the world.No less an august figure than the young Gore Vidal was enchanted by Denny's special charms. He twice modeled characters on Denny in his fiction, saying it was a pity that Denny never wrote a memoir. To Vidal he was "un homme fatal."Truman Capote, who devoted a third of Answered Prayers to Denny's life story, found that "to watch him walk into a room was an experience. He was beyond being good-looking; he was the single most charming-looking person I've ever seen."Writer Christopher Isherwood, who Denny considered his best friend, was more to the point: he called him "the most expensive male prostitute in the world." He thus served as the source for the character Paul in Isherwood's novel Down There on a Visit and appears as himself frequently in his published diaries.But Denny's conquests were not limited to the US alone.Somerset Maugham in England has Denny in his celebrated novel The Razor's Edge.To King Paul of Greece he was "my dear Denham" or "Darling Denham," and the King's telegrams to Denny from the Royal Palace always were signed "love, Paul."Peter Watson, the wealthy financial backer of the popular British literary magazine Horizon, had an erection whenever he was in the same room with Denny.The artist Michael Wishart met Denny for the first time at a party in Paris and realized instantly he was in love and that "the only place in the world I wanted to be was in Denham's bedroom."And Lord Tredegar, one of the largest landowners in Great Britain, saw Denny being led by the police through the lobby of an expensive hotel in Capri, convinced the police to let him pay the bills Denny owed, and then took Denny to accompany him and his wife as they continued on their tour of the world.It was because of lofty connections such as these that Capote echoed Isherwood's remark by quipping that Denny was the "best-kept boy in the world," thereby coming up with the title of the chapter in Answered Prayers about Denny.In his short life, Denny achieved a mythic status, and this book follows him into his rarified world of barons and shipping tycoons, lords, princes, heirs of great fortunes, artists, and authors. Here is the story of an American original, a story with an amazing cast of unforgettable characters and extraordinary settings, the book Gore Vidal wished Denny had written.
This important new book, which focuses on the 1940s, 1950s and 1960s, but which looks back to the earlier decades of the century and has a conclusion dealing with the 1970s to 1990s, maps the world of those known as "trade" -- ostensibly straight men who would engage in homosexual sex -- and hustlers -- those who were paid for it. It was a milieu that was central to the sexual histories of several generations of twentieth-century American men and also influenced American literary and visual culture; the "trade aesthetic" informed the work of a variety of artists, filmmakers, and writers. This sexual culture, though compelling in itself, also allows us to explore some key aspects of modern sexual history. This pioneering work, which draws on a wide range of visual and literary sources, including previously unpublished material from the Kinsey archives, will appeal to a wide range of readers, especially those interested in the histories of sex, the city, masculinity, and American culture.