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In the social upheavals of the 1960s and 1970s, a series of stock characters emerged to define and bolster white masculinity. Alongside such caricatures as "the Playboy" and "the Redneck" came a new creation: "the Male Chauvinist Pig." Coined by second-wave feminists as an insult, the Male Chauvinist Pig was largely defined by an anti-feminism that manifested in boorish sexist jokes. But the epithet backfired: being a sexist pig quickly transformed into a badge of honor worn proudly by misogynists, and, in time, it would come to define a strain of right-wing politics. Historian Julie Willett tracks the ways in which the sexist pig was sanitized by racism, popularized by consumer culture, weaponized to demean feminists, and politicized to mobilize libertine sexists to adopt reactionary politics. Mapping out a trajectory that links the sexist buffoonery of Bobby Riggs in the 1970s, the popularity of Rush Limbaugh's screeds against "Feminazis" in the 1990s, and the present day misogyny underpinning Trumpism, Willett makes a case for the potency of this seemingly laughable cultural symbol, showing what can happen when we neglect or trivialize the political power of humor.
In this passionate report from the front lines, a "New York" magazine writer examines the enormous cultural impact of the newest wave of post-feminism.
A CLASSIC FROM THE NEW YORK TIMES BESTSELLING AUTHOR OF THE THINGS THEY CARRIED In this wildly funny, brilliantly inventive novel, Tim O'Brien has created the ultimate character for our times. Thomas Chippering, a 6'6" professor of linguistics, is a man torn between two obsessions: the desperate need to win back his former wife, the faithless Lorna Sue, and a craving to test his erotic charms on every woman he meets. But there are complications, including Lorna Sue's brother, Herbie, with whom she has an all-too-close relationship, and the considerable charms of Chippering's new love, the attractive, and of course already married, Mrs. Robert Kooshof, who may at last satisfy Chippering's longing for intimacy. In Tomcat in Love, Tim O'Brien takes on the battle of the sexes with astonishing results. By turns hilarious, outrageous, romantic, and deeply moving, this is one of the most talked about novels in years: a novel for this and every age.
Comfort Me With Apples is a terrifying new thriller from bestseller Catherynne M. Valente, for fans of Gone Girl and Spinning Silver Sophia was made for him. Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect. It's just that he's away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect. But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband's face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can't quite meet her gaze.... But everything is perfect. Isn't it? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Illus. in full color. "Mr. Piggott and his sons are a male chauvinist lot who, outside of yelling for their dinner, don't exercise themselves much around the house. When Mrs. Piggott finally tires of the endless chores that sandwich her workday, she leaves the menfolk on their own, with a note saying, 'You are pigs.' With the cooking and housework untended, they soon turn genuinely porcine, a transformation Browne foreshadows with pig faces on the wallpaper, vases, fireplace, phone. As in most of Browne's art, there is more than a touch of irony and visual humor here. Fun to read aloud."--Bulletin, Center for Children's Books.
From the acclaimed author of A Wilderness So Immense comes a pioneering study of Thomas Jefferson's relationships with women, both personal and political. The author of the Declaration of Independence, who wrote the words “all men are created equal,” was surprisingly uncomfortable with woman. In eight chapters, Kukla examines the evidence for the founding father's youthful misogyny, beginning with his awkward courtship of Rebecca Burwell, who declined Jefferson's marriage proposal, and his unwelcome advances toward the wife of a boyhood friend. Subsequent chapters describe his decade-long marriage to Martha Wayles Skelton, his flirtation with Maria Cosway, and the still controversial relationship with Sally Hemings. A riveting study of a complex man, Mr. Jefferson's Women is sure to spark debate.
Billie Jean King didn’t want to play Bobby Riggs. He baited and begged her for months while she ignored his catcalls and challenges. But after Margaret Court’s ignominious defeat in the so-called Mother’s Day Massacre, Billie knew what she had to do despite the personal and professional risks: take on the self-proclaimed male chauvinist pig and slay the myths about women and weakness. And so it was that King’s acquiescence led to the Battle of the Sexes, one of the most wildly surreal moments of the decadent 1970s. The worldwide event, showcasing three sets of tennis in a raucous Houston Astrodome, forever changed the social landscape for women. In A Necessary Spectacle, Selena Roberts, one of the country’s finest sportswriters and the only female sports columnist in the New York Times’ history, has created a masterful and entertaining journey through the 1970s and beyond, capturing the color and passion, tackiness and anger, prejudice and progress of an American culture in transition. At the heart of the story lies the intersection of two complex characters: Billie Jean King, the daughter of a homemaker and a firefighter who grew up in the Norman Rockwell tradition of the 1950s; and Bobby Riggs, the gambling son of a fundamentalist minister who won everlasting fame as a card-carrying sexist—not because he believed women to be inferior, but because he craved attention. Roberts enjoyed unprecedented access to the characters in this story, including numerous in-depth interviews with Billie Jean King and her former husband, Larry, as well as the friends and family of Bobby Riggs, who died in 1995. Essential details and insights also were provided through hours of conversation with key figures in the women’s rights movement and Title IX fight, including Gloria Steinem and Donna de Varona, and with tennis legends of the 1970s, such as Chris Evert, Margaret Court, Rosie Casals, and others. This book reveals the outsize personalities of Billie and Bobby; the intensity and intricacy of the Kings’ longtime marria≥ the simmering social revolution that pitted chauvinists against feminists and tennis players against each other; and a wrenching coming-out story recounted in intimate detail by Billie Jean King for the first time. By the end of the book, Roberts has traced the cultural continuum of Billie and Bobby’s night at the Astrodome. She relates its significance to the day Richard Williams began hitting bald tennis balls to his pigtailed daughters, Venus and Serena; to the glorious afternoon when more than 90,000 fans watched as the U.S. women’s soccer team won the 1999 World ∪ and, ultimately, to the present day’s second-generation battle to keep Title IX alive. The book’s poignant last scene between Billie and Bobby serves to remind us how much of an effect that 1973 match—and the passion it fueled for change—continues to have on American society, showing how necessary it was, and how necessary it remains. 1973. The Battle of the Sexes. It was the match that changed everything. In this riveting book by New York Times sports columnist Selena Roberts, the whole spectacle returns, larger than life and more important than ever. This story reaches beyond two outsize and utterly fascinating personalities who emerged during a simmering social revolution that pitted chauvinists against feminists. It also chronicles the complex, longtime marriage of Billie Jean and Larry King; the cavalcade of issues that rocked the 1970s, from equal pay to abortion rights; and a wrenching coming-out story recounted in intimate detail by Billie Jean King for the first time.
Sandra Hill strikes with humor, character, and artistry. Sweeter Savage Love is hot hot hot!" The Literary Times The stroke of surprisingly gentle hands, the flash of fathomless blue eyes, the scorch of white-hot kisses . . . Once again, Dr. Harriet Ginoza is swept away into rapturous fantasy. The modern psychologist knows the rough and ruthless man of her dreams is everything she should despise, a quintessential male chauvinist, yet time after time, she finds herself lost in visions of a dangerously handsome rogue straight out of a historical romance. Harriet never believed that her dream lover would cause her any trouble, but when a twist of fate casts her back to the Old South she meets him in the flesh! To her disappointment, Etienne Baptiste refuses to ravish her and fulfill her secret wishes. If Harriet has any hope of making her amorous dreams become passionate reality, she'll have to seduce this charmer with a sweeter savage love than she'd imagined possible . . . and savor every minute of it.
Point blank, this is a punchy, no-holds-barred book for young men that lays out the call and command to be disciplined, godly, and sold-out for Jesus. Addressing topics such as purity in one's thought-life, peer pressure, and perseverance as a Christian, this specially adapted work stands to influence a struggling generation. Using the same no-nonsense approach that made R. Kent Hughes' Disciplines of a Godly Man a positive influence on thousands of adults, this adaptation by Kent, his son Carey, and veteran youth leader Jonathan Carswell outlines the disciplines necessary to help a young man align every facet of his life with the fundamental truths of the Bible. It not only teaches how to live a life of Christian discipline, but also instills the desire to do so into a young heart longing to live a life of integrity, meaning, and fulfillment. This book brings the authority of a trusted name with a new flavor that will engage a younger audience.