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ABOUT THE MAHABHARATA The Mahabharata is the greatest epic of India, and arguably the greatest epic of any country. It is well known for including the Bhagavad Gita, an important scripture that has influenced great thinkers like Gandhi, Aldous Huxley, Thoreau, J. Robert Oppenheimer, Ralph Waldo Emerson, Carl Jung, and Herman Hesse. However, the Gita represents only 700 verses out of 200,000 total in this epic. In addition to its philosophical chapters, the Mahabharata is a great work of imagination and adventure. When you read it you will be transported to a world where demigods and goddesses sport with men and women. A beautiful girl can take birth from the belly of a fish. A prince might get a wife from archery competitions or kidnapping. And God Himself (Krishna) might be your best friend. There is no other book like it. ABOUT THIS EDITION Anyone who has studied the Bhagavad Gita must be interested in reading the whole book. When I was a Hare Krishna devotee I certainly wished I could do that. Several summaries of the Mahabharata exist, but it is impossible to condense eighteen books into one without omitting anything worthwhile. The onlycomplete English translation of the book is this one, by Kisari Mohan Ganguli. These volumes are based on a text file scanned at sacred-texts.com. If you have a Kindle you can read this translation without cost by downloading it from http://www.gutenberg.org/. Amazon.com also has their own versions of these books which you may download for free from the Kindle Store. While reading these free e-books I decided that I really wanted a bound and printed version. The books have thousands of footnotes, which doesn't work well in e-book format. While this translation is still in print, every existing edition leaves something to be desired. When I was in the Hare Krishnas I owned a complete set of their books, and they were the most beautiful books you can imagine. I wanted to have an edition of the complete Mahabharata that was worthy to share the same book case as those books, so I decided to prepare a newedition using Create Space and offer it for sale at the lowest possible price. Each volume in this edition represents many hours of work. I have moved the footnotes in these volumes (again, thousands of them) from the end of the book back to the bottoms of the pages for easier reading. I have replaced archaic words like "behoveth" with "behooves", etc., where it was possible to do so without rewriting the sentences where they appear. I have also fixed hundreds of variant spellings, and replaced obscure words like "welkins" and "horripliated" with more common ones. Finally, the original work didnot translate the titles of the individual books, so I have used the names found on Wikipedia. Thus Adi Parva in the original becomes The Book Of The Beginning. The illustrations are from a Hindi translation of the Mahabharata that has also fallen into the public domain. (http://openlibrary.org/books/OL23365037M/Mahabharata.) I have used page images provided at archive.org and have cleaned them up using The GIMP software. Theresults speak for themselves. When all the volumes are published there will be nearly 300 full page illustrations. In short, I have spared no effort to make this the most complete, most readable, and most attractive edition of the Mahabharata in English. While I no longer practice the Vaishnava religion I hope that these books will meet with the approval of my former godbrothers and godsisters. I do not believe that they will find anything offensive in them. BHAKTA JIM
It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.
Ancient India, like ancient Greece boasts of two great Epics. One of them, the Maha-bharata, relates to a great war in which all the warlike races of Northern India took a share, and may therefore be compared to the Iliad. The great war which is the subject of this Epic is believed to have been fought in the thirteenth or fourteenth century before Christ. The war thus became the centre of a cycle of legends, songs, and poems in ancient India, the vast mass of legends and poetry, accumulated during centuries, was cast in a narrative form and formed the Epic of the Great Bharata nation, and therefore called the Maha-bharata. The real facts of the war had been obliterated by age, legendary heroes had become the principal actors, and, as is invariably the case in India, the thread of a high moral purpose, of the triumph of virtue and the subjugation of vice, was woven into the fabric of the great Epic.
The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. * The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held, and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion—Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there. * Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.
Sanskrit classical epic translated into English.
William Buck's stirring retelling of a classic Indian epic--in its original Sanskrit, probably the largest epic ever composed.
Why did shakuni have to come to Hastinapur? His own gandhara folks believed that he wanted to take revenge against the Kauravas. They, however, knew nothing about shakuni’s disturbing secret and his actual intention. What was shakuni’s real motive? What was the secret he was trying to guard from the world with all his efforts? In Hastinapur, shakuni would get entrapped in an inescapable mesh of the past, the present, and the future. He could have freed himself from the tangle by cracking a particular riddle that he would only be able to solve too late. What was the riddle about? What made him finally realise that he had just been used? This is the untold story of shakti laced with love, desire, envy, Malice, and vengeance. This is a heart-rending chronicle of some grievously wounded people you can never hate, even if you fail to love or pity them.
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Drona Parva, the seventh, is the major book of the Kurukshetra war with Drona as commander. The narration is on most of the great warriors who served on respectively to the Kauravas and the Pandavas in the battle. Drona or Dronacharya is portrayed as the royal guru to the Kauravas and the Pandavas. He was skilled in advanced military arts. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.
Epic: Maha·bhárata The Maha·bhárata tells the tale of the epic battle between the Pándavas and the Káuravas for the thrown. It begins with the famous game of dice between the Pándavas and the Káuravas, which sets the scene for the war that will lie at the center of the Maha·bhárata epic. But even after the war is ostensibly over when the heroic but flawed king of the Káuravas is dishonor­ably defeated in battle by his arch enemy, the extended family is still wracked in conflict leaving survivors, victors and vanquished struggling to comprehend their loss. Perhaps the most enigmatic philosophical text from ancient India, the final book in the set, “The Book of Liberation” is presented as the teachings of Bhishma as he lies dying on the bat­tlefield in the aftermath of war. Included in this set: Maha·bhárata Book II: The Great Hall Translated by Paul Wilmot. 588 pages / 978-0-8147-9406-7 Maha·bhárata Book III: The Forest Volume 4 Translated by William Johnson. 374 pages / 978-0-8147-4278-5 Maha·bhárata Book IV: Viráta Translated by Kathleen Garbutt. 516 pages / 978-0-8147-3183-3 Maha·bhárata Book V: Preparations for War Volume 1 Translated by Kathleen Garbutt. Foreword by Gurcharan Das. 720 pages / 978-0-8147-3191-8 Maha·bhárata Book V: Preparations for War Volume 2 Translated by Kathleen Garbutt. 760 pages / 978-0-8147-3202-1 Maha·bhárata Book VI: Bhishma Translated by Alex Cherniak. Foreword by Ranajit Guha. Volume 1 (Including the “Bhagavad Gita” in Context) 615 pages / 978-0-8147-1696-0 Maha·bhárata Book VI: Bhishma Volume 2 Translated by Alex Cherniak. 550 pages / 978-0-8147-1705-9 Maha·bhárata Book VII: Drona Volume 1 Translated by Vaughan Pilikian. 473 pages / 978-0-8147-6723-8 Maha·bhárata Book VII: Drona Volume 2 Translated by Vaughan Pilikian. 470 pages / 978-0-8147-6776-4 Maha·bhárata Book VIII: Karna Volume 1 Translated by Adam Bowles 604 pages / 978-0-8147-9981-9 Maha·bhárata Book VIII: Karna Volume 2 Translated by Adam Bowles. 684 pages / 978-0-8147-9995-6 Maha·bhárata Book IX: Shalya Volume 1 Translated by Justin Meiland. 371 pages / 978-0-8147-5706-2 Maha·bhárata Book IX: Shalya Volume 2 Translated by Justin Meiland. 470 pages / 978-0-8147-5737-6 Maha·bhárata Books X & XI: “Dead of the Night” and “The Women” Translated by Kate Crosby. 350 pages / 978-0-8147-1727-1 Maha·bhárata Book XII: Peace (Part 2: The Book of Liberation) Volume 3 Translated by Alex Wynne. 540 pages / 978-0-8147-9453-1
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Sabha Parva, the second, discusses how Maya Danava erects the palace and court at Indraprastha, how life at the court and the eventual exile of the Pandavas. It also gives details of how and why the Krishna, Arujna and Bheem kill Jarasandha, and how Krishna kills Shishupala. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.