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Imagination. Creativity. Art. All of these were alien concepts to science-minded thirteen-year-old Steve. So his parents sent Steve away from his boring suburban home of Beacon Pines to spend a fun-filled summer in the mid-Michigan town of River City with his Uncle Shameless. It would be a summer neither of them would ever forget.#xD;#xD;On what should have been a normal canoe trip down the Grand River, Steve and Uncle Shameless are instead whisked away to the magical -and wacky- fantasy world of Eyri. There, Steve discovers he is part of a prophecy to defeat the wicked Hawk-King and is destined to bring peace back to the zany world filled with humans, animal-people, and other fantastic creatures.#xD;#xD;Can a skinny kid from the suburbs make it in the rough and tumble fantasy world? Will Steve learn the importance of imagination? Why IS his uncle called Shameless?#xD;#xD;Find out in this madcap fantasy satire that blends thrilling action, comedy, and more oddball characters than your last family reunion.
In a time when the world was ravaged by chaos, one kingdom remains; ordered, isolated, protected. Then Tabitha Serannon awakens an ancient power of the Lifesong and the world begins to change. The path she must follow leads into Darkness; into terror, treachery and desire.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island. Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of fire, stone, and ice. His search for riches will take him from Helmgard, through Khazaria, to the steppes of Mongolia, where he will barter for horses and return with much, much more. All the Horses of Iceland is a delve into the secret, imagined history of Iceland's unusual horses, brought to life by an expert storyteller. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
These sagas recount fierce feuds in which honour is fought for, sacrifice is demanded, and blood is shed. The fate of the characters at the centre of each saga, however, is very different. Gisli is a traditional Viking-age hero who is determined to exact revenge at any cost and whose death is tragic when it comes. In contrast his nephew, Snorri, represents a new generation and acts to strengthen the new social order. Taken together these sagas reveal the richness and variety of the saga tradition.
A grieving family flees Tehran after the Islamic Revolution in this novel of “magical realism with a Persian twist” translated from Farsi (The Guardian, UK). When their home in Tehran is burned to the ground by zealots, killing their thirteen-year-old daughter Bahar, a once-prominent family flees to a small village. There, they hope to preserve both their intellectual freedom and their lives. But they soon find themselves caught up in the post-revolutionary chaos that sweeps across their ancient land and its people. Bahar’s mother, after a tragic loss, will embark on a long, eventful journey in search of meaning in a world swept up in the post-revolutionary madness. The Enlightenment of the Greengage Tree speaks of the power of imagination when confronted with cruelty, and of our human need to make sense of trauma through the ritual of storytelling itself. Through her unforgettable characters, Iranian novelist Shokoofeh Azar weaves a timely and timeless story that juxtaposes the beauty of an ancient, vibrant culture with the brutality of an oppressive political regime. “[Azar’s] book is a great journey. It moves places and it moves us as readers, in an emotional and intellectual sense.” —Robert Wood, The Los Angeles Review of Books
This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.
The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Love Songs and Sonnets includes Ronsard's famous sonnets to Helene, Dorothy Parker's sardonic reflections on men and Anne Bradstreet's touching poem "To my Husband." Shakespeare is here, of course, and Burnas, whose comparison of his love to a red, red rose remains one of the most celebrated of all poetic similes. This edition also includes a variety of delights by everyone from Thomas Wyatt to Langston Hughes, from Aphra Behn to John Updike. With a Foreword by Peter Washington, and an index of first lines.
Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a universal, neutral medium, innocent of any social or historical meaning in itself." "His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed -- in the capitalist and imperialist west between 1892 and 1929." "The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation -- camera placement and movement, lighting, editing, mise-en-scene -- that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the allimportant change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illusion of reality, still achieved today by the same means as it was sixty years ago.
Drawing from hundreds of studies in half a dozen fields, The Brighter Side of Human Nature makes a powerful case that caring and generosity are just as natural as selfishness and aggression. This lively refutation of cynical assumptions about our species considers the nature of empathy and the causes of war, why we (incorrectly) explain all behavior in terms of self-interest, and how we can teach children to care.
Composed in medieval Iceland, Hrolf's Saga is one of the greatest of all mythic-legendary sagas, relating half-fantastical events that were said to have occurred in fifth-century Denmark. It tells of the exploits of King Hrolf and of his famous champions, including Bodvar Bjarki, the 'bear-warrior': a powerful figure whose might and bear-like nature are inspired by the same legendary heritage as Beowulf. Depicting a world of wizards, sorceresses and 'berserker' fighters - originally members of a cult of Odin - this is a compelling tale of ancient magic. A work of timeless power and beauty, it offers both a treasury of Icelandic prose and a masterful gathering of epic, cultic memory, traditional folk tale and myths from the Viking age and far earlier.