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The Mahabharata is the greatest epic of India. Anyone who has studied the Bhagavad Gita, which represents only 700 verses from the Mahabharata (out of 200,000 total) must be interested in reading the whole book. When I was a Hare Krishna devotee I certainly wished I could do that. Several summaries of the Mahabharata exist, but it is impossible to condense eighteen books into one without omitting anything worthwhile. The only complete English translation of the book is this one, by Kisari Mohan Ganguli. These volumes are based on a text file scanned at sacred-texts.com, 2003, and proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Additional proofing and formatting of the text file was done at sacred-texts.com, by J. B. Hare. If you have a Kindle you can read this translation without cost by downloading it from http://www.gutenberg.org/. Amazon.com also has their own versions of these books which you may download and read for free. While reading these free e-books I decided that I really wanted a bound and printed version. I felt this book deserved to be back in print, so I decided to prepare it for publishing using Create Space and offer it for sale at the lowest possible price. I have moved the footnotes in these volumes (hundreds of them) from the end of the book back to the bottoms of the pages for easier reading. I have replaced archaic words like "behoveth" with "behooves", etc., where it was possible to do so without rewriting the sentences where they appear. I have also fixed a few variant spellings, and replaced obscure words like "welkins" and "horripliated" with more common ones. Finally, the original work did not translate the titles of the individual books, so I have used the names found on Wikipedia. Thus Adi Parva in the original becomes The Book Of The Beginning. The illustrations are from a Hindi translation of the Mahabharata that has also fallen into the public domain. (http://openlibrary.org/books/OL23365037M/Mahabharata.) I have used page images provided at archive.org and have cleaned them up using The GIMP software. The results speak for themselves. When all the volumes are published (probably twelve or so) there will be nearly 300 full page illustrations. In short, I have spared no effort to make this the most complete, most readable, and most attractive edition of the Mahabharata in English. While I no longer practice the Vaishnava religion I hope that these books will meet with the approval of my former godbrothers and godsisters. I do not believe that they will find anything offensive in them. BHAKTA JIM
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva by Kisari Mohan Ganguli SECTION I Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years' sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
The present book is a translation of original Mahabharata written by Vyasa in sanskrit prose. This translation has been carried out in the form of prose in the English language.
The Greatest Story Ever Told Dispute over land and kingdom may lie at the heart of this story of war between cousins—the Pandavas and the Kouravas—but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes us on a great journey with incredible ease.
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Stri Parva, the eleventh, takes place after the end of Kurukshetra War when the widows of the dead soldiers visit the battlefield. It also shows Dhritarashtra, king of Hastinapur, lamenting over the death of his one hundred sons. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Sabha Parva, the second, discusses how Maya Danava erects the palace and court at Indraprastha, how life at the court and the eventual exile of the Pandavas. It also gives details of how and why the Krishna, Arujna and Bheem kill Jarasandha, and how Krishna kills Shishupala. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.
Why should we be good? How should we be good? And how might we more deeply understand the moral and ethical failings--splashed across today's headlines--that have not only destroyed individual lives but caused widespread calamity as well, bringing communities, nations, and indeed the global economy to the brink of collapse? In The Difficulty of Being Good, Gurcharan Das seeks answers to these questions in an unlikely source: the 2,000 year-old Sanskrit epic, Mahabharata. A sprawling, witty, ironic, and delightful poem, the Mahabharata is obsessed with the elusive notion of dharma--in essence, doing the right thing. When a hero does something wrong in a Greek epic, he wastes little time on self-reflection; when a hero falters in the Mahabharata, the action stops and everyone weighs in with a different and often contradictory take on dharma. Each major character in the epic embodies a significant moral failing or virtue, and their struggles mirror with uncanny precision our own familiar emotions of anxiety, courage, despair, remorse, envy, compassion, vengefulness, and duty. Das explores the Mahabharata from many perspectives and compares the successes and failures of the poem's characters to those of contemporary individuals, many of them highly visible players in the world of economics, business, and politics. In every case, he finds striking parallels that carry lessons for everyone faced with ethical and moral dilemmas in today's complex world. Written with the flair and seemingly effortless erudition that have made Gurcharan Das a bestselling author around the world--and enlivened by Das's forthright discussion of his own personal search for a more meaningful life--The Difficulty of Being Good shines the light of an ancient poem on the most challenging moral ambiguities of modern life.
"The Mahabharata Vol. 4: Books 16, 17, and 18" translated by Kisari Mohan Ganguli offer a comprehensive exploration of the epic Mahabharata, one of the most revered texts in Indian mythology. This collection of books covers the latter portion of the great epic, delving into significant events, intricate narratives, and profound teachings. Within these volumes, readers are taken on a transformative journey through the final chapters of the Mahabharata, witnessing the aftermath of the Kurukshetra war and the subsequent resolution of the epic saga. Kisari Mohan Ganguli's expert translation captures the essence of the original Sanskrit text, allowing readers to fully immerse themselves in the profound wisdom, ethical dilemmas, and divine interventions depicted in these books. In Books 16, 17, and 18, readers encounter pivotal moments, including the coronation of Yudhishthira as the king, the renunciation of worldly attachments by various characters, and the final journey of the Pandavas towards the heavenly abode. These books delve into philosophical discourses, moral teachings, and reflections on the nature of life, death, and the ultimate purpose of human existence. "The Mahabharata Vol. 4: Books 16, 17, and 18" provides a captivating conclusion to the epic tale, offering readers timeless wisdom and moral teachings that continue to resonate across generations.
It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.