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In the golden era of sci-fi TV, why were alien crustaceans so darned literal? Beloved 1950's star Uncle Wonder must create the ultimately irreverent television show — or crayfish from outer space will inflict their death-ray on an unsuspecting viewership. It is New York City, 1953. The new medium of live television has been kind to young pulp-fiction writer Kurt Jastrow. Not only does he enjoy scripting a popular children’s space opera, Brock Barton and His Rocket Rangers, he also plays an eccentric tinkerer on Uncle Wonder’s Attic. But Kurt’s world is thrown into disarray when two extraterrestrial crayfish-like creatures arrive at the studio. Certain that the audience for a religious program program represents “a hive of irrationalist vermin,” the crustaceans scheme to vaporize its two million viewers. Kurt and his co-writer have a mere forty hours to write and produce an explicitly rational and utterly absurd script that will somehow deter the aliens from their diabolical scheme.
New York City, 1953. The golden age of television, when most programs were broadcast live. Young Kurt Jastrow, a full-time TV writer and occasional actor, is about to have a close encounter of the apocalyptic kind. Kurt’s most beloved character (and alter ego) is Uncle Wonder, an eccentric tinkerer whose pyrotechnically spectacular science experiments delight children across the nation. Uncle Wonder also has a more distant following: the inhabitants of Planet Qualimosa. When a pair of his extraterrestrial fans arrives to present him with an award, Kurt is naturally pleased—until it develops that, come next Sunday morning, these same aliens intend to perpetrate a massacre. Will Kurt and his colleagues manage to convince the Qualimosans that Earth is essentially a secular and rationalist world? Or will the two million devotees of NBC’s most popular religious program suffer unthinkable consequences for their TV-viewing tastes? Stay tuned for The Madonna and the Starship!
After thirty years spent eating the brains of overachieving amateur climbers—who incorrectly believed they could summit Mount Everest—a James Bond-loving yeti decides that his life needs a touch more spirituality. But can an abominable monster truly change? Thus begins an improbable journey overseen by the true Dalai Lama himself, an adventure of attempted enlightenment, dietary restriction, unlikely friendship, and political intrigue. Bigfoot and the Bodhisattva is award-winning author James Morrow (Towing Jehovah, Shambling Towards Hiroshima) at his best: witty, incisive, and nonpareil.
“No one does history-meets-the-fantastic like Morrow. The Asylum of Dr. Caligari is a great example—Impressionism versus expressionism, psychology in the asylum of ‘dreams,’ the weaponization of art, big laughs and big ideas, a wild imagination, and smooth, subtle writing.” —Jeffrey Ford, author of A Natural History of Hell It is the summer of 1914. As the world teeters on the brink of the Great War, a callow American painter, Francis Wyndham, arrives at a renowned European insane asylum, where he begins offering art therapy under the auspices of Alessandro Caligari—sinister psychiatrist, maniacal artist, alleged sorcerer. And determined to turn the impending cataclysm to his financial advantage, Dr. Caligari will—for a price—allow governments to parade their troops past his masterpiece: a painting so mesmerizing it can incite entire regiments to rush headlong into battle. The Asylum of Dr. Caligari is a timely tale that is by turns funny and erotic, tender and bayonet-sharp—but ultimately emerges as a love letter to that mysterious, indispensable thing called art.
A satirical SF caper of evolution, gangsters, Darwin’s brain, and the Golden Age of Hollywood from the Nebula and World Fantasy Award–winning author. When Sonya Orlova, a successful 1930s horror-film actress, crosses paths with a gorilla whose brain has been swapped for the frozen cerebrum of the late Charles Darwin, the two are inspired to write and produce evolution-themed monster movies—with Sonya in her greatest role, Korgora the Ape Woman! As this offbeat and controversial Hollywood series finds a devoted cult audience, Sonia’s relationship with her strange simian collaborator acquires an intensity neither could have imagined. Then disaster strikes, as zealous opponents to Darwin’s ideas contrive to put the Ape Woman out of business. By turns satiric and romantic, madcap, and thoughtful, Behold the Ape is at once an outré love story, a tribute to classic monster movies, and a science-fictional celebration of that beleaguered institution we call public education.
In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirty-Second Annual Collection the very best SF authors explore ideas of a new world. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.
James Morrow's Galápagos Regained centers on the fictional Chloe Bathurst, an unemployed Victorian actress who finds work on Charles Darwin's estate, nurturing the strange birds, exotic lizards, and giant tortoises he brought back from his trip around the world. When Chloe gets wind of the Great God Contest, sponsored by the Percy Bysshe Shelley Society—£10,000 to the first petitioner who can prove or disprove the existence of a Supreme Being—she decides that Mr. Darwin's materialist theory of speciation might just turn the trick. (If Nature gave God nothing to do, maybe He was never around in the first place.) Before she knows it, her ambitions send her off on a wild adventure—a voyage by brigantine to Brazil, a steamboat trip up the Amazon, a hot-air balloon flight across the Andes—bound for the Galápagos archipelago, where she intends to collect the live specimens through which she might demonstrate evolutionary theory to the contest judges.
This short story anthology by the author of The Godhead Trilogy “reveals him to be one of the wittiest writers of contemporary speculative fiction” (Publishers Weekly, starred review). Join the Abominable Snowman as, determined to transcend his cannibalistic past, he studies Tibetan Buddhism under the Dalai Lama. Pace the walls of Ilium with fair Helen as she tries to convince both sides to abandon their absurd Trojan War. Visit the nursery of Zenobia Garber, born to a Pennsylvania farm couple who accept her for the uncanny little biosphere she is. Scramble aboard the raft built by the passengers and crew of the sinking Titanic—and don’t be surprised when the vessel transmutes into a world even more astonishing than the original Ship of Dreams. Reality by Other Means offers readers the most celebrated results from James Morrow’s decades-long career designing fictive thought experiments. Anchored by seven previously uncollected stories, this omnibus ranges from social satire to theological hijinks, steampunk escapades to philosophical antics.
World-saver, or world-breaker? The treaty that ended the civil war decreed that the men of science and the followers of the gods would split all of society between them. Yet Guild apprentice Pol was torn between the logic of science and the lure of faith, unaware that destiny had already chosen a very special role for him to play. For Pol was about to encounter a woman of unique power, the mistress of a mysterious, forbidden castle, who would lead him down the pathways of prophecy to a strange and frightening new world . . .
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