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Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.
New York Times Bestseller: This true Depression-era story of a down-and-out fighter’s dramatic comeback is “a delight” (David Halberstam). James J. Braddock was a once promising light heavyweight. But a string of losses in the ring and a broken right hand happened to coincide with the Great Crash of 1929—and Braddock was forced to labor on the docks of Hoboken. Only his manager, Joe Gould, still believed in him. Gould looked out for the burly, quiet Irishman, finding matches for Braddock to help him feed his wife and children. Together, they were about to stage the greatest comeback in fighting history. Within twelve months, Braddock went from being on the relief rolls to facing heavyweight champion Max Baer, renowned for having allegedly killed two men in the ring. A brash Jewish boxer from the West Coast, Baer was heavily favored—but Braddock carried the hopes and dreams of the working class on his shoulders, and when he emerged victorious against all odds, the shock was palpable—and the cheers were deafening. In the wake of his surprise win, Damon Runyon dubbed him “Cinderella Man.” Against the gritty backdrop of the 1930s, Cinderella Man brings this dramatic all-American story to life, telling a classic David and Goliath tale that transcends the sport. “A punchy read with touches of humor.” —The New York Times “A wonderful, thrilling boxing story, and simultaneously a meticulous look at Depression life.” —Jimmy Breslin
In 1934, Jim Braddock was down and out. His boxing career blighted by broken hands, the New Yorker of English parentage had lost most of his previous twenty-one bouts and been forced to quit. Then came a visit from his old manager, asking if he wanted one more fight. Desperate for money, Braddock had no choice. Four wins later, he was the heavyweight champion of the world. His story captivated the nation in the way the racehorse Seabiscuit's would a few years later. Braddock's rags-to-riches success led Damon Runyon to call him 'the Cinderella Man'.
Description: Famous boxer Max Baer with his arms around Dorothy in her white nurse uniform. Personal caption on reverse: "Heavyweight champion of the world (boxing) 1934-1935 / Max Baer, Dot / August 1944." Presumably San Antonio, Texas.
This book follows the lives and careers of two Jewish boxers, Max Baer and Barney Ross. Fighting in the 1920s and 1930s when anti-Semitism was rampant, American Jews found symbols of strength and courage in these two world champions. This book provides a vivid picture of Baer and Ross as they fought opponents in the ring and prejudice outside it.
Schmeling's heavyweight championship bouts with Joe Louis in the late 1930s were great fights, but they were also political events--Louis, an American black, versus the German Schmeling, a representative of Hitler's master race. At 92, Schmeling may be the last living person to have conversed with Franklin Roosevelt, Hitler, Pope Pious XII, and Marlene Dietrich. It's all here, in this detailed account of the boxer's life through the end of World War II. Perhaps the most interesting part of the story is the way time has altered the boxer's point of view. When he lost the second Louis fight, he thought it was the most devastating event of his life. But now he realizes that, had he won that fight, he would have become the paramount symbol of Hitler's Third Reich. Though he was a patriot, Schmeling could not reconcile himself to Hitler's racial and religious persecution. This is a fascinating, humble autobiography, of interest as much for the times in which the subject lived--and the people he knew-as for the subject himself.
Are today's boxers better than their predecessors, or is modern boxing a shadow of its former self? Boxing historians discuss the socioeconomic and demographic changes that have affected the quality, prominence and popularity of the sport over the past century. Among the interviewees are world-renowned scholars, some of the sport's premier trainers, and former amateur and professional world champions. Chapters cover such topics as the ongoing deterioration of boxers' skills, their endurance, the decline in the number of fights and the psychological readiness of championship-caliber boxers. The strengths and weaknesses of today's superstars are analyzed and compared to those of such past greats as Joe Louis, Sugar Ray Robinson, Jack Dempsey and Jake LaMotta.
Updated by Nigel Collins, author of "Boxing Babylon", this classic "bible of boxing" has been continuously in print since 1959. Here in one stunning volume is the vast panorama of the "sweet science", from bare-knuckle fighting through the rise of Lennox Lewis. Photos throughout.
On the motion picture screen, Hollywood star Warren William (1894-1948) was a magnificent rogue, often deliciously immoral and utterly callous, yet remarkably likable in his wickedness. Off-screen, the actor was as humble and retiring as his film characters were mean and heartless. This biography examines William's life and career in detail, from his rural Minnesota roots through his service in World War I, his Broadway stage success, and his meteoric rise and gradual fall from Hollywood fame in the 1930s and 1940s. Also analyzed are his film persona and the curious mechanisms by which our culture "selects" certain film personalities to remember and others to forget. Featured is a wealth of biographical material never before available, including rare candid photos of William's early years. Interviews with his surviving nieces provide intimate family details and personal remembrances.