Download Free The Making Of English Reading Audiences 1790 1832 Book in PDF and EPUB Free Download. You can read online The Making Of English Reading Audiences 1790 1832 and write the review.

Thesis (M.A.) from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), Ruhr-University of Bochum (Faculty for Philology), language: English, abstract: The late eighteenth and early nineteenth centuries were a time of accelerating cultural, social, economic, and political change. The outbreak of the French Revolution in 1789 and the passing of the first Reform Bill in 1832 are the political cornerstones of an age that saw the promotion of human rights and civil liberties against established systems of absolutist governments and limited possibilities of political participation. Democratic ideas that form the constitutional basis of modern Western societies were developed and circulated in a highly-charged political and cultural climate, represented, defended and contested in a bourgeois public sphere that had only come into being as a space of rational contestation in England in the century between the Glorious Revolution and the French Revolution.1 In philosophy, perhaps the most far-reaching development in the eighteenth century was the exploration of the individual psyche. John Locke’s empiricist epistemology was based on the idea that the mind of the infant is like a tabula rasa and that there are no innate ideas or moral principles. Instead, Locke argued, the individual’s knowledge springs from his or her own sensory perceptions. This epistemology carried with it a serious social problem: in effect perceivers were deprived of shared views and, isolated in their own perceptions, were cut off from the environment that had produced their knowledge. “Equally isolated from objects and from others, Lockian perceivers can be certain of only their individual mental processes. [...] Certainty, knowledge, and truth become, at best, relational.”2 The problem of the individual’s position in and relation to a society that was already perceptibly fragmenting as a result of economic developments and increased social mobility was debated by philosophers throughout the eighteenth century. David Berkeley, the Earl of Shaftesbury, and Adam Smith all in their own ways tried to find a solution to the empirical dilemma they had inherited from Locke and sought to relocate the individual in a social context.3 [...] 1 Cf. Jürgen Habermas, Strukturwandel der Öffentlichkeit: Untersuchungen zu einer Kategorie der bürgerlichen Gesellschaft (Neuwied: Luchterhand, 1962). 2 Regina Hewitt, Wordsworth and the Empirical Dilemma (New York et al.: Peter Lang, 1990), 5f. 3 Ibid., 7-32.
The "Jacobin" novel was labeled as such in Britain because of its supposed connections to the French Revolution. This book takes an in-depth look at these novels, written between 1790 and 1805. She centers on the group surrounding Wollstonecraft and Godwin, although not exclusively, exploring the limits of their philosophy of human rights and personal subjectivity. Unlike other recent scholars, the author treats both male and female writers, making feminism an aspect of the work but not the overriding one. While the novels are the main focus, other work by the writers is considered as it pertains to their beliefs. She also discusses the reaction from those who defined the "Jacobins" by opposing them.
Links emerging Romantic ideas about the role of the writer to the ambivalence of the concept of popular sovereignty, connecting theories about the role of the intellectual or the writer to the developing contestation of the concept of the majesty of the people during the 1790s.
Threatened by the proliferation of cheap, mass-produced publications, the Religious Tract Society issued a series of publications on popular science during the 1840s. The books were intended to counter the developing notion that science and faith were mutually exclusive, and the Society's authors employed a full repertoire of evangelical techniques—low prices, simple language, carefully structured narratives—to convert their readers. The application of such techniques to popular science resulted in one of the most widely available sources of information on the sciences in the Victorian era. A fascinating study of the tenuous relationship between science and religion in evangelical publishing, Science and Salvation examines questions of practice and faith from a fresh perspective. Rather than highlighting works by expert men of science, Aileen Fyfe instead considers a group of relatively undistinguished authors who used thinly veiled Christian rhetoric to educate first, but to convert as well. This important volume is destined to become essential reading for historians of science, religion, and publishing alike.
Important revisions to the history of advertising and its connection to Romantic-era literature. Outstanding Academic Title, Choice Literary Advertising and the Shaping of British Romanticism investigates the entwined histories of the advertising industry and the gradual commodification of literature over the course of the Romantic Century (1750–1850). In this engaging and detailed study, Nicholas Mason argues that the seemingly antagonistic arenas of marketing and literature share a common genealogy and, in many instances, even a symbiotic relationship. Drawing from archival materials such as publishers' account books, merchants' trade cards, and authors' letters, Mason traces the beginnings of many familiar modern advertising methods—including product placement, limited-time offers, and journalistic puffery—to the British book trade during the eighteenth and nineteenth centuries. Until now, Romantic scholars have not fully recognized advertising’s cultural significance or the importance of this period in the origins of modern advertising. Mason explores Lord Byron’s appropriation of branding, Letitia Elizabeth Landon’s experiments in visual marketing, and late-Romantic debates over advertising's claim to be a new branch of the literary arts. Mason uses the antics of Romantic-era advertising to illustrate the profound implications of commercial modernity, both in economic practices governing the book trade and, more broadly, in the development of the modern idea of literature.
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
English Fiction of the Romantic Period 1789-1830 is the first comprehensive historical survey of fiction from that period for many decades. It combines a clear awareness of the period's social history with recent developments in literary criticism, theory and history, and explains the astounding variety of forms in Romantic fiction in terms of the various cultural, political, social, regional and gender conflicts of the time. It provides a broad-ranging survey from the major authors and works through to the sub-genres of the period. Jan Austin and Sir Alter Scott are discussed alongside the Gothic Romance, political and feminist fiction, social satire and regional, rural and historical novels. It also provides a comparison of the methods of distribution and marketing and the availability of books then and now; examines cheap popular fiction and children's fiction, and considers the recent debate about the place of prose fiction in a Romantic literature hitherto dominated by poetry.
A wide-ranging collection of the key contextual documents which inform the Romantic period. It includes material on fiercely debated areas such as the French Revolution, women, the slave trade, science and religion. Documents are supported by substantial editorial material, drawing connections to the major Romantic texts.
In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.
Wordsworth’s process of revision, his organization of poetic volumes and his supplementary writings are often seen as distinct from his poetic composition. Bates asserts that an analysis of these supplementary writings and paratexts are necessary to a full understanding of Wordsworth’s poetry.