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Born in New Orleans before migrating to Chicago, Mahalia Jackson (1911-72) is undoubtedly the most widely known black gospel singer, having achieved fame among African American communities in the 1940s then finding a wide audience among non-black U.S. and international audiences after she signed with major label Columbia Records in 1954. The newest entry in OUP's celebrated Readers on American Musicians series,ÂThe Mahalia Jackson ReaderÂplaces Jackson's musical performances and their reception against key changes in 20th-century America, changes that include transformations of the recorded music industry, the increasing visibility of the civil rights movement, a florescence of Cold War-era religiosity, and an explosion of popularity of black gospel music itself. Jackson's career combines parallel tracks as a black church singer and as a national pop celebrity, and makes her one of the most complex and important black artists of the postwar decades. Gospel is a particularly challenging genre to study because of the paucity of sources. BecauseÂof Jackson's celebrity, there is more substantial coverage of her life and work than other gospel artists, but Jackson scholarship is still largely dependent on trade biographies from the 1970s for source material. For this reader, Mark Burford has gone beyond the standard biographies and has drawn from extensive archival research, including in the volume interview transcripts and the largely-untouched papers of Jackson's associate Bill Russell, who kept a journal tracking Jackson's activities from 1951 to 1955. The new sources - in particular Russell's notes - uniquely enable an assessment of the reciprocal relationship between the two careers Jackson pursued, essentially simultaneously: as an in-demand church singer in Chicago, and as a media star for a major network and recording label.
Born in New Orleans before migrating to Chicago, Mahalia Jackson (1911-72) is undoubtedly the most widely known black gospel singer, having achieved fame among African American communities in the 1940s then finding a wide audience among non-black U.S. and international audiences after she signed with major label Columbia Records in 1954. The newest entry in OUP's celebrated Readers on American Musicians series,ÂThe Mahalia Jackson ReaderÂplaces Jackson's musical performances and their reception against key changes in 20th-century America, changes that include transformations of the recorded music industry, the increasing visibility of the civil rights movement, a florescence of Cold War-era religiosity, and an explosion of popularity of black gospel music itself. Jackson's career combines parallel tracks as a black church singer and as a national pop celebrity, and makes her one of the most complex and important black artists of the postwar decades. Gospel is a particularly challenging genre to study because of the paucity of sources. BecauseÂof Jackson's celebrity, there is more substantial coverage of her life and work than other gospel artists, but Jackson scholarship is still largely dependent on trade biographies from the 1970s for source material. For this reader, Mark Burford has gone beyond the standard biographies and has drawn from extensive archival research, including in the volume interview transcripts and the largely-untouched papers of Jackson's associate Bill Russell, who kept a journal tracking Jackson's activities from 1951 to 1955. The new sources - in particular Russell's notes - uniquely enable an assessment of the reciprocal relationship between the two careers Jackson pursued, essentially simultaneously: as an in-demand church singer in Chicago, and as a media star for a major network and recording label.
Drawing on and piecing together a trove of previously unexamined sources, this work is a critical study of the renowned African American gospel singer Mahalia Jackson (1911-1972).
They were each born with the gift of gospel. Martin's voice kept people in their seats, but also sent their praises soaring. Mahalia's voice was brass-and-butter - strong and smooth at the same time. With Martin's sermons and Mahalia's songs, folks were free to shout, to sing their joy. On August 28, 1963, Martin Luther King, Jr. gave his famous "I Have a Dream" speech from the steps of the Lincoln Memorial, and his strong voice and powerful message were joined and lifted in song by world-renowned gospel singer Mahalia Jackson. It was a moment that changed the course of history and is imprinted in minds forever. Told through Andrea Davis Pinkney's poetic prose and Brian Pinkney's evocative illustration, the stories of these two powerful voices and lives are told side-by-side -- as they would one day walk -- following the journey from their youth to a culmination at this historical event when they united as one and inspiring kids to find their own voices and speak up for what is right.
Here is "the real book" of the incredible Mahalia Jackson, as pledged to her by her close friend, Laurraine Goreau, before her death. Rich in poetic condensation and vivid imagery, it reaches back to recreate an era and a way of life that no longer exist; it surfaces hidden folk lore and cultural patterns; it delves into Voodoo and a secret psychic world. It shows you jazz at its roots when it was "jass", the Devil's temptation; first-hand, it gives you the surprising sociological significances of the whole gospel movement ... but most of all, it takes you with a misshapen mote on a forgotten scrap of river-land as Mahalia pushes, fights, sings her way to a personage of unique stature among Americans to th eworld's peoples, revered by hundreds of thousands as a symbol of utter integrity, the bearer of God's tidings.
Accompanied by John Holyfield's gorgeous illustrations, debut author Nina Nolan's narrative wonderfully captures the amazing story of how Mahalia Jackson became the Queen of Gospel in this fascinating picture book biography. Even as a young girl, Mahalia Jackson loved gospel music. Life was difficult for Mahalia growing up, but singing gospel always lifted her spirits and made her feel special. She soon realized that her powerful voice stirred everyone around her, and she wanted to share that with the world. Although she was met with hardships along the way, Mahalia never gave up on her dreams. Mahalia's extraordinary journey eventually took her to the historic March on Washington, where she sang to thousands and inspired them to find their own voices. With a timeline and further reading section, this book is perfect for Common Core.
Originally published: Bobbs-Merrill Co., 1974.
A biography of the renowned gospel singer who hoped, through her art, to break down some of the barriers between black and white people.
As a new generation of activists demands an end to racism, A Place to Land reflects on Martin Luther King, Jr.'s "I Have a Dream" speech and the movement that it galvanized. Winner of the Orbis Pictus Award for Outstanding Nonfiction for Children Selected for the Texas Bluebonnet Master List Much has been written about Martin Luther King, Jr. and the 1963 March on Washington. But there's little on his legendary speech and how he came to write it. Martin Luther King, Jr. was once asked if the hardest part of preaching was knowing where to begin. No, he said. The hardest part is knowing where to end. "It's terrible to be circling up there without a place to land." Finding this place to land was what Martin Luther King, Jr. struggled with, alongside advisors and fellow speech writers, in the Willard Hotel the night before the March on Washington, where he gave his historic "I Have a Dream" speech. But those famous words were never intended to be heard on that day, not even written down for that day, not even once. Barry Wittenstein teams up with legendary illustrator Jerry Pinkney to tell the story of how, against all odds, Martin found his place to land. An ALA Notable Children's Book A Capitol Choices Noteworthy Title Nominated for an NAACP Image Award A Bank Street Best Book of the Year A Notable Social Studies Trade Book for Young People A Booklist Editors' Choice Named a Best Book of the Year by Publishers Weekly, Kirkus Reviews, and School Library Journal Selected for the CBC Champions of Change Showcase
Winner of the 2023 NAACP Image Award for Outstanding Literary Work - Fiction “Deeply empathetic yet unflinching in its gaze…an unforgettable exploration of responsibility and redemption.”—Celeste Ng Inspired by true events that rocked the nation, a searing and compassionate new novel about a Black nurse in post-segregation Alabama who blows the whistle on a terrible injustice done to her patients, from the New York Times bestselling author of Wench Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies. But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them. Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten. Because history repeats what we don’t remember. Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption. “Highlights the horrific discrepancies in our healthcare system and illustrates their heartbreaking consequences.”—Essence