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Celebrate America's zaniest and most subversive magazine in 26 essays and comix from all-star contributors, including Roz Chast, Jonathan Lethem, and Grady Hendrix. Before SNL and the wise-guy sarcasm of Letterman and Colbert, before The Simpsons and online memes, there was . . . MAD. A mainstay of countless American childhoods, MAD magazine exploded onto the scene in the 1950s and gleefully thumbed its nose at all the postwar pieties. MAD became the zaniest, most subversive satire magazine ever to be sold on America’s newsstands, anticipating the spirit of underground comix and ’zines and influencing humor writing in movies, television, and the internet to this day. Edited by David Mikics, The MAD Files celebrates the magazine’s impact and the legacy of the Usual Gang of Idiots who transformed puerile punchlines and merciless mockery into an art form. 26 essays and comics present a varied, perceptive, and often very funny account of MAD’s significance, ranging from the cultural to the aesthetic to the personal. Art Spiegelman reflects on how he “couldn’t learn much about America from my refugee immigrant parents—but I learned all about it from MAD” Roz Chast remembers how the magazine was “love at first sight. . . . It was one of my first inklings that there were other people out there who found the world as ridiculous as I did.” David Hajdu and Grady Hendrix zero in on MAD’s hilarious movie spoofs Liel Leibovitz delves into the Jewishness behind the magazine’s humor and Rachel Shteir amplifies the often unsung contributions of MAD’s women artists. Several essays are admiring profiles of the individual creators that made MAD what it was: Mort Drucker, Harvey Kurtzman, Al Jaffee, Antonio Prohias, and Will Elder. For longtime fans and new readers alike, The MAD Files is an indispensable guide to America’s greatest satire magazine.
“Seeing Mad” is an illustrated volume of scholarly essays about the popular and influential humor magazine Mad, with topics ranging across its 65-year history—up to last summer’s downsizing announcement that Mad will publish less new material and will be sold only in comic book shops. Mad magazine stands near the heart of post-WWII American humor, but at the periphery in scholarly recognition from American cultural historians, including humor specialists. This book fills that gap, with perceptive, informed, engaging, but also funny essays by a variety of scholars. The chapters, written by experts on humor, comics, and popular culture, cover the genesis of Mad; its editors and prominent contributors; its regular features and departments and standout examples of their contents; perspectives on its cultural and political significance; and its enduring legacy in American culture.
Few humans in history have been satirized as remorselessly as Adolf Hitler. It was easy to do. You could "Hitlerize" almost anything by adding a cow's lick hairstyle and a toothbrush mustache. While his own side, the Nazis, portrayed him as a demigod, the perfect leader, and father of the nation, his enemies took it in the other direction, drawing him as a knock-kneed simpleton, a butcher with bloodied hands, an evil ghoul spewed up by the Abyss, and even an egg that had cracked. Hitler in Cartoons is the illustrated biography of a megalomaniac and control freak. Starting with his rise in the 1920s and ending with his fall in 1945, this book gives you Hitler in the raw as seen through the eyes of some of the world's greatest cartoonists, including Herb Block, D. R. Fitzpatrick, Ding Darling, E. H. Shepard, Bernard Partridge, Leslie Illingworth, and many others. The brilliant images they produced will haunt you as well as make you laugh.
No one knows more about comedy than Steve Allen. For more than five decades as a writer, performer, and keen observer of the social scene, he has looked into every aspect of who''s funny, what''s funny, and why. Allen shares his discoveries in How to Be Funny, the book designed to help everyone develop their special talent for funniness.Now reissued in paperback, How to Be Funny covers all the basics, including joke telling, ad-libbing, writing humorously, performing comedy, emceeing, and much more. Allen takes you inside the world of comedy, from the early writings of Mark Twain, to the more contemporary work of Rodney Dangerfield and Bill Maher. Allen even provides homework assignments for the budding comic!Yet How to Be Funny is far more than just a book for aspiring comedians it will help anyone who wants to be a more amusing conversationalist, a more effective public speaker, and everyone who just wants to be the life of the party.
In late nineteenth-century America, political cartoonists Thomas Nast, Joseph Keppler, Bernhard Gillam and Grant Hamilton enjoyed a stature as political powerbrokers barely imaginable in today's world of instant information and electronic reality. Their drawings in Harper's Weekly, the dime humor magazines Puck and the Judge, and elsewhere were often in their own right major political events. In a world of bare-knuckles partisan journalism, such power often corrupted, and creative genius was rarely restrained by ethics. Interpretations gave way to sheer invention, transforming public servants into ogres more by physiognomy than by fact. Blacks, Indians, the Irish, Jews, Mormons, and Roman Catholics were reduced to a few stereotypical characteristics that would make a modern-day bigot blush. In this pungent climate, and with well over 100 cartoons as living proof, Roger Fischer - in a series of lively episodes - weaves the cartoon genre in to the larger fabric of politics and thought the Guilded Age, and beyond.
Essays and stories on fashion, art, and culture in the New York of the 2010s. We were supposed to meet Rose McGowan at Café d'Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn't even read her Weinstein story… I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn't feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn't excited about what was being pitched to replace it. If we got all of it out in the open, what would we have left? My fear was that guilt would destroy the classics and there'd be no one left to fuck. All movies would be as low-budget and as puritanical as the stuff they play on Lifetime, all of New York would look like a Target ad, every book or article would be a cathartic tell-all, and I'd be sexually frustrated but too ashamed to hook up with assholes, or even to watch porn. —from Sleeveless Eve Babitz meets Roland Barthes in Sleeveless, Natasha Stagg's follow up to Surveys, her 2016 novel about internet fame. Composed of essays and stories commissioned by fashion, art, and culture magazines, Sleeveless is a scathing and sensitive report from New York in the 2010s. During those years, Stagg worked as an editor for V magazine and as a consultant, creating copy for fashion brands. Through these jobs, she met and interviewed countless industry luminaries, celebrities, and artists, and learned about the quickly evolving strategies of branding. In Sleeveless, she exposes the mechanics of personal identity and its monetization that propelled the narrator of Surveys from a mall job in Tucson to international travel and internet fame.
From the Dursleys as social commentary to a look at Snape's role in less than child-friendly fanfiction . . . from the parallels between Azkaban and Abu Ghraib to the role of religion at Hogwarts . . . from why Dumbledore had to die to why killing Harry never should have been part of Voldemort's plan to begin with . . . Mapping the World of the Sorcerer's Apprentice offers a comprehensive look at the Harry Potter series through the eyes of leading science fiction and fantasy writers and religion, psychology, and science experts. This book has not been authorized by J. K. Rowling, Warner Bros. or anyone associated with the Harry Potter books or films.
A fiftieth anniversary tribute to MAD Magazine celebrates famous cartoon figures from its "Usual Gang of Idiots," in a volume that features rare sketches and interviews with veteran MAD artists and writers. Original.
A humorous look at art through 113 full colour cartoons, covering subjects ranging from artists to art galleries, art lovers to art classes. The cartoonist's imagination frequently alights on aspects of modern art and contemporary art, but artists such as Leonardo da Vinci and Vermeer get a look in too.