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Famous for its majestic ruins, Mexico has gone to great lengths to preserve and display the remains of its pre-Hispanic past. The Pursuit of Ruins argues that the government effort to take control of the ancient remains took off in the late nineteenth century during the dictatorship of Porfirio Díaz. Under Díaz Mexico acquired an official history more firmly rooted in Indian antiquity. This prestigious pedigree served to counter Mexico’s image as a backward, peripheral nation. The government claimed symbolic links with the great civilizations of pre-Hispanic times as it hauled statues to the National Museum and reconstructed Teotihuacán. Christina Bueno explores the different facets of the Porfirian archaeological project and underscores the contradictory place of indigenous identity in modern Mexico. While the making of Mexico’s official past was thought to bind the nation together, it was an exclusionary process, one that celebrated the civilizations of bygone times while disparaging contemporary Indians.
"Analyzes the impact of the opposition candidacies in the Mexican presidential elections of 1940, 1946, and 1952 on the internal discipline and electoral dominance of the ruling Partido de la Revolución Mexicana (PRM) and its successor, the Partido Revolucionario Institucional (PRI)"--Provided by publisher.
The concentration of power in the caudillo (leader) is as much a formative element of Mexican culture and politics as the historical legacy of the Aztec emperors, Cortez, the Spanish Crown, the Mother Church and the mixing of the Spanish and Indian population into a mestizo culture. Krauze shows how history becomes biography during the century of caudillos from the insurgent priests in 1810 to Porfirio and the Revolution in 1910. The Revolutionary era, ending in 1940, was dominated by the lives of seven presidents -- Madero, Zapata, Villa, Carranza, Obregon, Calles and Cardenas. Since 1940, the dominant power of the presidency has continued through years of boom and bust and crisis. A major question for the modern state, with today's president Zedillo, is whether that power can be decentralized, to end the cycles of history as biographies of power.
Drawing on materials ranging from archaeological findings to recent studies of migration issues and drug violence, William H. Beezley provides a dramatic narrative of human events as he recounts the story of Mexico in the context of world history. Beginning with the Mayan and Aztec civilizations and their brutal defeat at the hands of the Conquistadors, Beezley discusses Spain's three-hundred-year colonial rule, foreign invasions and huge territorial losses at the hands of the United States, and conditions in Mexico today.
Geo-Mexico provides a lively, up-to-date and comprehensive exploration of Mexico, from climates to culture, population to politics, ecosystems to economy, transport to tourism, and globalization to gated communities. Key features: - assesses Mexico's success in meeting its demographic, economic and environmental challenges - traces the historical processes behind Mexico s modern landscapes - utilizes a variety of concepts, models and theories - engages the reader in contemporary issues, such as development, international migration, sustainability and global warming - explains Mexico s spatial patterns and its growing north-south divide * More than 100 original maps, graphs and diagrams * Over 50 text boxes highlight illustrative examples and case studies * Complete reference notes, bibliography and index. Geo-Mexico is an indispensable resource for anyone interested in Mexico.
In the aftermath of the 1910 Mexican Revolution, Mexican and U.S. political leaders, business executives, and ordinary citizens shaped modern Mexico by making industrial capitalism the key to upward mobility into the middle class, material prosperity, and
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts. Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.
In Masculinity and Sexuality in Modern Mexico, historians and anthropologists explain how evolving notions of the meaning and practice of manhood have shaped Mexican history. In essays that range from Texas to Oaxaca and from the 1880s to the present, contributors write about file clerks and movie stars, wealthy world travelers and ordinary people whose adventures were confined to a bar in the middle of town. The Mexicans we meet in these essays lived out their identities through extraordinary events--committing terrible crimes, writing world-famous songs, and ruling the nation--but also in everyday activities like falling in love, raising families, getting dressed, and going to the movies. Thus, these essays in the history of masculinity connect the major topics of Mexican political history since 1880 to the history of daily life.