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The story of the Panorama Mesdag, a cylindrical painting more than 14 meters high and 120 meters in circumference. It was painted by Hendrik Willem Mesdag in 1881 and depicts the seaside town of Scheveningen, Netherlands.
A discussion of some of history's famous practitioners of magic.
Most profusely illustrated history of stage magic -- from ancient Egypt to Houdini. Rare photographs, woodcuts, broadsides, advertisements, illustrations of costumes, stage settings, apparatus, etc. 295 illustrations.
This book is the first volume in a two-volume set on the history of cinema in Ireland from the 18th century to the present day (the second companion volume is titled Film Exhibition and Distribution in Ireland, 1909-2010). What the book demonstrates is that prior to cinema there were already huge numbers of people in Ireland, from all classes, who regularly enjoyed proto-cinematic experiences through such entertainments as the magic lantern, or slide projector; the immersive large-scale paintings known as panoramas; and tableaux vivants, or theatrical-posed static representations of paintings, statues, and events. Without these entertainments - many developed by Irish inventors and pioneers - not only would cinema's moving-pictures have been unimaginable, but so, too, would the cinema space itself and the distribution of film. Ultimately, the book is offered as a contribution towards a deeper understanding of popular visual culture (and its intersection with science) in Ireland from the 18th-century onwards. *** "Kevin Rockett and Emer Rockett's book is a richly researched, engaging...picture of visual and optical entertainments in Ireland, ranging from the first phantasmagoria shows in the 1790s to the establishment of the first purpose-built cinemas....The authors build on recent work influenced by the idea that the site of an exhibition helped determine not only how it took place, but the meanings it produced and the experience of its audience." - Victorian Studies, Vol. 56, No. 1, Autumn 2014Ã?Â?Ã?Â?
The Magic Skin Honore de Balzac - Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Etudes philosophiques group of Balzac's sequence of novels.
This book uses a structured approach to teach the art of creating interesting, well-composed images. It provides solutions to problems that often get in the way of producing great photographs and emphasizes the importance of training the eye to exclude the extraneous. Examples of strong images are juxtaposed against flawed images, illustrating how to create a successful composition. Topics covered include light and shadow, lens choice, framing, negative space, and many more. In this book, author Jack Dykinga encourages us to look at photography as a way to communicate. Dykinga says, "Photography is a marvelous language that crosses linguistic borders as a universal, powerful, and direct communication. As photographers, we see something we find interesting and simply want to share it." Readers will learn new ways to create interesting and powerful compositions that communicate their intended messages. Filled with beautiful color images throughout, the book is sure to inspire, teach, and motivate photographers of all levels.
The hidden masterpiece: the story of a painter who, depending on one's perspective, is either an abject failure or a transcendental genius--or both.