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THE MAIDEN'S ODYSSEY is historical fiction, set in the 8th Century BCE. A young captive named Nerissa survives her slave ship's passage from Asia Minor to the Greek island of Ithaca. Purchased by an aristocratic family, she first encounters Homer when he recites The Iliad at a banquet where she's serving. Once her master Theoton discovers Nerissa's keen intelligence, he involves her in his plan to introduce democracy. When Theoton's fortunes turn, Nerissa's sold off to a man of a much different stripe. Brutalized by her second master Tragus, Nerissa escapes, only to be recaptured and punished harshly. She seeks blind Homer's protection, but he insists on returning her. While leading Homer errantly, Nerissa recounts the ordeal of her family that led to her enslavement. As he struggles with the opening for his new poem The Odyssey, Homer becomes intrigued by Nerissa's tale. He corrects her at each juncture, insisting on turning real events into heroic exploits manipulated by the Gods. But he refuses to buy her, deeply scornful of a woman's ability to be a scribe. Actually, he's heavily in debt, and can't afford the few drachma it would cost for a damaged slave. Their encounter sets off a chain of tragedy and triumph winding through the next ten years.
A bewitching look at nonnative species in American ecosystems, by the heir apparent to McKibben and Quammen.
Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.
The Odyssey recounts the adventures of Odysseus on his way home to Ithaca after the Trojan War.
As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.
Translator name not noted above: Andrew Lang. Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XXII features a translation by Irish scholar SAMUEL HENRY BUTCHER (1850-1910) and Scottish academic ANDREW LANG (1844-1912) of the epic 8th-century BC Greek adventure The Odyssey, attributed to the poet Homer but originally told in oral form. The foundational text not merely of modern literature but of all of Western civilization, it is the story of the nine-year journey of the soldier Odysseus as he returns home to Ithaca after the Trojan War. Nearly three thousand years after it was first written, it remains as entertaining as it is edifying, and it absolutely required reading for anyone who wishes to be considered truly educated and literate.