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After a hundred years the history of a great war waged by a successful nation is commonly reviewed by that nation with retrospective complacency. Distance dims the panorama; haze obscures the ragged gaps in the pageant until the long lines of victorious armies move smoothly across the horizon, with never an abyss to check their triumph. Yet there is one people who cannot view the past through a mirage. The marks of the birth-pangs remain on the land; its struggle for breath was too terrible, its scars too deep to hide or cover. For us, the pages of the past turn all undimmed; battles, brutally etched, stand clear as our own hills against the sky--for in this land we have no haze to soften truth. Treading the austere corridor of our Pantheon, we, too, come at last to victory--but what a victory! Not the familiar, gracious goddess, wide-winged, crowned, bearing wreaths, but a naked, desperate creature, gaunt, dauntless, turning her iron face to the west. The trampling centuries can raise for us no golden dust to cloak the flanks of the starved ranks that press across our horizon. Our ragged armies muster in a pitiless glare of light, every man distinct, every battle in detail. Pangs that they suffered we suffer. The faint-hearted who failed are judged by us as though they failed before the nation yesterday; the brave are re-enshrined as we read; the traitor, to us, is no grotesque Guy Fawkes, but a living Judas of to-day. We remember that Ethan Allen thundered on the portal of all earthly kings at Ticonderoga; but we also remember that his hatred for the great state of New York brought him and his men of Vermont perilously close to the mire which defiled Charles Lee and Conway, and which engulfed poor Benedict Arnold. We follow Gates's army with painful sympathy to Saratoga, and there we applaud a victory, but we turn from the commander in contempt, his brutal, selfish, shallow nature all revealed. We know him. We know them all--Ledyard, who died stainless, with his own sword murdered; Herkimer, who died because he was not brave enough to do his duty and be called a coward for doing it; Woolsey, the craven Major at the Middle Fort, stammering filthy speeches in his terror when Sir John Johnson's rangers closed in; Poor, who threw his life away for vanity when that life belonged to the land! Yes, we know them all--great, greater, and less great--our grandfather Franklin, who trotted through a perfectly cold and selfishly contemptuous French court, aged, alert, cheerful to the end; Schuyler, calm and imperturbable, watching the North, which was his trust, and utterly unmindful of self or of the pack yelping at his heels; Stark, Morgan, Murphy, and Elerson, the brave riflemen; Spencer, the interpreter; Visscher, Helmer, and the Stoners.
After a hundred years the history of a great war waged by a successful nation is commonly reviewed by that nation with retrospective complacency.
Step into a world of adventure and intrigue with Robert W. Chambers' "Maid-at-Arms." Prepare to be swept away on a thrilling journey through medieval France, where honor, betrayal, and courage collide in a tale of epic proportions. Follow the exploits of Yolanda, a fearless maiden who defies convention to become a skilled warrior in the service of her king. Chambers' vivid prose brings to life the sights and sounds of medieval Europe, immersing readers in a world of knights, castles, and chivalry. As Yolanda embarks on her quest for justice and redemption, she encounters a cast of memorable characters, from gallant knights to cunning adversaries. Chambers' masterful character development breathes life into each figure, drawing readers deeper into the heart of the story. At its core, "Maid-at-Arms" is a tale of empowerment and resilience, as Yolanda defies societal expectations to forge her own path in a male-dominated world. Chambers' portrayal of her journey is both inspiring and thought-provoking, challenging readers to reconsider their own preconceptions. The novel's rich historical detail and authentic atmosphere transport readers back in time to a tumultuous era of political intrigue and religious conflict. Chambers' meticulous research and attention to detail lend the story an air of authenticity, making it a must-read for history enthusiasts and adventure lovers alike. With its blend of action, romance, and intrigue, "Maid-at-Arms" is sure to captivate readers from beginning to end. Whether you're a fan of historical fiction or simply love a good adventure, Chambers' gripping tale will keep you on the edge of your seat until the very last page. Don't miss your chance to experience the excitement of "Maid-at-Arms." Let Chambers' thrilling tale transport you to a world of daring escapades and noble deeds. Grab your copy now and join Yolanda on her epic quest for justice and redemption.
The American Robert W. Chambers was a pioneer writer of weird, fantasy and supernatural tales, whose seminal collection of stories ‘The King in Yellow’ has had a lasting influence on the horror genre. This comprehensive eBook presents the complete Weird short story collections of Robert W. Chambers, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Chambers’ life and works * Concise introductions to the novels and other texts * 42 novels, with individual contents tables * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * Many novels and tales are fully illustrated with their original artwork * Special chronological and alphabetical contents tables for the short stories * The complete Weird short story collections, including many Weird tales appearing here for the first time in digital publishing * Easily locate the short stories you want to read * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Franco-Prussian War Trilogy The Novels In the Quarter The Red Republic Lorraine Ashes of Empire Cardigan The Maid-At-Arms The Maids of Paradise In Search of the Unknown The Reckoning Iole The Tracer of Lost Persons The Fighting Chance The Younger Set The Firing Line Special Messenger The Danger Mark The Green Mouse Ailsa Paige The Common Law The Adventures of a Modest Man Blue-Bird Weather The Streets of Ascalon Japonette The Gay Rebellion The Business of Life Quick Action The Hidden Children Anne’s Bridge Between Friends Who Goes There! Athalie The Girl Philippa The Dark Star Barbarians The Laughing Girl The Restless Sex The Moonlit Way In Secret The Crimson Tide The Slayer of Souls The Little Red Foot The Flaming Jewel The Short Story Collections The King in Yellow The Maker of Moons The Mystery of Choice The Haunts of Men A Young Man in a Hurry The Tree of Heaven Police!!! The Better Man A Story of Primitive Love The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order Please visit www.delphiclassics.com to browse through our range of exciting titles
Isolde's day has come. In Ireland, her mother, the Queen, lies dying. The throne of the Emerald Isle, one of the last strongholds of the goddess, awaits her. But while Ireland is her destiny, Isolde is already Queen of Cornwall, trapped in a loveless marriage to its mean-spirited King Mark. Her true love is his nephew, Tristan of Lyonesse, who has never married, remaining faithful only to Isolde. Across the sea in France, a young princess who shares Isolde's name enters the story. King Hoel named his daughtor in honor of Isolde of Ireland, and young Isolde of France has always been determined to outdo her beautiful namesake. She is a physician, too, and is called "Blanche Mains," for her white hands and healing touch. Blanche is of an age to be married, and she has chosen her husband—Tristan of Lyonesse. Her father objects, but fate favors Blanche. King Mark has become suspicious of his wife and nephew, and when Tristan is wounded in battle, he sees a chance to separate them for good. Mark sends Tristan to France to be healed by Blanche, who makes the most of the opportunity. Tristan's letters to Isolde are intercepted, and he is told that she has given him up. Near death from his wounds, Tristan sends one last, desparate letter to Isolde by a trusted servant. He is dying, he tells her, and asks for one final sign of their love. If she can forgive him for betraying her, she must come to France in a ship set with white sails. If the ship's sails are black, however, he will know that she no longer loves him. Isolde immediately leaves for France, but when Blanche sees the white-sailed ship from the castle window, she pulls the curtains and tells Tristan that the sails are black. To her horror, he turns his face to the wall and dies. There ends the traditional medieval story of Tristan and Isolde—with betrayal, death, and grief. But the original Irish lengend ends differently, and so does this book, wth magic and drama as only Rosalind Miles could write it.
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