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You would have to wonder why a Rhodes Scholar, a VC winner and a Commissioner of Police named his son Frank E. R. Stein by way of a ha-ha ‘monstrous joke’… or why he cackled derision every time his eyes lit upon the boy; or why he showered more affection on his adopted son, Costas, the otherwise offspring of a Mr Bigs of organized crime. And as the well is so poisoned such is the quest Frank Stein must make to seek revenge for the gangland killing of his crusading crime-fighting half-brother. At least it is a way to presuppose the kingpins presumably coming for him too; after all, even as a joke, it’s not how you bow out, but how you get stuck in. Rape, assassination, shocking intrusions of a vicious crime world… it’s all there for a tragic and hilarious story to unfold before Frank Stein, assisted(?) by his own side comprising of a woman in search of an international bestseller and an indigenous brother who survives writing sports reports without going to any games when all he needs is a deaf, dumb and blind rich white sort to tide him over. And, yes, haunting over all is a shadowy guardian Chinese toughie, as well as his ubiquitous father from his wheelchair. One has to ask: what have the famous father’s shocking WW1 experiences to do with the resulting mayhem? What has be done to his sons? What did the Nip bullet the old boy finally coughed up after forty years look like, even as a metaphor? Underlying the rich gallery of these and other grotesques, there are the wit and the pace and the bawdry of Crooks. In the real-life crime parlance of ‘a pushover to put down’, this book won’t disappoint crime buffs. -------------------- about the author Originally a well-known playwright, Bill Reed began writing longform fiction in his late thirties. To date he has written thirteen novels, including the so-called noteworthy ‘1001 Lankan Nights, books 1 and 2’. He has had eight plays professionally staged. He has worked as an editor and journalist in Australia and overseas before finally putting his feet up in Sri Lanka.
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
Hollywood in the 1960s walked a tightrope between boom and bust. Yet the decade spawned many of the greatest films ever made, saw the advent of the spy thriller, the revival of science fiction and horror, and represented the Golden Era of the 70mm roadshow. Blockbusters like Lawrence of Arabia and The Sound of Music shared marquees with low-budget hits such as Lilies of the Field and Easy Rider. New stars emerged--Steve McQueen, Sidney Poitier, Barbra Streisand, Sean Connery, Faye Dunaway, Clint Eastwood and Dustin Hoffman. Veteran directors like Billy Wilder and William Wyler were joined by the post-war generation of Robert Aldrich and Stanley Kramer, and the new wave of Stanley Kubrick and John Schlesinger. This book explores a period when filmmakers embraced revolutionary attitudes to sexuality, violence and racism, and produced a bewildering list of critically acclaimed classics that remain audience favorites.
The author charts the interaction between self and world through four major phases whereby the self initially has marginal status (the picaresque), begins to flourish and court recognition (Defoe, Marivaux, and Fielding), glows defiant and tries to impose its will on society and the other (Prevost, Richardson, Goethe, and Laclos), and finally makes a prophetic inward turn (Diderot, Sterne, and Rousseau). He shows how these phases also reflect the development of literature as it moves from mimetic to generative fiction, from the power of gesture to that of word. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
REA's MAXnotes for Daniel Defoe's Moll Flanders MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
Kansas-born journalist David Kane never expected he would land a lucrative position at New York's Crawley News. Still, he does, and the position is all he could have hoped for until illegal phone hacking allegations by Crawley land on the backs of several New York staffers. The Big Apple isn't so glitzy anymore, even for David. A position opens in Crawley's Nigerian office when a journalist was murdered while investigating the fraudulent testing and distribution of a meningitis vaccine. Despite some of the obvious dangers associated with a foreign country, David gladly accepts his relocation to Africa. After all, Nigeria is a cultural mecca, leading the country in wealth and oil exportation. He receives his first assignment immediately: investigating a bloody coup in Central Africa. The small town boy is soon thrust into a front-line political and religious conflict. He's captured, caught in the deadly Ebola outbreak, and even has a steamy affair with his married translator-an irresistible Nigerian woman recruited by the CIA. David receives the help of a seasoned Scottish journalist, and the newbie Crawley recruit will certainly have a lot to write about-if he has better luck than his dead predecessor.
In the four provinces of Ireland there are thirty-two counties. Each county and its people have their own traditions, beliefs and folklore – and each one is also inhabited by the Sidhe: an ancient and magical race. Some believe they are descended from fallen angels, whilst others say they are the progeny of Celtic deities. They go by many names: the good folk, the wee folk, the gentle people and the fey, but are most commonly known as ‘the fairies’. These are not the whimsical fairies of Victorian and Edwardian picture books. They are feared and revered in equal measure, and even in the twenty-first century are spoken of in hushed tones. The fairies are always listening. Storyteller Steve Lally and his wife singer-songwriter Paula Flynn Lally have compiled this magnificent collection of magical fairy stories from every county in Ireland. Filled with unique illustrations that bring these tales to life, Irish Gothic Fairy Stories will both enthral and terrify readers for generations to come.
In this life, nothing comes easy. ​James "Mac" Maccari is proof of that. Having fought his way through the ranks of the Pivetti Crime Family, Mac is willing to do whatever it takes to maintain that position. His wife and son are his everything. But sometimes when a man thinks he has it all, life throws a curveball. When it comes to Cosa Nostra, some curveballs are deadly. Melina Morgan Maccari never imagined having the life she does now. A powerful husband. A child she loves more than her own life. Newly secure in her position as a made man’s wife, Melina is finally starting to believe a happily ever after might exist. That is, until she's reminded that there is danger where you least expect it. Some bosses are made, not born. When the powerful Pivetti crime boss is targeted by law enforcement, his seat is up for grabs, and there is more than one man who thinks he is right for the job. But one man in power could spell disaster for Mac and Melina. Mac is left with no choice but to make one last attempt to secure the future for both his families or watch everything he loves go up in flames. Come Hell or high water, when Melina vowed to be Mac's moll, it was for life. With an organization in chaos, and threats facing her family, she is ready to do anything necessary to stamp out the danger once and for all. Sometimes, bloodshed requires a woman's touch.
"Those at the periphery of society often figure obsessively for those at its center, and never more so than with the rogues of early modern England. Whether as social fact or literary fiction-or both, simultaneously-the marginal rogue became ideologically central and has remained so for historians, cultural critics, and literary critics alike. In this collection, early modern rogues represent the range, diversity, and tensions within early modern scholarship, making this quite simply the best overview of their significance then and now." -Jonathan Dollimore, York University "Rogues and Early Modern English Culture is an up-to-date and suggestive collection on a subject that all scholars of the early modern period have encountered but few have studied in the range and depth represented here." -Lawrence Manley, Yale University "A model of cross-disciplinary exchange, Rogues and Early Modern English Culture foregrounds the figure of the rogue in a nexus of early modern cultural inscriptions that reveals the provocation a seemingly marginal figure offers to authorities and various forms of authoritative understanding, then and now. The new and recent work gathered here is an exciting contribution to early modern studies, for both scholars and students." -Alexandra W. Halasz, Dartmouth College Rogues and Early Modern English Culture is a definitive collection of critical essays on the literary and cultural impact of the early modern rogue. Under various names-rogues, vagrants, molls, doxies, vagabonds, cony-catchers, masterless men, caterpillars of the commonwealth-this group of marginal figures, poor men and women with no clear social place or identity, exploded onto the scene in sixteenth-century English history and culture. Early modern representations of the rogue or moll in pamphlets, plays, poems, ballads, historical records, and the infamous Tudor Poor Laws treated these characters as harbingers of emerging social, economic, and cultural changes. Images of the early modern rogue reflected historical developments but also created cultural icons for mobility, change, and social adaptation. The underclass rogue in many ways inverts the familiar image of the self-fashioned gentleman, traditionally seen as the literary focus and exemplar of the age, but the two characters have more in common than courtiers or humanists would have admitted. Both relied on linguistic prowess and social dexterity to manage their careers, whether exploiting the politics of privilege at court or surviving by their wits on urban streets. Deftly edited by Craig Dionne and Steve Mentz, this anthology features essays from prominent and emerging critics in the field of Renaissance studies and promises to attract considerable attention from a broad range of readers and scholars in literary studies and social history.