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Twenty-five stories, twenty-five paintings, five years to write, ten years to paint. This is an extraordinary collaboration between artist and artist: the Booker Prize-winning writer Ben Okri and the painter Rosemary Clunie. Together they have created a world, and peopled it with dreams. Twenty-five fairy tales for adults, these narratives are a response to our times, informed by our world but not limited by it, imaginative, enchanting, haunting – both prescient and prophetic. Twenty-five original paintings, beautiful, playful, intimate, dreamlike, these works pull you in to a land of colour and vision. Who can say which came first, the word or image, when both grew together out of a long friendship and a creative symbiosis. What if Calvino and Magritte had combined inspiration? What if we could see our world again with a child's eyes? What if there really is a magic lamp?
A lamp found in the attic of a London house inspires a sequence of images and writings. Meditations or stories, these pieces and pictures explore themes including modern times, lost worlds, revolutions, and love.
The story of Aladdin, a poor youth living in Al Kal'as who outsmarts an evil sorcerer, getting his hands on a magical lamp with a wish-fulfilling genie!
Winner of the Booker Prize for The Famished Road, Ben Okri is widely regarded as one of the most important contemporary writers writing today. Featuring a substantial new interview with Ben Okri himself, a full bibliography of his creative work and covering his complete works, this is the first in-depth study of Okri's themes and artistic vision. Rosemary Gray explores Okri's career-long engagement with myth, Nigerian politics and culture, and with the environmental crisis in the age of the Anthropocene.
The concept of ‘performativity’ has risen to prominence throughout the humanities. The rise of financial derivatives reflects the power of the performative sign in the economic sphere. As recent debates about gender identity show, the concept of performativity is also profoundly influential on people’s personal lives. Although the autonomous power of representation has been studied in disciplines ranging from economics to poetics, however, it has not yet been evaluated in ethical terms. This book supplies that deficiency, providing an ethical critique of performative representation as it is manifested in semiotics, linguistics, philosophy, poetics, theology and economics. It constructs a moral criticism of the performative sign in two ways: first, by identifying its rise to power as a single phenomenon manifested in various different areas; and second, by locating efficacious representation in its historical context, thus connecting it to idolatry, magic, usury and similar performative signs. The book concludes by suggesting that earlier ethical critiques of efficacious representation might be revived in our own postmodern era.
A beautiful and moving collection of photographs by Beowulf Sheehan, whose work captures the essence of 200 of our most prominent writers, historians, journalists, playwrights, and poets. Beowulf Sheehan is considered to be his generation's foremost literary portrait photographer, having made portraits of the literary luminaries of our time across the globe, from Roxane Gay to Masha Gessen, Patti Smith to Zadie Smith, Karl Ove Knausgaard to J.K. Rowling, and Jonathan Franzen to Toni Morrison. In Authors Sheehan presents the most insightful, intimate, and revealing portraits of these artists made in his studio, in their homes, in shopping malls and concert halls, on rooftops and in parking lots, on the beach and among trees, surrounded by flowers and in clock towers. Following an enlightening foreword by Salman Rushdie, Beowulf Sheehan shares an essay offering insights in the poignant and memorable moments he experienced while making these portraits. A treasure gift for readers and lovers of portrait photography, Authors is the only book of its kind to appear in more than a decade.
An NPR Best Book of 2020: “Okri’s tale is especially resonant in our current post-truth environment.” —Booklist (starred review) In a world uncomfortably like our own, a young woman called Amalantis is arrested for asking a question. Her question is this: Who is the Prisoner? When Amalantis disappears, her lover Karnak goes looking for her. He searches desperately at first, then with a growing realization that to find Amalantis, he must first understand the meaning of her question. Karnak’s search leads him into a terrifying world of deception, oppression, and fear at the heart of which lies the prison. Then Karnak discovers that he is not the only one looking for the truth. The Freedom Artist is an impassioned plea for justice and a penetrating examination of how freedom is threatened in a post-truth society. In Ben Okri's most significant novel since the Booker Prize–winning The Famished Road, he delivers a powerful and haunting call to arms. “With the stark power of myth, this political allegory evolves into an argument for artistic freedom.” —The New York Times Book Review “[With] prophetic warnings of apocalypse akin to Octavia Butler’s The Parable of the Sower, The Freedom Artist offers a contemplative look at post-truth society.” —Sierra Magazine “The concise, declarative prose and the parable-like architecture of the stories resemble ancient forms of wisdom literature.” —The Wall Street Journal “Combines fable, folklore, and mythology with moments of surreal horror to produce a rallying cry against the oppressive institutions that would seek to make knowledge illegal.” —Locus Magazine
The Secret of Aladdin's Lamp Or How To Be Happy and Realize Your Dreams provides you with a fundamental understanding of how to enter into a proper relationship with the divine Being. The book will also equip you with the life-long capacity to directly and personnaly relate to the divine Source and Giver for any needs that arise in your life. To support you in this process, you will find specific examples of prayers and meditations to realize your challenges and goals much more easily. You will also find in it instructions on how you can create your own prayers using the powerful templates provided. In fact, by applying the principles in this book in your daily life, you will be holding Aladdin's Lamp in your own hands. Be happy and realize all your dreams! (Paul Stackhouse, editor, Ottawa, Canada)
The “fresh, provocative, engrossing” literary journal explores the nature of power in its various forms with new stories, essays, and poetry (BBC.com). Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. This thought-provoking issue of the acclaimed literary anthology Freeman’s explores who gets to say what matters in a time of social upheaval. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of color walking in public spaces. The narrator of Lan Samantha Chang’s short story finally wrenches control of the family’s finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam’s story achieves freedom by selling bull semen. Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. Meanwhile, Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plane in Korea to the glare he received from a bear traveling with her cubs in the woods, asking—do you intend me harm? Featuring work from brand new writers Nicole Im, Jaime Cortez, and Nimmi Gowrinathan, as well as from some of the world’s best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Leïla Slimani, and Turkish novelist Elif Shafak, Freeman’s: Power escapes from the headlines of today and burrows into the heart of the issue.