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Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.
Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.
New York Times Bestseller: This true Depression-era story of a down-and-out fighter’s dramatic comeback is “a delight” (David Halberstam). James J. Braddock was a once promising light heavyweight. But a string of losses in the ring and a broken right hand happened to coincide with the Great Crash of 1929—and Braddock was forced to labor on the docks of Hoboken. Only his manager, Joe Gould, still believed in him. Gould looked out for the burly, quiet Irishman, finding matches for Braddock to help him feed his wife and children. Together, they were about to stage the greatest comeback in fighting history. Within twelve months, Braddock went from being on the relief rolls to facing heavyweight champion Max Baer, renowned for having allegedly killed two men in the ring. A brash Jewish boxer from the West Coast, Baer was heavily favored—but Braddock carried the hopes and dreams of the working class on his shoulders, and when he emerged victorious against all odds, the shock was palpable—and the cheers were deafening. In the wake of his surprise win, Damon Runyon dubbed him “Cinderella Man.” Against the gritty backdrop of the 1930s, Cinderella Man brings this dramatic all-American story to life, telling a classic David and Goliath tale that transcends the sport. “A punchy read with touches of humor.” —The New York Times “A wonderful, thrilling boxing story, and simultaneously a meticulous look at Depression life.” —Jimmy Breslin
In the 1920s and 30s, anti-Semitism was rife in the United States and Europe. Jews needed symbols of strength and demonstrations of courage against their enemies, and they found both in two champions of boxing: Max Baer and Barney Ross. Baer was the only Jewish heavyweight champion in the twentieth century, while Ross was considered one of the greatest welterweight and lightweight champions of the era. Although their careers never crossed paths, their boxing triumphs played a common role in lifting the spirits of persecuted Jews. In Max Baer and Barney Ross: Jewish Heroes of Boxing, Jeffrey Sussman chronicles the lives of two men whose successful bouts inside the ring served as inspiration for Jewish fans across the country and around the world. Though they came from very different backgrounds—Baer grew up on his family’s ranch in California, while Ross roamed the tough streets of Chicago and was a runner for Al Capone—both would bask in the limelight as boxing champions. Their stories include legendary encounters with such opponents as Jimmy McLarnin (known as the Jew Killer), Max Schmeling (Hitler’s favorite athlete), and Primo Carnera (a sad giant controlled and mistreated by gangsters). While recounting the exploits of these two men, the author also paints an evocative picture of boxing and the crucial role it played in an era of anti-Semitism. A vivid and engaging look at these two heroes and the difficult era in which they lived, Max Baer and Barney Ross will appeal to boxing fans, sports historians, and anyone interested in Jewish history.
In 1934, Jim Braddock was down and out. His boxing career blighted by broken hands, the New Yorker of English parentage had lost most of his previous twenty-one bouts and been forced to quit. Then came a visit from his old manager, asking if he wanted one more fight. Desperate for money, Braddock had no choice. Four wins later, he was the heavyweight champion of the world. His story captivated the nation in the way the racehorse Seabiscuit's would a few years later. Braddock's rags-to-riches success led Damon Runyon to call him 'the Cinderella Man'.
Based on true events NORVEL: An American Hero is a meticulously researched story of an unsung hero. Norvel Lee spent his childhood in a rustic, segregated Black community nestled in the Blue Ridge Mountains of Virginia. His father was a day laborer for the railroad while his mother expected her children to get an education and become involved in community affairs. In spite of obstacles such as Virginia's Jim Crow laws, limited schooling opportunities, and a speech impediment, Norvel's life journey led to exceptional accomplishments in the larger world.After graduating from high school, he was selected for flight training at Tuskegee Army Airfield. He served in a segregated unit in the South Pacific during World War II. Afterward, he enrolled at Howard University to pursue engineering and took up intramural boxing. As a pugilist he excelled, becoming the national AAU heavyweight champion. In 1952 he once again was on the U.S. Olympic team, making history at the Helsinki Games.Norvel married Leslie Jackson of Leesburg, Virginia, graduated from Howard University, and started a family. Later he received several advanced degrees and devoted himself to a career in education. He and Leslie became prominent mentors and sponsors of young people in the greater Washington, D.C., area. He also served as a senior officer in the U.S. Air Force Reserves.
Schmeling's heavyweight championship bouts with Joe Louis in the late 1930s were great fights, but they were also political events--Louis, an American black, versus the German Schmeling, a representative of Hitler's master race. At 92, Schmeling may be the last living person to have conversed with Franklin Roosevelt, Hitler, Pope Pious XII, and Marlene Dietrich. It's all here, in this detailed account of the boxer's life through the end of World War II. Perhaps the most interesting part of the story is the way time has altered the boxer's point of view. When he lost the second Louis fight, he thought it was the most devastating event of his life. But now he realizes that, had he won that fight, he would have become the paramount symbol of Hitler's Third Reich. Though he was a patriot, Schmeling could not reconcile himself to Hitler's racial and religious persecution. This is a fascinating, humble autobiography, of interest as much for the times in which the subject lived--and the people he knew-as for the subject himself.
A New York Times bestseller! A visit to Washington, DC’s National Portrait Gallery forever alters Parker Curry’s young life when she views First Lady Michelle Obama’s portrait. When Parker Curry came face-to-face with Amy Sherald’s transcendent portrait of First Lady Michelle Obama at the National Portrait Gallery, she didn’t just see the First Lady of the United States. She saw a queen—one with dynamic self-assurance, regality, beauty, and truth who captured this young girl’s imagination. When a nearby museum-goer snapped a photo of a mesmerized Parker, it became an internet sensation. Inspired by this visit, Parker, and her mother, Jessica Curry, tell the story of a young girl and her family, whose trip to a museum becomes an extraordinary moment, in a moving picture book. Parker Looks Up follows Parker, along with her baby sister and her mother, and her best friend Gia and Gia’s mother, as they walk the halls of a museum, seeing paintings of everyone and everything from George Washington Carver to Frida Kahlo, exotic flowers to graceful ballerinas. Then, Parker walks by Sherald’s portrait of Michelle Obama…and almost passes it. But she stops...and looks up! Parker saw the possibility and promise, the hopes and dreams of herself in this powerful painting of Michelle Obama. An everyday moment became an extraordinary one…that continues to resonate its power, inspiration, and indelible impact. Because, as Jessica Curry said, “anything is possible regardless of race, class, or gender.” **FOREWORD BY ARTIST AMY SHERALD**
Are today's boxers better than their predecessors, or is modern boxing a shadow of its former self? Boxing historians discuss the socioeconomic and demographic changes that have affected the quality, prominence and popularity of the sport over the past century. Among the interviewees are world-renowned scholars, some of the sport's premier trainers, and former amateur and professional world champions. Chapters cover such topics as the ongoing deterioration of boxers' skills, their endurance, the decline in the number of fights and the psychological readiness of championship-caliber boxers. The strengths and weaknesses of today's superstars are analyzed and compared to those of such past greats as Joe Louis, Sugar Ray Robinson, Jack Dempsey and Jake LaMotta.
Updated by Nigel Collins, author of "Boxing Babylon", this classic "bible of boxing" has been continuously in print since 1959. Here in one stunning volume is the vast panorama of the "sweet science", from bare-knuckle fighting through the rise of Lennox Lewis. Photos throughout.