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Every time he speaks others seem to die. He loves a woman but is terrified of the words he must say. He wants to be with her but is afraid of causing her death. If it were not for her smile he would not have taken the risk. Haunted by the death of her twin sister, she has known nothing but loneliness. Having watched the world and herself from a distance she is desperate for emotional contact, desperate for intimacy. She wants to be with him but is afraid of being suffocated by the relationship. In a work that echoes Sartre's phrase, 'hell is other people', this innovative fiction charts the development and destruction of a relationship of an unnamed couple as they explore the complexities of their feelings in a series of revealing, deeply touching and sometimes troubling conversations. This thought-provoking and moving novel is a detailed exploration of the emotional turmoil that lies behind the words of two people desperate for love but unable to make sense of the situation in which they find themselves.
“[An] erotic, existential mystery . . . part philosophical meditation, part fantasy” from the Prix Goncourt-winning author of The Lover (The Guardian). A man hires a woman to spend several weeks with him by the sea. The woman is no one in particular, a “she,” a warm, moist body with a beating heart—the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn to love. It isn’t a matter of will, she tells him. Still, he wants to try . . . This beautifully wrought erotic novel is an extended haiku on the meaning of love, “perhaps a sudden lapse in the logic of the universe,” and its absence, “the malady of death.” “The whole tragedy of the inability to love is in this work, thanks to Duras’ unparalleled art of reinventing the most familiar words, of weighing their meaning.”—Le Monde “Deceptively simple and Racinian in its purity, condensed to the essential.”—Translation Review Praise for Marguerite Duras’s international bestseller, The Lover “Powerful, authentic, completely successful . . . perfect.”—The New York Times Book Review “An exquisite jewel of a novel, as multifaceted as a diamond, as seamless and polished as a pearl.”—Boston Herald “A vivid, lingering novel . . . a brilliant work of art.”—Cleveland Plain Dealer
This is the 16-century collection of spiritual, mystical works regarding the search for unity with the divine. The author wrote part of the works during his imprisonment. In those times, the author experienced bad health and spiritual condition, which inspired him for an inner spiritual search. The result of this search was the poem The Dark Night of the Soul, telling about the soul's journey to unity with God, which goes through three stages: purgation, illumination, and unity. Ascent of Mount Carmel is a treatise to the poem mentioned above, which gives practical advice on the ascetic life. Finally, the Spiritual Canticle is a metaphoric poem about the soul searching the unity with Christ, presented as a story of a wife seeking her beloved husband.
Poetry. THE MALADY OF THE CENTURY is written as a swansong to a generation that has lost the will to perceive the linear progression of time; a generation that is a collapse of occasions, wherein no discernible or dominant motif is present because Now is the mixture of all times, when every trend that ever was is the current mode. Crossing platforms, from mirror to various pulsing LED screens and back, Jon Leon taps sublimity, rousing our daily patois to orgasm without interruption. THE MALADY OF THE CENTURY is a portrait of the artist as a young verb. Like R. Kelly covering Les Chants de Maldoror.--Bruce Hainley Jon Leon has crafted a cold and funny porno-dystopia that 'sends up' poetry while also behaving like a strict modernist manifesto-a Stein or Pound reveille, with P.T. Barnum bravado, making it new. Reading THE MALADY OF THE CENTURY, I think of the dungeon (Marquis de Sade and Dennis Cooper); I also think of the penthouse (Joan Didion and Frederick Seidel). Leon's voice--if it is indeed a voice, or his-- is charmingly post-sentiment; he evacuates poetry's resources in order to stage, with hilarious, memorable, deadpan showmanship, a bildungsroman of the artist-as-void. Leon's subject is the rôle of the 'poet, ' a Rimbaud with the resumé of a Russ Meyer.--Wayne Koestenbaum This thick work is so blindingly over-the-top in how it hits on all the stuff the kids love these days, stuff that comes from a real place of daring integrity but can also land like callowness taken as a drug. Either way it's great, I inject it. Porn-intellect-fashion-longing and I heart flat-affect. Easy to imitate, hard to aspire to, and I'm trying it now.--Rebecca Wolff
From USA Today bestselling author Trisha Wolfe comes a new dark psychological thriller.I was born a psychopath. But he made me a killer.Revenge is a lucrative business, and for Blakely Vaughn, it's more than just profitable, it's fun-until it becomes personal. As a biomedical scientist, Dr. Alex Chambers has devoted his life to the study of curing diseases. When he loses someone close to him to an act of violence, he vows to cure the illness he believes is at fault. Blakely and Alex collide on a path of immeasurable ruin. A quest to avenge a loved one sparks a dark and deadly obsession, where a dangerous union of cruel minds raises the question: How far is too far?
To many, the world of the future has become a utopia. There is peace and happiness everywhere. Many even believe that magic has returned to the world. There is no war, there is no anger, fighting is unheard of, and no one disagrees. No one is harmed and almost all illness has been eliminated. But there is a new disease, known only as The Malady, a disease that slowly paralyzes the body and forces the victim to live the remainder of life in a magical, human-like construct known as a doll. For two students with the malady, the world is not so perfect. There is no pain, there are no accidents, and there is nothing to cause unhappiness, but it seems that anything that could cause any kind of accident is forbidden. Life is dull and childish. The two question the practices of society and the laws of the Council that created it, causing unrest and risking reconditioning or elimination. But their minds cannot stop searching for answers to forbidden questions. They must learn what happened to society, what was the true past of the world, and why they keep hearing lies in this perfect society of truth. As they search for the answer to the most forbidden question, the two learn more about their world, life, happiness, friendship, and true freedom, as well as the cost of keeping it.
"The Spiritual Canticle" by John of the Cross. Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. The book argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. Unlike many recent studies of romance, this book establishes a detailed historical basis for investigating the psychological structure of romance. Wells begins by tracing the development of the medical disorder first known in the Latin west as amor hereos (lovesickness) from its earliest roots in Greek and Arabic medicine to its translation into the Latin medical tradition. Drawing on this detailed historical material, the book considers three important early modern romances: Ariosto's Orlando Furioso, Tasso's Gerusalemme Liberata, and Spenser's The Faerie Queene, concluding with a brief consideration of the significance of this literary and medical legacy for Romanticism. Most broadly, the interdisciplinary nature of this study allows the author to investigate the central critical problem of early modern subjectivity in substantially new ways.
This poem by the Spanish writer John of the Cross was created during his imprisonment in Carmelite Monastery of Toledo. During this time, he suffered the lack of writing and created and held the most significant part of the poem in his mind. He later wrote down the poem at the request of his friend, who gave it in publishing. The poem is an allegorical story of the soul's travel to find God. The poem represents a human's soul as a wife and Christ as a husband. It represents the wife's suffering and her desire to find the beloved one until they finally unite in the solitude of the divine garden.