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Translated into English Prose from the Original Sanskrit Text by Kisari Mohan Ganguli (1883-1896)
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Sabha Parva, the second, discusses how Maya Danava erects the palace and court at Indraprastha, how life at the court and the eventual exile of the Pandavas. It also gives details of how and why the Krishna, Arujna and Bheem kill Jarasandha, and how Krishna kills Shishupala. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Sabha Parva By Kisari Mohan Ganguli,
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Excerpt from The Mahabharata of Krishna-Dwaipayana Vyasa, Vol. 2: Translated Into English Prose From the Original Sanskrit Text Om! After bowing down to Narayana, and Nam, the most exalted male' being, and also to the goddess Saraswati, must the word Jaya be uttered. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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