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This book provides a comprehensive study of the economic history of New Zealand. It is for use as a textbook, and will be of interest to economic historians for its comprehensive coverage of the subject. It provides a clear and readable account that will be accessible to those without a background in economics. The book covers the period since European settlement, with particular emphasis on the postwar economy. It deals with the economic problems encountered in establishing a trading economy in New Zealand and in maintaining it and adapting it to the evolving international economy. It looks closely at the development and performance of different sectors of the economy, the influence of the government and the response to international economic conditions. It also considers the way in which New Zealand society has been shaped by the problems encountered and by the solutions to those problems.
Examining the development of a sense of national identity in a British colony, this highly authoritative work is a valuable addition to the literature in New Zealand. By looking at the onset of home-grown shipping, railway, and telegraph networks as well as at the Maori and kiwi experiences, not to mention the emergence of rugby teams, this book accounts for how transplanted Britons, and others, turned themselves into New Zealanders—a distinct group of people with their own songs and sports, symbols and opinions, political traditions, and sense of self. Tracing markers in popular culture, political processes, and public events, this informative and thrilling history focuses on the forging of a distinctive new culture and society.
This book examines the emergence and growth of cricket in relation to diverse patterns of European settlement in New Zealand - such as the systematic colonization schemes of Edward Gibbon Wakefield and the gold discoveries of the 1860s.
As a group of islands in the far south-west Pacific Ocean, New Zealand has a history that is steeped in the sea. Its people have encountered the sea in many different ways: along the coast, in port, on ships, beneath the waves, behind a camera, and in the realm of the imagination. While New Zealanders have continually altered their marine environments, the ocean, too, has influenced their lives. A multi-disciplinary work encompassing history, marine science, archaeology and visual culture, New Zealand and the Sea explores New Zealand’s varied relationship with the sea, challenging the conventional view that history unfolds on land. Leading and emerging scholars highlight the dynamic, ocean-centred history of these islands and their inhabitants, offering fascinating new perspectives on New Zealand’s pasts. ‘The ocean has profoundly shaped culture across this narrow archipelago . . . The meeting of land and sea is central in historical accounts of Polynesian discovery and colonisation; European exploratory voyaging; sealing, whaling and the littoral communities that supported these plural occupations; and the mass migrant passage from Britain.’ – Frances Steel
The story of tourism in New Zealand from 1870 through to the end of the 20th century. McClure follows the development of tourist sites and landmark hotels; the Centennial Exhibition, the establishment of the National Film Unit, the Tourist Hotel Corporation and Air New Zealand.
"Explores how the ... Asian population of New Zealand is affecting our understanding of Asia and altering the way we see our own identity"--Back cover.
'Men no longer whisper "Revolution", they shout it; and they no longer carry banners, but throw bricks' - Letter home from Harvard, 1970. Jock Phillips grew up in post-war Christchurch where history meant Ancient Greece and home was England. Over the last 50 years - through the Maori renaissance, the women's movement, the rediscovery of ANZAC and more - Phillips has lived through a revolution in New Zealanders' understanding of their identity. And from A Man's Country to Te Ara, in popular writing, exhibitions, television and the internet, he played a key role in instigating that revolution. Making History tells the story of how Jock Phillips and other New Zealanders discovered this country's past. In this memoir, Phillips turns his deep historical skills on himself. How did the son of Anglophile parents, educated among the sons of Canterbury sheep farmers at Christ's College, work out that the history of this country might have real value? From Harvard, Black Power and sexual politics in America, to challenging male culture in New Zealand in A Man's Country, to engaging with Maori in Te Papa and Te Ara, Phillips revolted against his background and became a pioneering public historian, using new ways to communicate history to a broad audience.
New Zealand is a democratic constitutional monarchy, one of Queen Elizabeth II's sixteen realms. This book provides a comprehensive account of how the Queen, the Governor-General and the Crown interact with our democratically-elected leaders under New Zealand's unwritten constitution.The authors explain how these islands in the South Pacific were first brought within Queen Victoria's dominions, the arrangements then made for their future government, and how those arrangements developed over time with the pressure for democracy and responsible government to become New Zealand's current constitution. They discuss the responsibilities of, and interactions between, the key office-holders: the Sovereign herself; her representative, the Governor-General; the impersonal and perpetual Crown, and the Prime Minister, other Ministers and Members of Parliament. All of them affect in some way the government which runs the country day to day. In an afterword, the authors examine some of the key issues to be considered should New Zealand become a republic.The parliamentary democracy that we take for granted can conceal New Zealand's ultimate constitutional underpinnings in the monarchy. But, as the authors make clear, the monarchy's continuing role in New Zealand's constitution is significant. And understanding the roles of the Queen, the Governor-General and the Crown will be critical as we look forward to debates about the possibility of a republic in New Zealand.
Michael Scott argues that New Zealand's pop music renaissance of the early 2000s was supported by state policies. He shows how the state built market opportunities for popular musicians through public-private partnerships and organisational affinity with
A major new history of craft that spans three centuries of making and thinking in Aotearoa New Zealand and the wider Moana (Pacific). Paying attention to Pakeha (European New Zealanders) , Maori, and island nations of the wider Moana, and old and new migrant makers and their works, this book is a history of craft understood as an idea that shifts and changes over time. At the heart of this book lie the relationships between Pakeha, Maori and wider Moana artistic practices that, at different times and for different reasons, have been described by the term craft. It tells the previously untold story of craft in Aotearoa New Zealand, so that the connections, as well as the differences and tensions, can be identified and explored. This book proposes a new idea of craft--one that acknowledges Pakeha, Maori and wider Moana histories of making, as well as diverse community perspectives towards objects and their uses and meanings.