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This exciting account of the 1921 heavyweight boxing title fight between champion Jack Dempsey and Frenchman Georges Carpentier relates how it originated and how it became a template for modern sports promotion. Immortalized as the battle of the century by Ring Lardner, the Dempsey-Carpentier heavyweight title bout marked America's first experience with the intersection of show business, high society, politics, and the underworld at a single sporting event. The Battle of the Century: Dempsey, Carpentier, and the Birth of Modern Promotion offers the definitive history of this landmark event's genesis and impact. To explain why the fight had such a far-reaching influence on mass entertainment and modern culture, newspaperman Jim Waltzer invites readers to travel the path to the 1921 heavyweight championship. Along the way, they will meet a cast of outsize characters, including the savage defending champion (and alleged World War I slacker) Jack Dempsey, French pretty-boy war hero Georges Carpentier, promoter Tex Rickard, Dempsey's slippery manager Doc Kearns, and Jersey City boss Frank Hague. As the tale unfolds, so does an understanding of the forces that shaped the Roaring Twenties and established promotional hype as the MO of business.
A biography of Jack Dempsey, Heavyweight Champion of the World from 1919-1926.
Richard O. Davies won Foreword Reviews' INDIEFAB Book of the Year Bronze Medal in Sports for The Main Event: Boxing in Nevada from the Mining Camps to the Las Vegas Strip. Davies' book was chosen as one of the best indie books of 2014. As the twentieth century dawned, bare-knuckle prizefighting was transforming into the popular sport of boxing, yet simultaneously it was banned as immoral in many locales. Nevada was the first state to legalize it, in 1897, solely to stage the Corbett-Fitzsimmons world heavyweight championship in Carson City. Davies shows that the history of boxing in Nevada is integral to the growth of the sport in America. Promoters such as Tex Rickard brought in fighters like Jack Dempsey to the mining towns of Goldfield and Tonopah and presented the Johnson-Jeffries “Fight of the Century” in Reno in 1910. Prizefights sold tickets, hotel rooms, drinks, meals, and bets on the outcomes. It was boxing\--before gambling, prostitution, and easy divorce\--that first got Nevada called “America’s Disgrace” and the “Sin State.” The Main Event explores how boxing’s growth in Nevada relates to the state’s role as a social and cultural outlier. Starting in the Rat Pack era, organized gambling’s moguls built arenas outside the Vegas casinos to stage championships\--more than two hundred from 1960 to the present. Tourists and players came to see and bet on historic bouts featuring Sonny Liston, Muhammad Ali, George Foreman, Sugar Ray Leonard, Mike Tyson, and other legends of the ring. From the celebrated referee Mills Lane to the challenge posed by mixed martial arts in contemporary Las Vegas, the story of boxing in Nevada is a prism for viewing the sport. Davies utilizes primary and secondary sources to analyze how boxing in the Silver State intersects with its tourist economy and libertarian values, paying special attention to issues of race, class, and gender. Written in an engaging style that shifts easily between narrative and analysis, The Main Event will be essential reading for sports fans and historians everywhere.
Welcome to the world of that archetypal American, Reuben Lucius Goldberg, the dean of American cartoonists for most of the twentieth century. For more than sixty-five years, Rube Goldberg's syndicated cartoons -- he produced more than fifty strips -- appeared in as many as a thousand newspapers annually He was earning a hundred thousand dollars a year...in 1915. He wrote hit songs and stories and was, in succession, a star in vaudeville, motion pictures, newsreels, radio, and, finally, television. He even, at the age of eighty, began an entirely new career as a sculptor, and, in inimitable Goldberg fashion, was soon selling his work to galleries, collectors, and museums all over the world. Sure, Rube won the Pulitzer Prize. Every yearsomecartoonist wins the Pulitzer Prize. But the National Cartoonists Societynamedits award -- the Reuben -- after you-know-who. But it was Rube's "Inventions," those drawings of intricate and whimsical machines, that earned Rube his very own entry inWebster's New World Dictionary: Rube Goldberg...adjective...Designating any very complicated invention, machine, scheme, etc. laboriously contrived to perform a seemingly simple operation. "Inventions," even the earliest ones that date from 1914, are still being republished and recycled today as they have been over the last eighty-five years. New generations rediscover and enjoy them every day, even though their creator cleaned his pens, put the cap on his bottle of Higgins Black India Ink, and cleared his drawing board for the last time almost thirty years ago. The inventions inspired the National Rube Goldberg™ Machine Contest, held annually at Purdue University, an "Olympics of complexity" in which hundreds of engineering students from American universities and colleges -- and even middle and high schools -- compete to build and run Rube Goldberg invention machines that perform, in twenty or more steps, the annual challenge. In 1970 the Smithsonian Institution hosted a show honoring Rube Goldberg's lifework. In a life filled with superlatives, it hardly needs mentioning that Rube is the only living cartoonist and humorist to have been so honored. In his speech at the show's opening, Rube said, "Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I am a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like spiral staircase, veal cutlets, barber's itch -- terms that give you an immediate picture of what they mean..." So welcome to a collection of spiral staircases and veal cutlets -- to the inventions of an American original, a creative genius named Rube Goldberg.
The essays presented here examine the complexity of black American sports culture, from the organization of semi-pro baseball and athletic programs at historically black colleges and universities, to the careers of individual stars such as Jack Johnson and Joe Louis, to the challenges faced by black women in sports.
Whether opening saloons, raising cattle, or promoting sporting events, George Lewis "Tex" Rickard (1870-1929) possessed a drive to be the best. After an early career as a cowboy and Texas sheriff, Rickard pioneered the largest ranch in South America, built a series of profitable saloons in the Klondike and Nevada gold rushes, and turned boxing into a million-dollar sport. As "the Father of Madison Square Garden," he promoted over 200 fights, including some of the most notable of the 20th century: the "Longest Fight," the "Great White Hope," fight, and the famous "Long Count" fight. Along the way, he rubbed shoulders with some of history's most renowned figures, including Teddy Roosevelt, Wyatt Earp, Bat Masterson, John Ringling, Jack Dempsey, and Gene Tunney. This detailed biography chronicles Rickard's colorful life and his critical role in the evolution of boxing from a minor sport to a modern spectacle.
Many people came to Goldfield, Nevada, America's last gold-rush town, to seek their fortune. However, on a searing summer day in September 1906, they came not to strike it rich but to watch what would become the longest boxing match of the twentieth century—between Joe Gans, the first African American boxing champion, and "Battling" Nelson, a vicious and dirty brawler. It was a match billed as the battle of the races. In The Longest Fight, the longtime Washington Post sports correspondent William Gildea tells the story of this epic match, which would stretch to forty-two rounds and last two hours and forty-eight minutes. A new rail line brought spectators from around the country, dozens of reporters came to file blow-by-blow accounts, and an entrepreneurial crew's film of the fight, shown in theaters shortly afterward, endures to this day. The Longest Fight also recounts something much greater—the longer battle that Gans fought against prejudice as the premier black athlete of his time. It is a portrait of life in black America at the turn of the twentieth century, of what it was like to be the first black athlete to successfully cross the nation's gaping racial divide. Gans was smart, witty, trim, and handsome—with one-punch knockout power and groundbreaking defensive skills—and his courage despite discrimination prefigured the strife faced by many of America's finest athletes, including Jesse Owens, Jackie Robinson, and Muhammad Ali. Inside the ring and out, Gans took the first steps for the African American athletes who would follow, and yet his role in history was largely forgotten until now. The Longest Fight is a reminder of the damage caused by the bigotry that long outlived Gans, and the strength, courage, and will of those who fought to rise above.
Joe Gans captured the world lightweight title in 1902, becoming the first black American world title holder in any sport. Gans was a master strategist and tactician, and one of the earliest practitioners of "scientific" boxing. As a black champion reigning during the Jim Crow era, he endured physical assaults, a stolen title, bankruptcy, and numerous attempts to destroy his reputation. Four short years after successfully defending his title in the 42-round "Greatest Fight of the Century," Joe Gans was dead of tuberculosis. This biography features original round-by-round ringside telegraph reports of his most famous and controversial fights, a complete fight history, photographs, and early newspaper drawings and cartoons.
From acclaimed journalist Walter Shapiro, the true life story of how his great-uncle—a Jewish vaudeville impresario and exuberant con man—managed to cheat Hitler’s agents in the run-up to WWII. All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein’s life did he realize that his family was actually holding back—the man had enough stories, vocations, and IOUs to fill a dozen lifetimes. Freeman was many people: a vaudeville manager, boxing promoter, stock swindler, card shark and self-proclaimed “Jade King of China.” But his greatest title, perhaps the only man who can claim such infamy, was as The Man Who Hustled Hitler. A cross between The Night They Raided Minsky’s and Guys and Dolls, Freeman Bernstein’s life was itself an old New York sideshow extravaganza, one that Shapiro expertly stages in Hustling Hitler. From a ragtag childhood in Troy, New York, Shapiro follows his great-uncle’s ever-crooked trajectory through show business, from his early schemes on the burlesque circuit to marrying his star performer, May Ward, and producing silent films—released only in Philadelphia. Of course, all of Freeman’s cons and schemes were simply a prelude to February 18, 1937, the day he was arrested by the LAPD outside of Mae West’s apartment in Hollywood. The charge? Grand larceny—for cheating Adolf Hitler and the Nazi government. In the capstone of his slippery career, Freeman had promised to ship thirty-five tons of embargoed Canadian nickel to the Führer; when the cargo arrived, the Germans found only huge, useless quantities of scrap metal and tin. It was a blow to their economy and war preparations—and Hitler did not take the bait-and-switch lightly. Told with cinematic verve and hilarious perspective, Hustling Hitler is Shapiro’s incredible investigation into the man behind the myth. By reconstructing his great-uncle’s remarkable career, Shapiro has transformed Freeman Bernstein from a barely there footnote in history to the larger-than-life, eternal hustler who forever changed it.