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The Royal Pavilion, Brighton, is one of the most famous and opulent royal extravaganzas in existence. This book reproduces all the important surviving designs, used and unused, for the exterior and interior of the Pavilion. It reveals the great variety of brilliant exotic schemes devised for its construction and decoration. It was first built in 1787 for the Prince of Wales as a neo-classical marine villa, and by the time the Prince became king in 1820 it had grown into the extraordinary Indian/Chinese Fantasy it is today. The projects for the exterior include the pretty but chaste designs of Henry Holland and the wilder Indian and Chinese fantasies of William Porden and Humphry Repton. The interior designs, executed mainly by the Crace firm of decorators and Robert Jones (all firmly controlled by the king) are always splendid and often astonishing; they include schemes for whole rooms as well as for individual details such as windows, skylights, doorways, carpets and curtains. The range includes the 'barbaric' chinoiserie of the 1802-04 period, the enchanting 'rococo' chinoiserie of 1815-17, and the opulent richness of the final scheme. The techniques used include illusionistic painting, marbling, faux graining, faux skies - often in a vein of high fantasy. The 308 illustrations, of which 111 are reproduced in colour, capture all the variety, magnificence and exotic luxury of the extraordinary building.
This sweeping epic set in 19th-century India begins in the foothills of the towering Himalayas and follows a young Indian-born orphan as he's raised in England and later returns to India where he falls in love with an Indian princess and struggles with cultural divides. The Far Pavilions is itself a Himalayan achievement, a book we hate to see come to an end. It is a passionate, triumphant story that excites us, fills us with joy, move us to tears, satisfies us deeply, and helps us remember just what it is we want most from a novel. M.M. Kaye's masterwork is a vast, rich and vibrant tapestry of love and war that ranks with the greatest panoramic sagas of modern fiction, moving the famed literary critic Edmond Fuller to write: "Were Miss Kaye to produce no other book, The Far Pavilions might stand as a lasting accomplishment in a single work comparable to Margaret Mitchell's achievement in Gone With the Wind."
Edwardian fashions for women were characterized by the S-shaped silhouette, embellished with lace, tucks, ruffles, tassels, frills and flounces. This essential book includes eleven detailed projects, which form a capsule collection of clothing and accessories that might have been worn by an Edwardian governess, a woman travelling on an ocean liner, a campaigning suffragette, or a wife overseeing a busy household in a large country house. It explains making sequences in full and advises in detail on how to give the garments a fine, authentic finish. Eleven detailed projects are included, based on the dress collections at Royal Pavilion & Museums, Brighton & Hove, and Worthing Museum and Art Gallery. Each project includes a detailed description of the original garment, with an accompanying illustration alongside photographs of the original pieces, and scaled patterns are included for all projects with a list of materials and equipment required. Includes step-by-step instructions with information about the original techniques used and close-up photographs of the making process, with further chapters on tools and equipment, fabrics, measurements and sizes, and how to wear Edwardian fashion with ideas on creating new outfits from the featured projects. Also includes advice on how to adapt garments to make them suitable for both wealthy, leisured women, and for their poorer counterparts. Aimed at costume makers, museums and re-enactors and beautifully illustrated with 200 colour photographs.
Donated: The Margaret A. Bailey Art Collection.
Interior designer and artist Ashley Hicks presents his photographs and description of the interior design of Buckingham Palace, home of Britain's royal family since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash and Sir Aston Webb. Hicks records the formal spaces with vibrancy, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the state rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art from the Royal Collection by Rembrandt van Rijn, Peter Paul Rubens, Nicolas Poussin, Anthony van Dyck, Johannes Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms.
Although the impact of the Great War on Brighton was profound, the seaside town was spared any direct attack by the enemy. The fear of spies and sabotage, however, was widespread at first and aliens were an issue which had to be swiftly resolved under new legislation. Allies, of course, were warmly welcomed, and accommodation was soon provided for those fleeing the catastrophic events in Belgium. Between 1914 and 1918, Brighton made major contributions to the war effort in many ways: by responding readily to the call to arms, by caring for great numbers of wounded (the story of the exotic Royal Pavilion being used as a hospital for Indian casualties is widely known locally) and by simply being itself an oPen & welcoming resort that offered sanctuary, respite and entertainment to besieged Londoners and to other visitors, from every stratum of society.
A sumptuous exploration of 21 of the world's most celebrated royal gardens, from the formal splendour of Versailles to the organic, sustainable Highgrove. In mainland Europe you can journey from the formal splendour of Het Loo in the Netherlands and Fontainebleau in France to the Baroque World Heritage Site of the Royal Palace of Caserta in Southern Italy. Further afield still lies the Taj Mahal in India and the Peterhof Palace in Russia. Each featured garden will include the history, plantings and evolution of the garden as well as plant portraits of key plants and information about the design and layout of each. Countries included are: England, Scotland, Germany, France, Italy, Spain, Austria, the Czech Republic, the Netherlands, Sweden, Denmark, Russia, India, Bali and Japan. This inspiring global selection of royal gardens is a perfect gift for any gardening enthusiast or armchair traveller and takes the reader on a journey of architecturally significant houses and their classic gardens as well as providing planting ideas that range from modest to grand, simple to ornate.
This book, produced in collaboration with the Lewis Cohen Urban Studies Centre, is all about memories of Brighton during the First World War. Through an examination of ephemera such as posters, photographs, pictures, songs and personal recollections, it portrays a collective memory of the city. Photographs are central to this work; for example Brighton Museum, Preston Manor and Brighton Reference Library are all featured pictorially. This book provides a valuable and important source of local history - a must for all those passionate about the city and its historical roots!
Renzo Piano is one of the world’s greatest living architects and creator of a host of iconic modern buildings, including the Pompidou in Paris, the Menil Collection in Texas, Kansai Airport in Japan, the Shard in London and the new Whitney Museum of American Art in New York. Written and created in collaboration with the Piano Foundation in Genoa, this richly illustrated volume covers the early work as well as the most recent designs, making a complete survey of his career to date. Starting with his beginnings with the Pompidou Centre in the 1970s (in collaboration with Richard Rogers) the story continues up to construction of one of his latest works, a spectacular new bridge in Genoa in 2020. The book explores all of the studio’s main projects: the public spaces and museums, airports, theatres, and libraries. As well as giving unique insights into the creative process of Piano himself, the book includes numerous unpublished designs and photographs. In the process the book reveals Piano’s unique way of handling light and space, as well as his particular attention to the social implications of the profession of architect and the relationship of buildings to their urban environment and landscape.