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Charles Darwin’s On the Origin of Species is one of the most important and yet least read scientific works in the history of science. The Annotated Origin is a facsimile of the first edition of 1859, and is accompanied by James T. Costa’s marginal annotations, drawing on his extensive experience with Darwin’s ideas in the field, lab, and classroom.
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The purpose of this book is well expressed in the Preface by the statement of the authors that each had a feeling that the problems of the origin of species had not been settled, and alone each one felt unable to attack and settle so momentous a question; but apparently they found strength in union and have attempted to settle the question of species-making. Most naive is their statement in the Introduction: "Our aim in writing this book has been twofold: In the first place, we have attempted to place before the general public in simple language a true statement of the present position of biological science. In the second place, we have endeavored to furnish the scientific men of the day with food for reflection."
Darwin is credited with discovering evolution through natural selection, but Alfred Russel Wallace saw the same process at work in nature and elaborated the same theory. Dispelling misperceptions of Wallace as a secondary figure, James Costa reveals the two naturalists as equals in advancing one of the greatest scientific discoveries of all time.
Charles Darwin's experiences in the Galápagos Islands in 1835 helped to guide his thoughts toward a revolutionary theory: that species were not fixed but diversified from their ancestors over many generations, and that the driving mechanism of evolutionary change was natural selection. In this concise, accessible book, Peter and Rosemary Grant explain what we have learned about the origin and evolution of new species through the study of the finches made famous by that great scientist: Darwin's finches. Drawing upon their unique observations of finch evolution over a thirty-four-year period, the Grants trace the evolutionary history of fourteen different species from a shared ancestor three million years ago. They show how repeated cycles of speciation involved adaptive change through natural selection on beak size and shape, and divergence in songs. They explain other factors that drive finch evolution, including geographical isolation, which has kept the Galápagos relatively free of competitors and predators; climate change and an increase in the number of islands over the last three million years, which enhanced opportunities for speciation; and flexibility in the early learning of feeding skills, which helped species to exploit new food resources. Throughout, the Grants show how the laboratory tools of developmental biology and molecular genetics can be combined with observations and experiments on birds in the field to gain deeper insights into why the world is so biologically rich and diverse. Written by two preeminent evolutionary biologists, How and Why Species Multiply helps to answer fundamental questions about evolution--in the Galápagos and throughout the world.
On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life),[3] published on 24 November 1859, is a work of scientific literature by Charles Darwin which is considered to be the foundation of evolutionary biology.[4] Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection. It presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had gathered on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation.
A multidisciplinary introduction to the field of computational creativity, analyzing the impact of advanced generative technologies on art and music. As algorithms get smarter, what role will computers play in the creation of music, art, and other cultural artifacts? Will they be able to create such things from the ground up, and will such creations be meaningful? In Beyond the Creative Species, Oliver Bown offers a multidisciplinary examination of computational creativity, analyzing the impact of advanced generative technologies on art and music. Drawing on a wide range of disciplines, including artificial intelligence and machine learning, design, social theory, the psychology of creativity, and creative practice research, Bown argues that to understand computational creativity, we must not only consider what computationally creative algorithms actually do, but also examine creative artistic activity itself.
Charles Darwin is of course best known for The Voyage of the Beagle and The Origin of Species. But he produced many other books over his long career, exploring specific aspects of the theory of evolution by natural selection in greater depth. The eminent evolutionary biologist Steve Jones uses these lesser-known works as springboards to examine how their essential ideas have generated whole fields of modern biology.Earthworms helped found modern soil science, Expression of the Emotions helped found comparative psychology, and Self-Fertilization and Forms of Flowers were important early works on the origin of sex. Through this delightful introduction to Darwin's oeuvre, one begins to see Darwin's role in biology as resembling Einstein's in physics: he didn't have one brilliant idea but many and in fact made some seminal contribution to practically every field of evolutionary study. Though these lesser-known works may seem disconnected, Jones points out that they all share a common theme: the power of small means over time to produce gigantic ends. Called a "world of wonders" by the Timesof London, The Darwin Archipelago will expand any reader's view of Darwin's genius and will demonstrate how all of biology, like life itself, descends from a common ancestor.