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Scenes from a Courtesan's Life is a novel by Honoré de Balzac. Balzac was a French novelist and playwright. Excerpt: "In spite of this shapeless wrapper they could watch the most appealing of dramas, that of a woman inspired by a genuine passion. Were she La Torpille, the Duchesse de Maufrigneuse, or Madame de Serizy, on the lowest or highest rung of the social ladder, this woman was an exquisite creature, a flash from happy dreams. These old young men, like these young old men, felt so keen an emotion, that they envied Lucien the splendid privilege of working such a metamorphosis of a woman into a goddess. The mask was there as though she had been alone with Lucien; for that woman the thousand other persons did not exist, nor the evil and dust-laden atmosphere; no, she moved under the celestial vault of love, as Raphael's Madonnas under their slender oval glory. She did not feel herself elbowed; the fire of her glance shot from the holes in her mask and sank into Lucien's eyes; the thrill of her frame seemed to answer to every movement of her companion. Whence comes this flame that radiates from a woman in love and distinguishes her above all others? Whence that sylph-like lightness which seems to negative the laws of gravitation? Is the soul become ambient? Has happiness a physical effluence?"
When Boston museum curator Piper Chase-Pierpont unearths the steamy memoirs of Regency London's most celebrated courtesan, the Blackbird, she's aroused and challenged by what she finds. Could the courtesan's diaries be used as a modern girl's guide to finding love and empowerment?
Hardened criminal Jacques Collin has been hiding under the guise of a false identity in order to escape the long arm of the law. In the novel Scenes from a Courtesan's Life, however, Collin's deceptions seem finally to have caught up with him. Will he be able to pull off the labyrinthine scheme cooked up to secure his freedom?
Set amid the elegant châteaux of Belle époque France and the closely guarded world of nineteenth-century Persian women, Courtesan unfolds with the breathtaking cinematic sweep and stunning visual grandeur of an epic film. At its heart are three unforgettable women: Madame Gabrielle, the courtesan whose fateful liaison with the shah of Persia reverberates in the lives of her daughter, Françoise, and her rebellious and brave granddaughter, Simone, whose journey plunges her into the cutthroat diamond trade, where the secrets of an ancient culture may hold the truth she desperately seeks.
BRIDGERTON meets MOULIN ROUGE in this sexy, heartwarming and unputdownable opposites-attract Regency! 'A gorgeous, captivating Regency romance' SOPHIE IRWIN 'A smart story, compelling writing and a big smile on any reader's face when they finish' JODI ELLEN MALPAS A mistress cannot marry for love... As one of the famous Preece sisters, Kitty is the most sought-after courtesan in London. But with the vicious Duke of Gillingham scaring away any man who looks her way, securing a new arrangement with a wealthy gentleman will be no easy feat. Kitty's only hope to find someone suitable is through her loyal and cherished friend, the Reverend Sidney Wakefield. Sidney has devoted his life to the church, but it was never by choice. He is a writer and Kitty his muse. As he is roped into Kitty's plotting, he begins to realise that protecting her from the malevolent Duke comes at a price - and it might mean losing Kitty to someone else entirely. As Kitty and Sidney try to find a way out, it becomes clear that years of friendship have developed into something deeper. Except that they are from different worlds and Kitty's heart has never been hers to give away... YOUR FAVOURITE AUTHORS LOVE A COURTESAN'S WORTH 'Irresistibly sexy ... I adored every scintillating page' Jessica Bull 'A dark and seductively dangerous Regency world - think Bridgerton meets Moulin Rouge - where everything, especially love, has a high price' Emma Orchard
Cook takes a new look at this notorious woman of 1840s Santa Fe.
This book traces changing gender relations in China from the tenth to fourteenth centuries by examining three critical categories of women: courtesans, concubines, and faithful wives. It shows how the intersection and mutual influence of these groups—and of male discourses about them—transformed ideas about family relations and the proper roles of men and women. Courtesan culture had a profound effect on Song social and family life, as entertainment skills became a defining feature of a new model of concubinage, and as entertainer-concubines increasingly became mothers of literati sons. Neo-Confucianism, the new moral learning of the Song, was significantly shaped by this entertainment culture and by the new markets—in women—that it created. Responding to a broad social consensus, Neo-Confucians called for enhanced recognition of concubine mothers in ritual and expressed increasing concern about wifely jealousy. The book also details the surprising origins of the Late Imperial cult of fidelity, showing that from inception, the drive to celebrate female loyalty was rooted in a complex amalgam of political, social, and moral agendas. By taking women—and men’s relationships with women—seriously, this book makes a case for the centrality of gender relations in the social, political, and intellectual life of the Song and Yuan dynasties.